Abenteuer Einer Nacht
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Abenteuer Einer Nacht
''A Night's Adventure'' (German:''Abenteuer einer Nacht'') is a 1923 German silent thriller film directed by and starring Harry Piel.Grange p.147 The film's sets were designed by the art director Kurt Richter. Cast * Harry Piel * Lissy Arna Lissy Arna (born Elisabeth Arndt, 20 December 1900 – 22 January 1964) was a German film actress. She appeared in 63 films between 1918 and 1962. She starred in the 1931 film '' The Squeaker'', which was directed by Martin Frič and Karel L ... * Friedrich Kühne * Fred Immler * Albert Bassermann References Bibliography * Grange, William. ''Cultural Chronicle of the Weimar Republic''. Scarecrow Press, 2008. External links * 1923 films Films of the Weimar Republic Films directed by Harry Piel German silent feature films German black-and-white films {{Germany-silent-film-stub ...
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Harry Piel
Heinrich Piel (12 July 1892 – 27 March 1963), known professionally as Harry Piel, was a prolific German actor, film director, screenwriter, and film producer who was involved in over 150 films. Piel became a director in 1912, turning out such box-office successes as ''Mann Gegen Mann'' (1928), ''Achtung! - Auto-Diebe!'' (1930) and ''Artisten'' (1935). His last directorial effort was 1953's ''Gesprengte Gitter (Elephant Fury'', a.k.a. ''Panic''), which he also produced, wrote, and starred. Early life After attending elementary school in Benrath and High School in Derendorf, Piel became a cadet in 1909 on a sailing ship, the ''Grand Duchess Elizabeth''. In 1911, however, he finished his cadet hood and moved to Berlin in 1912 where he created the "Art Film Publishing House Company" and made, as a director, screenwriter and producer, his first feature ''Black Blood'' (1912) with Curt Goetz in the lead role. Further films followed, based on adventure and action. Career Piel recei ...
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Kurt Richter (art Director)
Kurt Richter (1885–1960) was an Austrian art director of the silent era. He designed the sets for more than a hundred films during his career, including a number made by the leading German company UFA where he frequently collaborated with director Ernst Lubitsch.Hake p.37 Selected filmography * '' The White Terror'' (1917) * ''Lulu'' (1917) * ''The Ballet Girl'' (1918) * '' The Toboggan Cavalier'' (1918) * '' Struggling Souls'' (1918) * '' I Don't Want to Be a Man'' (1918) * '' The Rosentopf Case'' (1918) * '' The Lady, the Devil and the Model'' (1918) * ''The Seeds of Life'' (1918) * '' The Teahouse of the Ten Lotus Flowers'' (1919) * '' The Dagger of Malaya'' (1919) * '' The Merry Husband'' (1919) * ''A Drive into the Blue'' (1919) * ''Madame DuBarry'' (1919) * ''The Oyster Princess'' (1919) * '' The Howling Wolf'' (1919) * ''The Panther Bride'' (1919) * '' The Galley Slave'' (1919) * '' The Woman at the Crossroads'' (1919) * ''Countess Doddy'' (1919) * '' The Daughter of Mehem ...
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Films Directed By Harry Piel
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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1923 Films
The following is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top seven films released in 1923 by U.S. gross are as follows: Events *April 4 – Warner Bros. Pictures Inc. incorporated in the United States. *April 15 – Lee De Forest demonstrates the Phonofilm sound-on-film system at the Rivoli Theater in New York with a series of short musical films featuring vaudeville performers. *Henry Roussel's ''Les Opprimés'' is released, introducing mattes (painted by W. Percy Day) to French cinema. *October 16 – Brothers Walt and Roy O. Disney establish the Disney Brothers Cartoon Studio (later to be known as Walt Disney Productions). Notable films released in 1923 American films unless stated otherwise A *''Adam's Rib'', directed by Cecil B. DeMille *''The Ancient Law (Das alte Gesetz)'', directed by E. A. Dupont, starring Henny Porten – (Germany) *''Ashes of Vengeanc ...
