A Study In Frustration
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A Study In Frustration
''A Study in Frustration: The Fletcher Henderson Story'' is a box set compilation surveying studio recordings of the Fletcher Henderson Orchestra from 1923 to 1938, released in 1961 on Columbia Records, CXK 85470. It initially appeared as a four-album set produced by Frank Driggs and assembled by John Hammond, both of whom also wrote the liner notes. The set was part of a Thesaurus of Classic Jazz series on Columbia which included ''King of the Delta Blues Singers'' also worked on by Hammond and Driggs and released in 1961, the first album reissue of songs by blues legend Robert Johnson. Background After an absence of more than a decade, John Hammond returned to work for Columbia Records in the late 1950s. He envisioned a reissue project of musicians from the 1920s and 1930s who had been mostly forgotten by the record-buying public. Working with producer and record archivist Frank Driggs, the project entitled Thesaurus of Classic Jazz included anthologies and installments devote ...
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Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ...
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King Porter Stomp
"King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Musicology'', 71-73 (Spring 2001-Spring 2002), p. 22-53 It became a hit during the swing era, when it was recorded by Benny Goodman. History According to Jelly Roll Morton, the tune was composed in 1906 and was the first "stomp" in the history of jazz. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. On July 1, 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number, backed with " Sometimes I'm Happy". It was released ...
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Sideman
A sideman is a professional musician who is hired to perform live with a solo artist, or with a group in which they are not a regular band member. The term is usually used to describe musicians that play with jazz or rock artists, whether solo or a group. Sidemen and sidewomen are generally required to be adaptable to many different styles of music, and so able to fit smoothly into the group in which they are currently playing. Sidemen and sidewomen are typically led by the group's bandleader, or, if there is no bandleader, by the lead singer. While many artists can work as sidemen or session musicians, others will only fill one role. The generally accepted difference is that a sideman performs live while a session musician is hired to perform in a recording studio. Career progression Often aspiring musicians start out as sidemen, playing rhythm guitar, comping on keyboards, or playing drum kit in the rhythm section or singing backing vocals for a well-known bandleader or s ...
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Head Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ...
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Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ...
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Christopher Columbus (jazz Song)
Christopher Columbus is an American jazz song composed by Chu Berry with lyrics by Andy Razaf. Pianist Fats Waller turned the tune into a 1936 novelty hit which was subsequently recorded by numerous other artists and became a jazz standard. Jimmy Mundy wrote the lead into a medley with "Sing, Sing, Sing" for Benny Goodman. Artists who covered this song *Van Alexander *Henry "Red" Allen * Harry Allen *Woody Allen *Gene Ammons *Ernestine Anderson * Rocco and the Stompers *Ray Anthony * Ray Anthony & His Orchestra *Leroy Anthony & His Orchestra *Jimmy Archey *Louis Armstrong * Louis Armstrong & His All-Stars *Paul Asaro *Asva *Swiss Ballroom Orchestra *Ball * DRS-Big Band *Big Band Sounds *Chris Barber *Len Barry *Dan Barrett *Sidney Bechet * Alan Beechey * Thilo Berg Big Band * Thilo Berg *Chu Berry *Wild Bill Davison *Acker Bilk * Barnicle Bill Trio * Sandy Brown *Dave Brubeck *Darius Brubeck *Chris Brubeck * Papa Bue Jensen * Papa Bue's Viking Jazz Band *Judy Carmichael *Ralph Carn ...
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Whiteman Stomp
"Whiteman Stomp" is a 1927 jazz composition by musician and bandleader Paul Whiteman, Fats Waller, and Jo Trent. The song was released as a 78 single by both Paul Whiteman and Fletcher Henderson. Background In ''Louis Armstrong and Paul Whiteman: Two Kings of Jazz'' (2004), Joshua Berrett noted that "Whiteman Stomp" was credited to Fats Waller, Alphonso Trent, and Paul Whiteman. The reference is to lyricist Jo Trent as the co-author. The Fletcher Henderson Orchestra first recorded "Whiteman Stomp" on 11 May 1927 and released it as Columbia 78 single, 1059-D. The Fletcher Henderson recording lists the songwriters as "Fats Waller/Jo Trent/Paul Whiteman" as "Whiteman, Waller and Trent". Paul Whiteman recorded the song on 11 August 1927 and released it as a Victor 78 single, 21119-A. The music incorporates the themes, motifs, and style of Paul Whiteman. The Fletcher Henderson recording was also released in France in 1946 as Columbia DF 3081 as a 10" 78 RPM shellac as part of the Antho ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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John S
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Palomar Ballroom
The Palomar Ballroom, built in 1925, was a famous ballroom in Los Angeles, California, in the United States. It was destroyed by a fire on October 2, 1939. Originally named the El Patio Ballroom and located on the east side of Vermont Avenue between 2nd and 3rd Street, it boasted being “the largest and most famous dance hall on the West Coast.” The building featured a large mezzanine, a balcony, and a seventy-five hundred square foot patio. The dance floor could accommodate four thousand couples. Admission was 40 cents for gentlemen and 25 cents for ladies. Opening night was attended by 20,000 people, including many of Hollywood's silent screen stars. Klieg lights illuminated minaret structures on the roof. The dance hall was renamed Rainbow Gardens by real estate developer Raymond Lewis, who purchased the property, added an indoor miniature golf course and changed the name to the Palomar Ballroom. It soon became a prime venue for the well-known bands that were rapidly gainin ...
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