A Song In My Heart
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A Song In My Heart
''A Song in My Heart'' is the first studio album from Welsh tenor Wynne Evans and was released on 21 March 2011. Evans signed a six-album deal with Warner Music Warner Music Group Corp. ( d.b.a. Warner Music Group, commonly abbreviated as WMG) is an American multinational entertainment and record label conglomerate headquartered in New York City. It is one of the " big three" recording companies and t .... The album went to number one in the UK Classical Albums Chart in its first week of release. Track listing Charts References 2011 classical albums Wynne Evans albums {{2010s-classical-album-stub ...
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Wynne Evans
Wynne Evans BEM MStJ (born 27 January 1972) is a Welsh singer and actor, known for his role as Gio Compario and laterly himself in the Go.compare insurance adverts on television in the United Kingdom. Evans sang the role of Ubaldo Piangi in the 25th anniversary production of Andrew Lloyd Webber's ''The Phantom of the Opera at the Royal Albert Hall'', and sang "Glory Glory Tottenham Hotspur" at the last game at White Hart Lane. He reprised the song at the opening of Spurs' new stadium. Opera singer Born in Carmarthen, Wales, Evans studied at the Guildhall School of Music and Drama and the National Opera Studio. In late 2011 Evans was cast as the opera singer Ubaldo Piangi, in the 25th anniversary celebratory production of Andrew Lloyd Webber's ''The Phantom of the Opera at the Royal Albert Hall'' Evans enjoys a close association with Welsh National Opera where his roles include Nemorino in ''L'elisir d'amore'', Cassio in ''Otello'' (S4C Broadcast),
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Over There
"Over There" is a 1917 song written by George M. Cohan that was popular with the United States military and public during both world wars. It is a patriotic song designed to galvanize American young men to enlist and fight the "Hun". The song is best remembered for a line in its chorus: "The Yanks are coming." History It has been revived on various occasions during and after World War II. It was not heavily used during the Vietnam War, but has been used since the September 11 terrorist attacks.* Lyrics As sung by early 20th-century recording artist Billy Murray: Notes References External links Nora Bayes recording July 13, 1917 via U.S. Library of Congress, National JukeboxRendition by Billy Murray and quartet
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Ave Maria
The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's subsequent visit to Elisabeth, the mother of John the Baptist (the Visitation). The Hail Mary is a prayer of praise for and of petition to Mary, regarded as the Theotokos (Mother of God). Since the 16th century, the version of the prayer used in the Catholic Church closes with an appeal for her intercession. The prayer takes different forms in various traditions and has often been set to music. In the Latin Church, the Hail Mary forms the basis of other prayers such as the Angelus and the Rosary. In the psalmody of the Oriental Orthodox Churches a daily Theotokion is devoted to ascribing praise to the Mother of God. The Eastern Orthodox Churches have apart from the ''Theotokion'' a quite similar prayer to the Hail Mary (without explicit ...
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Nessun Dorma
"" (; English: "Let no one sleep") is an aria from the final act of Giacomo Puccini's opera ''Turandot'' (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera. It is sung by Calaf, (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. Any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess. Although "Nessun dorma" had long been a staple of operatic recitals, Luciano Pavarotti popularised the piece beyond the opera world in the 1990s following his performance of it for the 1990 FIFA World Cup, which captivated a global audience. Both Pavarotti and Plácido Domingo released singles of the aria, with Pavarotti's reaching number 2 in the UK, and it appeared on the best selling classical album of all time, ''The Three Tenors in Concert''.''Classical Music Magazine'' ...
