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Abrons Arts Center
The Henry Street Settlement is a not-for-profit social service agency in the Lower East Side neighborhood of Manhattan, New York City that provides social services, arts programs and health care services to New Yorkers of all ages. It was founded under the name Nurses' Settlement in 1893 by progressive reformer and nurse Lillian Wald. Description The Settlement serves about 50,000 people each year. Clients include low-income individuals and families, survivors of domestic violence, youth ages 2 through 21, individuals with mental and physical health challenges, senior citizens, and arts and culture enthusiasts who attend performances, classes and exhibitions at Henry Street's Abrons Arts Center. The Settlement's administrative offices are still located in its original (c. 1832) federal row houses at 263, 265 and 267 Henry Street in Manhattan. Services are offered at 17 program sites throughout the area, many of them located in buildings operated by the New York City Housing A ...
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Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state of New York. Located near the southern tip of New York State, Manhattan is based in the Eastern Time Zone and constitutes both the geographical and demographic center of the Northeast megalopolis and the urban core of the New York metropolitan area, the largest metropolitan area in the world by urban landmass. Over 58 million people live within 250 miles of Manhattan, which serves as New York City’s economic and administrative center, cultural identifier, and the city’s historical birthplace. Manhattan has been described as the cultural, financial, media, and entertainment capital of the world, is considered a safe haven for global real estate investors, and hosts the United Nations headquarters. New York City is the headquarters of ...
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Henry Street Settlement Sign And Entrance From West
Henry may refer to: People *Henry (given name) *Henry (surname) * Henry Lau, Canadian singer and musician who performs under the mononym Henry Royalty * Portuguese royalty ** King-Cardinal Henry, King of Portugal ** Henry, Count of Portugal, Henry of Burgundy, Count of Portugal (father of Portugal's first king) ** Prince Henry the Navigator, Infante of Portugal ** Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne * King of Germany **Henry the Fowler (876–936), first king of Germany * King of Scots (in name, at least) ** Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots ** Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX * Four kings of Castile: **Henry I of Castile **Henry II of Castile **Henry III of Castile **Henry IV of Castile * Five kings of France, spelt ''Henri'' in Modern French since the Renaissance to italianize the name and to ...
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Berl Senofsky
Berl Senofsky (April 19, 1926 − June 21, 2002) was an American classical violinist and teacher, active during the twentieth century. Biography Senofsky was born in Philadelphia in 1926. His parents were violinists and had moved to the United States from the Soviet Union. He started on violin at age three and was taught by his father. His talent was noted early on. At age six he won a scholarship to study with Louis Persinger. At age twelve he won a scholarship to study at Juilliard with Ivan Galamian, which turned into a twelve-year association. Senofsky served in the milliary during World War II. Following the war he debuted in New York City and won the William Naumburg Competition in 1946. Soon after, he started to perform with the Cleveland Orchestra under George Szell. He was the assistant concertmaster of the Cleveland Orchestra from 1951 to 1955. In 1955 he became the first American to win the Queen Elisabeth Competition, an international competition in Belgium. Subseque ...
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Lehman Engel
A. Lehman Engel (born September 14, 1910, Jackson, Mississippi - died August 29, 1982, New York City) was an American composer and conductor of Broadway musicals, television and film. Work in theatre, television and films Engel worked in a variety of positions on television specials. He was composer and conductor of the music for the famed 1954 television production of Shakespeare's ''Macbeth'', starring Maurice Evans and Judith Anderson, but did not work on the 1960 remake starring the same two actors. He was conductor of the first (and so far, the only) television version of Leonard Bernstein's ''Wonderful Town'' (1958) (TV), as well as, in the preceding years, of the ''Hallmark Hall of Fame'' productions of Shakespeare's ''The Taming of the Shrew'' in 1956, ''Twelfth Night'' in 1957, and '' The Tempest'' in 1960, all with Maurice Evans. He also conducted the music for the Broadway musical version of ''Li'l Abner'', but not for the 1959 film version of the show. The music in ...
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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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Edwin Denby (poet)
Edwin Orr Denby (February 4, 1903 – July 12, 1983) was an American writer of dance criticism, poetry, and a novel, but is perhaps now best known for his work with Orson Welles in translating and adapting the 1851 French comedy '' The Italian Straw Hat'' to the American stage in 1936 in the form of the farce ''Horse Eats Hat''. Early life, education and early career The son of Charles Denby, Jr. and Martha Dalzell Orr, Edwin was born in Tientsin, China, where Charles had been appointed as chief foreign advisor to Yuan Shi Kai a year earlier. Edwin's grandfather, Charles Harvey Denby, who had served as the United States Ambassador to China for an unprecedented 13 years, died when Edwin was age one. Denby spent his childhood first in Shanghai, China, then in Vienna, Austria, where his father served as consul general from 1909 to 1915, before coming to the United States in 1916. He was educated at the Hotchkiss School in Lakeville, Connecticut; and attended Harvard Universit ...