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Albert Bassermann
Albert Bassermann (7 September 1867 – 15 May 1952) was a German stage and screen actor. He was considered to be one of the greatest German-speaking actors of his generation and received the famous Iffland-Ring. He was married to Elsa Schiff with whom he frequently performed. Life and career Bassermann began his acting career in 1887 in Mannheim, his birthplace, after he began to study chemistry at the Technical University of Karlsruhe in 1884/85. He then moved to Berlin. From 1899, he worked for Otto Brahm. He began work at the Deutsches Theater Berlin from 1904, the same year that his future wife, actress Elsa Bassermann (née Schiff), moved to Berlin to work at that same theater. In 1909, the year after they married, he started working at the Lessing Theatre, though he also continued at the Deutsches Theater, working there with Max Reinhardt from 1909 to 1915. Roles included ''Othello'' in 1910, Faust Part II with Friedrich Kayssler in 1911, Shylock in ''The Merchant o ...
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Fred Immler
Ferdinand "Fred" Immler (10 December 1880 –20 February 1965) was a German stage and film actor. Life Born in Coburg, as a young adult he worked from 1900 to 1902 at Deutsche Bank in Berlin and from 1902 to 1904 at Dresdner Bank. 1905 he returned to Coburg as an actor-in-training and from 1906 to 1908 he performed at the local court theatre. From 1908 to 1909, he worked at the Residence Theater Hanover, 1909 at the Summer Theatre in Posen and from 1909 to 1910 at the court theatre in Gera. 1910, he played at the Liebich Theatre and at the Victoria Theatre in Breslau. In 1912, Immler made the transition to the medium of motion pictures and appeared opposite the Danish actress Asta Nielsen in several roles between 1912 and 1915, all directed by Nielsen's husband Urban Gad. At the outbreak of World War I, he enlisted in the German military. He returned to film in 1919, and starred in the Ernst Lubitsch-directed, Hanns Kräly-penned costume-drama '' Madame Du Barry'' opposite Pol ...
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Friedrich Kühne
Friedrich Kühne (24 April 1870 – 13 October 1959), born Franz Michna, was a German film actor of the silent era. He appeared in more than 100 films between 1913 and 1957. Selected filmography * ''The Iron Cross'' (1914) * ''Detektiv Braun'' (1914) * ''Der Hund von Baskerville'' (''The Hound of the Baskervilles'') (1914) as Stapleton * '' The Silent Mill'' (1914) * ''Tales of Hoffmann'' (1916) * '' Ferdinand Lassalle'' (1918) * '' The Prisoner of Dahomey'' (1918) * ''Alraune, die Henkerstochter, genannt die rote Hanne'' (1918) * '' Opium'' (1919) * '' Veritas Vincit'' (1919) * '' The Spiders'' (1919-1920, 2 parts) * '' Judith Trachtenberg'' (1920) * ''The Song of the Puszta'' (1920) * ''Lady Hamilton'' (1921) * ''The Terror of the Red Mill'' (1921) * '' The Black Panther'' (1921) * ''Danton'' (1921) * ''Children of Darkness'' (1921) * ''Hashish, the Paradise of Hell'' (1921) * '' Treasure of the Aztecs'' (1921) * ''Die Gezeichneten'' (1922) * ''The False Dimitri'' (1922) ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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Heinrich Nebenzahl
Heinrich Nebenzahl (1870–1938) was an Austrian-born film producer.Prawer p.7 In 1925 he founded the German production company Nero Film which prospered under the management of his son Seymour Nebenzahl. In 1933 the Jewish Nebenzahls were forced to leave Germany by the coming to power of the Nazi Party. They resettled in Paris where Seymour continued to operate the company following the Nazi censorship of Seymour's film made with Fritz Lang. The Testament of Dr. Mabuse. In 1938 Heinrich died and his son Seymour and grandson, film producer Harold Nebenzal subsequently relocated to the United States. Selected filmography * ''Rivals (1923 film), Rivals'' (1923) * ''A Night's Adventure'' (1923) * ''The Last Battle (1923 film), The Last Battle'' (1923) * ''The House by the Sea (1924 film), The House by the Sea'' (1924) * ''The World Wants To Be Deceived'' (1926) * ''Should We Be Silent?'' (1926) * ''The Flight in the Night'' (1926) * ''Escape to the Foreign Legion'' (1929) References ...
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Thriller Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his screenwriters' taxonomy, claiming that ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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