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O Sole Mio
"O sole mio" () is a well-known Neapolitan song written in 1898. Its Neapolitan language lyrics were written by Giovanni Capurro and the music was composed by Eduardo di Capua (1865–1917) and Alfredo Mazzucchi (1878–1972).. The title translates literally as "my sun" or "my sunshine". The lyrics have been translated to other languages. Lyrics Recordings Jānis Vītiņš O sole mio" has been performed and covered by many artists, including Enrico Caruso, Rosa Ponselle and her sister Carmella, Andrea Bocelli, Beniamino Gigli, Richard Tucker and Mario Lanza. Sergio Franchi recorded this song on his 1962 RCA Victor Red Seal debut album ''Romantic Italian Songs.'' Luciano Pavarotti won the 1980 Grammy Award for Best Classical Vocal Performance for his rendition of O sole mio". Authorship and copyright For nearly 75 years after its publication, the music of ''O sole mio'' had generally been attributed to Eduardo di Capua alone. According to the traditional account, di C ...
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Medley (music)
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Mashup (music) * List of Genesis medleys * List of "Weird Al" Yankovic polka medleys Polka-style medleys of cover songs are a distinguishing part of American musician, sat ...
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E Lucevan Le Stelle
"" ("And the stars were shining") is a romantic aria from the third act of Giacomo Puccini's opera ''Tosca'' from 1900, composed to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is sung in act 3 by Mario Cavaradossi (tenor), a painter in love with the singer Tosca, while he waits for his execution on the roof of Castel Sant'Angelo. Written in B minor, it is one of the most famous opera arias. The vocal range extends from F 3 to A4. The aria is considered part of the spinto tenor repertoire. The aria is introduced by a somber clarinet solo. The incipit of the melody (heard in outline earlier in the act, as the sky lightens and the gaoler prepares for the execution) is repeated on the lines "" ("Oh, sweet kisses and languorous caresses"), and also restated in forte in the closing bars of the opera, as Tosca jumps from the ramparts. Libretto Plagiarism suit In 1920, the stage performer Al Jolson, together with Buddy DeSylva and Vincent Rose, wrote a popular ...
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La Donna è Mobile
"" (; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera ''Rigoletto'' (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as "" proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers. As the opera progresses, the reprise of the tune in the following scenes contributes to Rigoletto's confusion as he realizes from the sound of the Duke's lively voice coming from the tavern (offstage) that the body in the sack over which he had grimly triumphed was not that of the Duke after all: Rigoletto had paid Sparafucile, an assassin, to kill the Duke, but Sparafucile had deceived Rigoletto by indiscriminately ki ...
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The Loveliest Night Of The Year
"The Loveliest Night of the Year" is a popular song. The music was first published as a waltz called " Sobre las olas" ("Over the Waves") in 1888, written by Juventino P. Rosas. In 1950, the music was adapted by Irving Aaronson with lyrics by Paul Francis Webster for the movie ''The Great Caruso'', in which it was sung by Ann Blyth. Later, Mario Lanza recorded the song. It became one of the most popular songs of 1951, reaching number three in the US Billboard Charts. Lanza received his third Gold Disc for this song. In the UK, the song was a number one hit based on sales of sheet music. It reached the top spot in January 1952, staying there for four weeks. The song was also associated with Anne Shelton, whose contemporary recording was available alongside Lanza's. The instrumental version of the song is often associated with magicians performing their "magical tricks", and flying trapeze acts, with whom it is often played in the background, especially in animated cartoons. ...
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I'll Walk With God
"I'll Walk with God" is a popular song written for the motion picture ''The Student Prince'' with music by Nicholas Brodzsky and lyrics by Paul Francis Webster published in 1954. The film's title character, who was played by actor Edmund Purdom with singing dubbed by tenor Mario Lanza, sings this song at the coffin of his grandfather, the king of Karlsburg. The song was released on ''The Student Prince'' soundtrack album issued by RCA Victor Mario Lanza re-recorded the song in stereo in 1959. The song has also been performed or recorded by other tenors including Placido Domingo, Harry Secombe and Michael Crawford. It also remains popular as a substitute for hymn-tunes in many brass band concert programmes worldwide, in the arrangement by Goff Richards Goff Richards (18 August 1944 – 25 June 2011), sometimes credited as Godfrey Richards,
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Classical Crossover
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a " Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sac ...
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