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Abanindranath
Abanindranath Tagore (Bengali: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and creator of the "Indian Society of Oriental Art". He was also the first major exponent of Swadeshi values in Indian art. He founded the influential Bengal school of art, which led to the development of modern Indian painting.Abanindranath Tagore, A Survey of the Master’s Life and Work by Mukul Dey , reprinted from "Abanindra Number," ''The Visva-Bharati Quarterly,'' May – Oct. 1942. He was also a noted writer, particularly for children. Popularly known as 'Aban Thakur', his books ''Rajkahini, Buro Angla, Nalak,'' and '' |
Abanindranath Tagore's Konnagar Baganbari In 2014 (Before Restoration)
Abanindranath Tagore (Bengali: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and creator of the "Indian Society of Oriental Art". He was also the first major exponent of Swadeshi values in Indian art. He founded the influential Bengal school of art, which led to the development of modern Indian painting.Abanindranath Tagore, A Survey of the Master’s Life and Work by Mukul Dey , reprinted from "Abanindra Number," ''The Visva-Bharati Quarterly,'' May – Oct. 1942. He was also a noted writer, particularly for children. Popularly known as 'Aban Thakur', his books ''Rajkahini, Buro Angla, Nalak,'' and '' Khirer Putu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passing Of Shah Jahan
''The Passing of Shah Jahan'' is a Miniature painting, painted by the Indian artist Abanindranath Tagore in 1902. The painting depicts a scene in which the fifth Mughal Emperor Shah Jahan stares upon the Taj Mahal on his deathbed, with his daughter Jahanara Begum at his feet. Initially involved with the dominant style of European Realism (arts), Naturalism, Tagore's mentor Ernest Binfield Havell had introduced him to various types of Indian art. Of these varieties, Tagore was most impressed with old Mughal miniatures, which often featured emotionless, but detailed illustrations of scenes and characters. Incorporating this style with the traditional Indian artistic concept of ''Bhava, or emotion, Tagore had painted a scene based upon the growing re-interest in Indian history during the British Raj. The painting had helped to establish Tagore as one of the most well known Indian artists of his time. In addition to creating a whole new movement of Indian style painting, Tagore later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Art
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms. The origin of Indian art can be traced to prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hinduism, Buddhism, Jainism, Sikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups. In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media and provides most of the best remains. Many of the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharat Mata (painting)
''Bharat Mata'' is a work painted by the Indian painter Abanindranath Tagore in 1905. However, the painting was first created by Bankim Chandra Chatterjee in the 1870s. The work depicts a saffron-clad woman, dressed like a sadhvi, holding a book, sheaves of paddy, a piece of white cloth, and a rudraksha garland (mala) in her four hands. The painting was the first illustrated depiction of the concept and was painted with Swadesh ideals during the larger Indian Independence movement. A nephew of the Indian poet and artist Rabindranath Tagore, Abanindranath was exposed at an early age to the artistic inclinations of the Tagore family. Tagore had been exposed to learning art when he first studied at the Sanskrit College in Kolkata in the 1880s. In his early years, Tagore had painted in the European naturalistic style, evident from his early paintings such as ''The Armoury''. In about 1886 or 1887, Tagore's relative Gyanadanandini Devi had set up a meeting between Tagore and E.B Hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khirer Putul
''Khirer Putul'' () is a children's fantasy novel written by Abanindranath Tagore in 1896. Khirer Putul is considered a masterpiece and landmark by writers in Bengali language children's literature. Khirer Putul is a simple and touching tale about the sugar doll, the fate of Duorani and a tricky and extraordinary monkey. Aadi Brahmosamaj press first published this book. Later on, it was translated into other languages. The story was adapted into a film of the same name by Indian writer and director Purnendu Pattrea in 1976. Khirer Putul (TV series), ''Khirer Putul'', an Indian television soap opera based on the novel aired on Zee Bangla in 2020. It was also adapted into a play by the Indian theatre group Nandikar in 2017, with Anindita Chakraborty as its director. Plot The king of Deepnagar had two queens Suo Rani and Duo Rani. The king gave Suo Rani 7 palaces, 700 female slaves, best ornaments from 7 kingdoms, 7 gardens, 7 chariots. He neglected Duo Rani and gave her a broke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bengal School Of Art
The Bengal School of Art, commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism ( swadeshi) and led by Abanindranath Tagore (1871–1951), but was also being promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art and Craft, Kolkata from 1896; eventually it led to the development of the modern Indian painting. History The Bengal school arose as an avant garde and nationalist movement reacting against the academic art styles previously promoted in India, both by Indian artists such as Raja Ravi Varma and in British art schools. Following the influence of Indian spiritual ideas in the West, the British art teacher Ern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Indian Painting
