Abel Decaux
   HOME
*



picture info

Abel Decaux
Abel-Marie Alexis Decaux (11 February 1869 – 19 March 1943) was a French organist, composer, and pedagogue, best known for his piano suite ''Clairs de lune'', some of the earliest pieces of dodecaphonic, yet impressionist music. A student of Théodore Dubois, Jules Massenet, and Charles-Marie Widor, among others, he was the titular organist of the grand organ of the Sacré-Cœur basilica. Decaux was more renowned as a player and professor during his lifetime than a composer. He is popularly known as the "French Schoenberg". Biography Abel-Marie Alexis Decaux was born at 03:00 in Auffay (Seine-Maritime; then named Seine-Inférieure). He was the second son of Louis-Émile Decaux, a mayoral secretary, teacher, and school principal; and Aimé Désiré Picard. His parents married on 17 September 1855 in Mesnières-en-Bray. From his earliest years, he began to display artistic tendencies. His elder brother, Alexis then tutored him in the basics of music. Alexis, an amateur com ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Decaux à La Scola Vers 1900
Decaux, or De Caux, is a French surname. Notable people with the surname include: Decaux *Abel Decaux (1869–1943), French classical organist and composer *Alain Decaux (1925–2016), French historian * Alice Decaux (born 1985), French hurdler *Georges Decaux (1930–2015), French cyclist * Jacques Decaux (1918–2003), French sport shooter *Jean-Claude Decaux (1937–2016), French businessman De Caux * Jean Baptiste de Caux of Blacquetot (1723-1796), French army officer * John de Caux, or John de Caleto ( – 1263), Norman-English administrator * Len De Caux Len De Caux (aka Leonard De Caux) (1899–1991) was a 20th-century labor activist in the United States of America who served as publicity director for the Congress of Industrial Organizations (CIO) and worked to stop passage of the Taft-Hartley ... (1899–1991), American labor activist * Louis Victor de Blacquetot de Caux (1773–1845), French army officer See also * Iphigénie Decaux-Milet-Moreau (1778–1862), Fre ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Louis Vierne
Louis Victor Jules Vierne (8 October 1870 – 2 June 1937) was a French organist and composer. As the organist of Notre-Dame de Paris from 1900 until his death, he focused on organ music, including six organ symphonies and a '' Messe solennelle'' for choir and two organs. He toured Europe and the United States as a concert organist. His students included Nadia Boulanger and Maurice Duruflé. Life Louis Vierne was born in Poitiers on 8 October 1870, the son of Henri-Alfred Vierne (1828–1886), a teacher, who became a journalist. He was editor-in-chief of the ''Journal de la Vienne'' in Poitiers, where he met his future wife, Marie-Joséphine Gervaz. The couple had four children. Louis was born nearly blind due to congenital cataracts. His unusual gift for music was discovered early. When he was only two years of age, he heard the piano for the first time: a pianist played him a Schubert lullaby, and after he had finished young Louis promptly began to pick out the notes of the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Breteuil, Oise
Breteuil () or Breteuil-sur-Noye (, literally ''Breteuil on Noye'') is a commune in the Oise department in northern France. It is located in the Noye valley. Law of Breteuil The Duke of Normandy gave a charter to Breteuil guaranteeing it many freedoms. After the Norman conquest of England and later the Norman Conquest of Ireland, the "law of Breteuil" was granted to many towns in those countries. Population Its inhabitants are calles ''Brituliens''. See also * Communes of the Oise department The following is a list of the 679 communes of the Oise department of France. The communes cooperate in the following intercommunalities (as of 2020):Communes of Oise
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Bourg-la-Reine
Bourg-la-Reine () is a commune in the southern suburbs of Paris, France. It is located from the center of Paris. History In 1792, during the French Revolution, Bourg-la-Reine (meaning "Town of the Queen") was renamed Bourg-l'Égalité (meaning "Equality borough"). The name Bourg-la-Reine was restored in 1812. Population The inhabitants are called ''Réginaburgiens''. Wesh ptn ils sont tous morts en 2022 bande de gigolos! C’est comme l’Australie Bourg la reine n’existe pas wesh les gars vous êtes ouf!!! Transport Bourg-la-Reine is served by Bourg-la-Reine station on Paris RER line B. Education Public schools in the commune include: *Preschools: École de la Fontaine-Grelot, École Etienne-Thieulin-la-Faïencerie, École des Bas-Coquarts *Elementary schools: École République, École Etienne-Thieulin-la-Faïencerie, École Pierre-Loti
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Déodat De Séverac
Marie-Joseph Alexandre Déodat de Séverac (; 20 July 1872 – 24 March 1921) was a French composer. Life Séverac was born in Saint-Félix-de-Caraman, Haute-Garonne. He descended from a noble family, profoundly influenced by the musical traditions of his native Languedoc. He first studied in Toulouse, then later moved to Paris to study under Vincent d'Indy and Albéric Magnard at the Schola Cantorum, an alternative to the training offered by the Conservatoire de Paris. There he took organ lessons from Alexandre Guilmant and worked as an assistant to Isaac Albéniz. He returned to the southern part of France, where he spent much of the rest of his rather short life. His native south was a region that attracted a number of his contemporaries—artists and poets he had met in Paris. His opera ''Héliogabale'' was produced at Béziers in 1910.Jean-Bernard Cahours D'ASPRY (2013) "Déodat de Séverac, Ricardo Viñes et leurs amis de Fontfroide". In Mario d'Angelo (ed) ''La musique ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Schola Cantorum De Paris
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Albéric Magnard, Magnard, Albert Roussel, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sainte-Trinité, Paris
The Église de la Sainte-Trinité is a Roman Catholic church located in the 9th arrondissement of Paris. The church is a building of the Second Empire period, built between 1861 and 1867 at a cost of almost 5 million francs. Church La Trinité, as it is known, was designed by Théodore Ballu as part of the beautification and reorganization of Paris under Baron Haussmann. Exterior figures of Faith, Hope, and Charity on the church were sculpted by Eugène-Louis Lequesne. The 93 meter-long church has a bell tower 63 metres high topped by a dome. The choir is ten steps higher than the nave and surrounded by an ambulatory. Also named after it are the rue de La Trinité and the square de La Trinité. The church is accessible by the Métro (the nearby station, Trinité, is named after it) and is known internationally for its former organist, the French composer Olivier Messiaen. It was the location of Gioachino Rossini's funeral, on 13 November 1868, Hector Berlioz's funeral, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Alexandre Guilmant
Félix-Alexandre Guilmant (; 12 March 1837 – 29 March 1911) was a French organist and composer. He was the organist of La Trinité from 1871 until 1901. A noted pedagogue, performer, and improviser, Guilmant helped found the Schola Cantorum de Paris. He was appointed as Professor of Organ at the Paris Conservatoire in 1896. Biography Guilmant was born in Meudon. A student first of his father Jean-Baptiste and later of the Belgian master Jacques-Nicolas Lemmens, he became an organist and teacher in his place of birth. In 1871 he was appointed to play the organ regularly at la Trinité church in Paris, and this position, ''organiste titulaire'', was one he held for 30 years.Ochse, Orpha Caroline (1994), ''Organists and Organ Playing in Nineteenth-Century France and Belgium'', Indiana University Press, pp. 195–96, Guilmant was known for his improvisations, both in the concert and church setting. His inspiration came from gregorian chants, and he was greatly noted amon ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]