A Swingin' Affair
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A Swingin' Affair
''A Swingin' Affair'' is a 1962 album by saxophonist Dexter Gordon, recorded two days after ''Go (Dexter Gordon album), Go!'', and with the same line-up. Recording and music The album was recorded at Van Gelder Studio, Englewood Cliffs, New Jersey, on August 29, 1962. Gordon's quartet contained pianist Sonny Clark, bassist Butch Warren, and drummer Billy Higgins. Of the six compositions, three are standards, two were written by Gordon, and one was contributed by Warren. Release and reception ''A Swingin' Affair'' was released in early October 1964. ''The Penguin Guide to Jazz'' picked "You Stepped Out of a Dream" as the album's highlight, but described the session as a "not altogether riveting date". Track listing #"Soy Califa" (Gordon) – 6:27 #"Don't Explain (song), Don't Explain" (Arthur Herzog Jr., Herzog Jr., Billie Holiday, Holiday) – 6:06 #"You Stepped Out of a Dream" (Nacio Herb Brown, Brown, Gus Kahn, Kahn) – 6:34 #"The Backbone" (Butch Warren) &ndash ...
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Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as h ...
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Don't Explain (song)
"Don't Explain" is a song written by jazz singer Billie Holiday and Arthur Herzog Jr. It was Billie Holiday’s final song. Overview In her 1956 autobiography, Holiday cites the infidelity of her first husband, Jimmy Monroe, as the inspiration for this song; specifically, an instance in which Monroe's woeful attempt to explain away lipstick on his collar elicits Holiday's disgusted response: "Take a bath, man; don't explain." Recording session Session #52: New York City, November 8, 1944, Decca, Toots Camarata and His Orchestra, with Russ Case (trumpet), Hymie Schertzer, Jack Cressey (alto saxophone), Larry Binyon and Dave Harris (tenor saxophone), Dave Bowman (piano), Carl Kress (guitar), Haig Stephens (bass), George Wettling (drums), Billie Holiday (vocals), and six strings. Notable cover versions * Helen Merrill (1954) * George Shearing (1956) * John Coltrane (1957) * Abbey Lincoln (1957) * Charlie Byrd (1958) * Wes Montgomery (1959) * Anita O'Day – for her album ' ...
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1964 Albums
Events January * January 1 – The Federation of Rhodesia and Nyasaland is dissolved. * January 5 - In the first meeting between leaders of the Roman Catholic and Orthodox churches since the fifteenth century, Pope Paul VI and Patriarch Athenagoras I of Constantinople meet in Jerusalem. * January 6 – A British firm, the Leyland Motor Corp., announces the sale of 450 buses to the Cuban government, challenging the United States blockade of Cuba. * January 9 – ''Martyrs' Day'': Armed clashes between United States troops and Panamanian civilians in the Panama Canal Zone precipitate a major international crisis, resulting in the deaths of 21 Panamanians and 4 U.S. soldiers. * January 11 – United States Surgeon General Luther Terry reports that smoking may be hazardous to one's health (the first such statement from the U.S. government). * January 12 ** Zanzibar Revolution: The predominantly Arab government of Zanzibar is overthrown by African nationalist rebels; a United ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Alberta Nichols
Alberta Nichols (December 3, 1898 – February 4, 1957) was a popular songwriter of the 1930s and 1940s. Together with her husband, lyricist Mann Holiner, they composed over 100 songs, of which their most famous were "Until the Real Thing Comes Along" and "A Love Like Ours". Biography Nichols was born in Lincoln, Illinois on December 3, 1898 and studied piano at the Louisville Conservatory with George Copeland and Alfred Calzin. Her career spanned writing for vaudeville, radio, musical theater and the movies. In 1931 Nichols and Holiner collaborated with Sammy Cahn, Saul Chaplin and L.E. Freeman for the Broadway show "Rhapsody in Black". The group of five also co-wrote "Until the Real Thing Comes Along". Alec Wilder, in ''American Popular Song'', speculates that Nichols was the composer of the melody. Among the many singers who performed the song over the years, Billie Holiday recorded the song in 1942. Holiday was a close friend of the Nichols-Holiners. Nichols and Holiner wro ...
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Saul Chaplin
Saul Chaplin (February 19, 1912 – November 15, 1997) was an American composer and musical director. He was born Saul Kaplan in Brooklyn, New York. He had worked on stage, screen and television since the days of Tin Pan Alley. In film, he won three Oscars for collaborating on the scores and orchestrations of ''An American in Paris'' (1951), ''Seven Brides for Seven Brothers'' (1954) and ''West Side Story'' (1961). Biography Born to a Jewish family, Chaplin graduated with a B.A. in accounting from New York University's School of Commerce. After school, Chaplin joined the ASCAP and started out penning tunes for the theatre, vaudeville and for New York's famous songwriting district, Tin Pan Alley. While in New York, Chaplin teamed with Sammy Cahn to compose original songs for Vitaphone movie shorts, filmed in Brooklyn by Warner Brothers. During this period the team was sometimes billed only by surname ("Cahn and Chaplin"), in the manner of Rodgers and Hart or Gilbert and Sullivan. ...
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Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ...
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Until The Real Thing Comes Along
"(It Will Have to Do) Until the Real Thing Comes Along" is a popular song first published in 1936. Background In 1931, Alberta Nichols wrote the music and Mann Holiner wrote the words for a song titled "Till the Real Thing Comes Along" which was featured in a Broadway revue titled ''Rhapsody in Black''. The review, produced by Lew Leslie, was similar to the famous '' Blackbirds'' reviews of the late 1920s and 1930s, and featured Ethel Waters, who introduced "Till the Real Thing Comes Along". The song was not a hit in its original incarnation, though a sheet music edition was published by Shapiro, Bernstein & Co. in 1931. In 1936, the song was substantially rewritten by composer Saul Chaplin, lyricist Sammy Cahn, and saxophonist L.E. Freeman. A completely new verse replaced the original verse, a new melody replaced the original melody of the refrain, and a mostly new set of lyrics replaced the original lyric of the refrain. What was retained from the 1931 composition was the rec ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ...
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Nacio Herb Brown
Ignacio Herbert "Nacio Herb" Brown (February 22, 1896 – September 28, 1964) was an American songwriter, writer of popular songs, movie scores and Broadway theatre music in the 1920s through the early 1950s. Amongst his most enduring work is the score for the 1952 musical film ''Singin' in the Rain''. Life and career Ignacio Herbert Brown was born in Deming, New Mexico, United States, to Ignacio and Cora Brown.1900 United States Federal Census He had an older sister, Charlotte. In 1901, his family moved to Los Angeles, where he attended Manual Arts High School. His music education started with instruction from his mother, Cora Alice (Hopkins) Brown. Brown first operated a tailoring business (1916), and then became a financially successful realtor, but he always wrote and played. After his first hit "Coral Sea" (1920) and a first big hit, "When Buddha Smiles" (1921), he eventually became a full-time composer. He joined American Society of Composers, Authors and Publishers, T ...
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