A Perfect Match (George Shearing And Ernestine Anderson Album)
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A Perfect Match (George Shearing And Ernestine Anderson Album)
''A Perfect Match'' is a 1988 album by jazz pianist George Shearing and the singer Ernestine Anderson. The pair had previously appeared together on Shearing's 1988 live album ''Dexterity''. Reception Scott Yanow reviewed the album for Allmusic and wrote that "...Shearing and Anderson mostly stick to standards and their versions uplift the veteran songs. "Body and Soul" is taken as a vocal-piano duet, while "The Best Thing for You" is given an instrumental treatment. Other highlights include Anderson's vocals on "I'll Take Romance," a heartfelt "I Remember Clifford," "On the Sunny Side of the Street" and "Some Other Time." Perfect Match is an excellent outing for all concerned". Track listing # " Trust in Me" (Milton Ager, Jean Schwartz, Ned Wever) – 3:52 # "I'll Take Romance" (Oscar Hammerstein II, Ben Oakland) – 2:40 # " Body and Soul" (Frank Eyton, Johnny Green, Edward Heyman, Robert Sour) – 4:46 # "The Best Thing for You (Would Be Me)" (Irving Berlin) – 3:33 # " I Re ...
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George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ...
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Jean Schwartz
Jean Schwartz (November 4, 1878 – November 30, 1956) was a Hungarian-born American songwriter. Schwartz was born in Budapest, Hungary. His family moved to New York City when he was 13 years old. He took various music-related jobs including demonstrating and selling sheet music in department stores before being hired as a staff pianist and song-plugger by the Shapiro-Bernstein Publishing House of Tin Pan Alley. He published his first composition, a cakewalk, in 1899. He became known as an accomplished lyricist, although he also continued to write music. In 1901, he began a successful collaboration with William Jerome. They co-wrote many songs which were used in Broadway shows, including "Mr. Dooley," which was sung by the title character in '' The Wizard of Oz'', as well as the Ziegfeld Follies. They worked with Eddie Morton for the song "I'm a Member of the Midnight Crew" in 1909. Their biggest hit together was the 1910 song "Chinatown, My Chinatown", still popular with Dixie ...
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On The Sunny Side Of The Street
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical ''Lew Leslie's International Revue'' starring Harry Richman and Gertrude Lawrence. Ted Lewis did the first recording of the song in 1930 (Catalog #2144-D), followed by Harry Richman (Catalog # 4747) and both enjoyed hit records with the song. Other notable recordings Having become a jazz standard, it was played by Louis Armstrong, the Nat King Cole Trio, Dave Brubeck, Earl Hines, Benny Goodman, Lionel Hampton, Erroll Garner, Dizzy Gillespie, Art Tatum, James Booker, Count Basie, and Lester Young. The Louis Armstrong version was recorded in the key of C major, but it has been recorded in a range of keys; Ted Lewis recorded it in D major and Ella Fitzgerald in G major. Cover versions date as far back as 1930, when Layton & Johnstone released the ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ...
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I Remember Clifford (song)
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Notable recordings * Bob Acri - ''Bob Acri'' (Blujazz, 2004) * Art Blakey and The Jazz Messengers – '' 1958 – Paris Olympia'' (Fontana, 1958) * Donald Byrd - ''Jazz Lab'' (Columbia, 1957) * George Cables – ''Circle'' (Contemporary, 1979) * Ray Charles – ''My Kind of Jazz'' (1970) * Kenny Dorham – ''This Is the Moment!'' (Riverside, 1958) * Don Ellis – ''Shock Treatment'' (2002) * Stan Getz and Kenny Barron – '' People Time: The Complete Recordings'' (1991) * Dizzy Gillespie – ''Dizzy Gillespi ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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The Best Thing For You (Would Be Me)
"The Best Thing for You (Would Be Me)" is a traditional popular music, popular song written by Irving Berlin and published in 1950. It was featured in the 1950 Broadway theater, Broadway musical play, ''Call Me Madam'', in which it was introduced by Ethel Merman in a scene with Paul Lukas. The 1953 Call Me Madam (film), film version also featured the song when it was sung by Ethel Merman and George Sanders. Recorded versions * Alberto Semprini, on piano with rhythm accompaniment, recorded it in London on January 25, 1952 as the second song of the medley "Part 2. Hit Medley of Foxtrots from 'Call Me Madam'" along with "You're Just in Love" and "It's a Lovely Day Today". The medley was released by EMI on the His Master's Voice label as catalog number B 10231. * Nat King Cole - ''Tell Me All About Yourself'' (1958) * Gary Thomas (musician), Gary Thomas - ''Till We Have Faces (Gary Thomas album), Till We Have Faces'', JMT (1992) * Bud Powell - ''The Complete Bud Powell on Verve'' ...
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Robert Sour
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ...
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Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ...
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Frank Eyton
Frank Eyton (30 August 1894 – 11 November 1962) was an English popular music lyricist best known for co-writing the lyrics of Johnny Green's " Body and Soul" (1930) with Edward Heyman and Robert Sour. Frank Eyton biographyat Allmusic - retrieved on 18 May 2009 Most of Eyton's work was collaborations with Noel Gay and Billy Mayerl in London-based musical theatre. With Mayerl as composer, Eyton co-wrote with Desmond Carter the lyrics for the celebrated sequence "Side by Side" from ''Over She Goes'' (filmed 1938). His most successful play was the 1948 musical farce, ''Bob's Your Uncle'', written in collaboration with Gay.Frank Eyton
at ''jazzbiographies.com'' - retrieved on 18 May 2009
With Gay, Eyton wrote the popular song "All Over The Place" for the 1940 film ''



Body And Soul (song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue ''Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most record ...
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