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The Second Hurricane
''The Second Hurricane'' is an opera in two acts by Aaron Copland to a libretto by Edwin Denby. Specifically written for school performances, it lasts just under an hour and premiered on April 21, 1937, at the Henry Street Settlement playhouse in New York City. Set in the United States in the 1930s, the opera tells the story of a group of high school students who become trapped on an island while working to rescue the victims of a hurricane. Background and performance history ''The Second Hurricane'' was Copland's first attempt at composing opera and was commissioned by the Henry Street Settlement in New York City where it premiered on April 21, 1937, at the settlement's playhouse performed by students at its music school. The premiere production was designed by Orson Welles and conducted by Lehman Engel. The young Joseph Cotten played the small speaking role of Mr. Maclenahan. The work was performed on CBS Radio May 9, 1937, in a one-hour broadcast directed by Earle McGill. The ...
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Walter Damrosch
Walter Johannes Damrosch (January 30, 1862December 22, 1950) was a German-born American conductor and composer. He was the director of the New York Symphony Orchestra and conducted the world premiere performances of various works, including George Gershwin's Piano Concerto in F, ''An American in Paris'', and Jean Sibelius' ''Tapiola''. Damrosch was also instrumental in the founding of Carnegie Hall. He also conducted the first performance of Rachmaninoff's Piano Concerto No. 3 with the composer himself as soloist. Life and career Damrosch was born in Breslau, Silesia, a son of Helene von Heimburg, a former opera singer, and the conductor Leopold Damrosch, and brother of conductor Frank Damrosch and music teacher Clara Mannes. His parents were Lutheran (his paternal grandfather was Jewish). He exhibited an interest in music at an early age and was instructed by his father in harmony and also studied under Wilhelm Albert Rischbieter and Felix Draeseke at the Dresden Conserva ...
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Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ...
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Irene Lewisohn
Irene Lewisohn (September 5, 1886 – April 4, 1944) was the founder of the Neighborhood Playhouse and the Museum of Costume Art. Biography She was the daughter of Rosalie Jacobs and Leonard Lewisohn. In 1905 she and her sister, Alice Lewisohn, began classes and club work at the Henry Street Settlement House in New York. They produced performances with both dance and drama. In 1915, they opened the Neighborhood Playhouse on the corner of Grand and Pitt Streets. There they offered training in both dance and drama to children and teenagers. Irene was in charge of the dance training and production, with the assistance of Blanche Talmud. Alice Lewisohn was in charge of the dramatic arts. In 1928 they opened The Neighborhood Playhouse School of the Theatre at 16 West Forty-sixth Street. Irene Lewisohn died in 1944. Her father is of Jewish background. Legacy *The Irene Lewisohn Costume Reference Library is at the Metropolitan Museum of Art The Metropolitan Museum of Art of New Y ...
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Alice Lewisohn
Alice Lewisohn (1883–1972) was the founder of the Neighborhood Playhouse with her sister Irene Lewisohn. Alice was also an actress. Biography She was the daughter of Rosalie Jacobs and Leonard Lewisohn. In 1905 she and her sister, Irene Lewisohn, began classes and club work at the Henry Street Settlement House in New York. They produced performances with both dance and drama. In 1915, they opened the Neighborhood Playhouse on the corner of Grand and Pitt Streets. There they offered training in both dance and drama to children and teenagers. Irene was in charge of the dance training and production, with the assistance of Blanche Talmud. Alice Lewisohn was in charge of the dramatic arts. In 1924 she married artist, cartoonist and designer Herbert E. Crowley. Her father is of Jewish background. She resided in Zurich, Switzerland for many years and was part of the Carl Jung inner circle, along with Crowley. The notion of a hermaphroditic God, drawn from Kabbalah, was suggested t ...
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Little Theatre Movement
As the new medium of cinema was beginning to replace theater as a source of large-scale spectacle, the Little Theatre Movement developed in the United States around 1912. The Little Theatre Movement served to provide experimental centers for the dramatic arts, free from the standard production mechanisms used in prominent commercial theaters. In several large cities, beginning with Chicago, Boston, Seattle, and Detroit, companies formed to produce more intimate, non-commercial, non-profit-centered, and reform-minded entertainments. History Conventional theater in 19th-century America Sensational melodramas had entertained theatre audiences since the mid-19th century, drawing larger and larger audiences.Watt, Stephen and Richardson, Gary (ed.), ''American Drama: Colonial to Contemporary''. Cambridge, MA: Heinle & Heinle, pp. 147–150. . These types of formulaic works could be produced over and over again in splendid halls in big cities and by touring companies in smaller ones. Durin ...
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