Abumi-guchi
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Abumi-guchi
An is a strange, furry '' yōkai'', or Japanese monster, that is illustrated in Sekien Toriyama's '' Gazu Hyakki Tsurezure Bukuro''. Mythology It is a type of '' tsukumogami'' formed from a stirrup A stirrup is a light frame or ring that holds the foot of a rider, attached to the saddle by a strap, often called a ''stirrup leather''. Stirrups are usually paired and are used to aid in mounting and as a support while using a riding animal ( ..., usually one that once belonged to a dead soldier. It is said that the ''abumi-guchi'' will wait where it lies for the dead soldier to return. External links * Tsukumogami {{Japan-myth-stub ...
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Gazu Hyakki Tsurezure Bukuro
is the fourth book in Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' tetralogy. A version of the tetralogy translated and annotated in English was published in 2016. The title is a pun; "hyakki", normally written with the characters "hundred" and "''oni''", is instead written with "hundred" and "vessels". This hints that the majority of the ''yōkai'' portrayed in its pages are of the variety known as ''tsukumogami'', man-made objects taken sentient form. ''Hyakki Tsurezure Bukuro'' is preceded in the series by ''Gazu Hyakki Yagyō'', ''Konjaku Gazu Zoku Hyakki'', and ''Konjaku Hyakki Shūi''. Published in 1781, it was inspired in part by ''Tsurezuregusa'' (''Tales in Idleness''), a 14th-century essay collection by the monk Yoshida Kenkō. The book takes the form of a supernatural bestiary of yōkai. Unlike previous books in the series, the majority of ''Hyakki Tsurezure Bukuro''s yōkai appear to be of Sekien's own creation, based on turns of phrase or stories fro ...
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Tsukumogami
In Japanese folklore, ''tsukumogami'' (付喪神 or つくも神, lit. "tool ''kami''") are tools that have acquired a kami or spirit. According to an annotated version of ''The Tales of Ise'' titled ''Ise Monogatari Shō'', there is a theory originally from the ''Onmyōki'' (陰陽記) that foxes and tanuki, among other beings, that have lived for at least a hundred years and changed forms are considered ''tsukumogami''. In modern times, the term can also be written 九十九神 (literally ninety-nine ''kami''), to emphasize the agedness. According to Komatsu Kazuhiko, the idea of a ''tsukumogami'' or a ''yōkai'' of tools spread mostly in the Japanese Middle Ages and declined in more recent generations. Komatsu infers that despite the depictions in Bakumatsu period ukiyo-e art leading to a resurfacing of the idea, these were all produced in an era cut off from any actual belief in the idea of ''tsukumogami''. Because the term has been applied to several different concepts in ...
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Yōkai
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the Western sense of the word, but are instead spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folklorists and historians explain as personifications of "supernatural or unaccountable phenomena to th ...
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Monster
A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. Monsters are very often depicted as dangerous and aggressive with a strange, grotesque appearance that causes terror and fear. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts and spirits, zombies or cannibals, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process. Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek myth, Minos does not sacrifice to Poseidon the white bull which the god sent him, so as punishment Poseidon makes Minos' wife, Pasiphaë, fall in love with the bull. She copulat ...
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Sekien Toriyama
200px, A Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama">Miage-nyūdō.html" ;"title="Mikoshi-nyūdō, specifically a Miage-nyūdō">Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama , real name Sano Toyofusa, was an 18th-century scholar, ''kyōka'' poet, and ''ukiyo-e'' artist of Japanese folklore. Born to a family of high-ranking servants to the Tokugawa shogunate, he was trained by Kanō school artists Kanō Gyokuen and Kanō Chikanobu, although he was never officially recognized as a Kanō school painter. Art career After retiring from service to the shogunate, he became a teacher to numerous apprentices in poetry and painting. He was among the first to apply Kanō techniques to ''ukiyo-e'' printmaking, inventing key new techniques along the way, such as ''fuki-bokashi'', which allowed for replicating color gradations. Most famously, he was the teacher of Kitagawa Utamaro and Utagawa Toyoharu. Sekien is best known for his mass-pro ...
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Stirrup
A stirrup is a light frame or ring that holds the foot of a rider, attached to the saddle by a strap, often called a ''stirrup leather''. Stirrups are usually paired and are used to aid in mounting and as a support while using a riding animal (usually a horse or other equine, such as a mule). They greatly increase the rider's ability to stay in the saddle and control the mount, increasing the animal's usefulness to humans in areas such as communication, transportation, and warfare. In antiquity, the earliest foot supports consisted of riders placing their feet under a girth or using a simple toe loop appearing in India by the 2nd century BC. Later, a single stirrup was used as a mounting aid, and paired stirrups appeared after the invention of the treed saddle. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia.Dien, Albert"The Stirrup and Its Effect on Chinese Military History" Accessed January ...
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