The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British. Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting. A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India. It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life. Despite its country-wide influence in the early years, the importance of the school declined by the 'forties' and now it is as good as dead. British art schools Oil and easel painting In India began in the starting of eighteenth century which saw many European artists, such as Johann Zoffany, Zoffany, Tilly Kettle, Kettle, Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government College Of Art & Craft, Kolkata
The Government College of Art & Craft (GCAC) in Kolkata is one of the oldest Art colleges in India. It was founded on August 16, 1854 at Garanhata, Chitpur, "with the purpose of establishing an institution for teaching the youth of all classes, industrial art based on scientific methods." as the School of Industrial Art. The institute was later renamed as the Government School of Art and in 1951 it became the Government College of Art & Craft.Bagal, Jogesh Chandra (1966). ''History of the Govt. College of Art and Craft'' in the ''Centenary: Government College of Art & Craft, Calcutta'', Calcutta: Government College of Art & Craft, pp. 1–58. History The school opened on August 16, 1854 at Garanhata as a private art school. The school was shifted to the building of Mutty Lall Seal in Colootola in November 1854. In 1859, Garick joined as Head Teacher. In 1864, it was taken over by the government and on June 29, 1864 Henry Hover Locke joined as its principal. It was soon renamed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calcutta School Of Art
The Government College of Art & Craft (GCAC) in Kolkata is one of the oldest Art colleges in India. It was founded on August 16, 1854 at Garanhata, Chitpur, "with the purpose of establishing an institution for teaching the youth of all classes, industrial art based on scientific methods." as the School of Industrial Art. The institute was later renamed as the Government School of Art and in 1951 it became the Government College of Art & Craft.Bagal, Jogesh Chandra (1966). ''History of the Govt. College of Art and Craft'' in the ''Centenary: Government College of Art & Craft, Calcutta'', Calcutta: Government College of Art & Craft, pp. 1–58. History The school opened on August 16, 1854 at Garanhata as a private art school. The school was shifted to the building of Mutty Lall Seal in Colootola in November 1854. In 1859, Garick joined as Head Teacher. In 1864, it was taken over by the government and on June 29, 1864 Henry Hover Locke joined as its principal. It was soon renamed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tagore Family
The Tagore family (also spelled as ''Thakur''), with over three hundred years of history,Deb, Chitra, pp 64–65. has been one of the leading families of Calcutta, India, and is regarded as one of the key influencers during the Bengali Renaissance. The family has produced several persons who have contributed substantially in the fields of business, social and religious reformation, literature, art and music. Family history The original surname of the Tagores was Kushari. They were Pirali Brahmin ('Pirali’ historically carried a stigmatized and pejorative connotation) and originally belonged to a village named Kush in the district named Burdwan in West Bengal. The biographer of Rabindranath Tagore, Prabhat Kumar Mukhopadhyaya wrote in the first volume of his book ''Rabindrajibani O Rabindra Sahitya Prabeshika'' that "The Kusharis were the descendants of Deen Kushari, the son of Bhatta Narayana; Deen was granted a village named Kush (in Burdwan zilla) by Maharaja Kshitisura, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaganendranath Tagore
Gaganendranath Tagore (17 September 1867 – 14 February 1938) was an Bengali painter and cartoonist of the Bengal school. Along with his brother Abanindranath Tagore, he was counted as one of the earliest modern artists in India. Life and career Gaganendranath Tagore was born at Jorasanko into a family whose creativity defined Bengal's cultural life. Gaganendranath was the eldest son of Gunendranath Tagore, grandson of Girindranath Tagore and a great-grandson of Prince Dwarkanath Tagore. His brother Abanindranath was a pioneer and leading exponent of the Bengal School of Art. He was a nephew of the poet Rabindranath Tagore and the paternal great-grandfather of actress Sharmila Tagore. Gaganendranath received no formal education but trained under the watercolourist Harinarayan Bandopadhyay. In 1907, along with his brother Abanindranath, he founded the Indian Society of Oriental Art which later published the influential journal ''Rupam''. Between 1906 and 1910, the artist studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajanta Caves
The Ajanta Caves are approximately thirty rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in the Aurangabad district of Maharashtra state in India. The caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form. They are universally regarded as masterpieces of Buddhist religious art. The caves were built in two phases, the first starting around the second century BCE and the second occurring from 400 to 650 CE, according to older accounts, or in a brief period of 460–480 CE according to later scholarship. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site. The Ajanta Caves constitute ancient monasteries (Chaityas) and worship-halls (Viharas) of different Buddhist traditions carved into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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