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A Night At Birdland Vol. 1
''A Night at Birdland Vol. 1'' is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. One of the earliest hard bop recordings, it was first released by Blue Note Records as a 10" LP (BLP 5037) and then as a 12" LP (BLP 1521) containing material from the second 10" album. It was reissued for the first time on CD in 1987 with two additional tracks (an alternate take of ''Wee-Dot'' and an improvisational piece titled ''Blues''), previously released on a 2 LP Compilation in 1975 called ''Live Messengers'' (BN-LA473-J2). The CD was reissued again in 2001 as an "RVG Edition" remastered by Rudy Van Gelder with the tracks in a different order. The 1987 CD used the second 12" LP cover, the 2001 CD revived the original 10" LP cover. All of the music surfaced as part of a Clifford Brown box set for Mosaic Records (MR5-104) and a complete Clifford Brown set put out by Capitol has also appeared. The recording wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic Records
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets. The sets recordings are leased from the major record companies, usually for a three- or five-year period, with the edition limited to a specific number of copies typically 5,000. Sometimes the complete catalog of a label would appear: the complete masters of Milt Gabler's Commodore Records were contained in three sets consisting of some 66 LPs. In 2003, the company initiated the Select series of smaller sets, not necessarily "complete" in the usual sense. In 2006, the company began a third line, Mosaic Singles, a series dedicated to reissuing individual albums on CD that have not previously been available in US editions, or at all. In 2009, Mosaic returned to the vinyl format with the HQ Vinyl Series and began issuing three and four LP sets of 2,500-5,000 copies. Mosaic's sets are primarily sold and distributed directly to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Parker
Leo Parker (April 18, 1925 – February 11, 1962) was an American jazz musician, who primarily played baritone saxophone. Early life Born in Washington, D.C., Parker studied alto saxophone in high school and played this instrument on a recording with Coleman Hawkins in 1944. Career Parker switched to baritone saxophone in 1944 when he joined Billy Eckstine's bebop band, playing there until 1946. In 1945, he was a member of the "Unholy Four" of saxophonists, with Dexter Gordon, Sonny Stitt and Gene Ammons. He played on 52nd Street in New York with Dizzy Gillespie in 1946 and Illinois Jacquet in 1947-48, and later recorded with Fats Navarro, J.J. Johnson, Teddy Edwards, Wardell Gray and Charles Thompson. He and Thompson had a hit with their Apollo Records release, "Mad Lad". Personal life In the 1950s, Parker had problems with drug abuse, which interfered with his recording career. He made two comeback records for Blue Note in 1961, but the following year he died of a hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Paparelli
Frank Paparelli (* December 25, 1917 in Providence, Rhode Island; † May 24, 1973 in Los Angeles, California) was an American Jazz pianist, Composer and Author. He was a pianist in Dizzy Gillespie's band during the mid-1940s, and is notable as the co-writer (with Gillespie) of the bebop standard " A Night in Tunisia" and "Blue 'n' Boogie". Publications *''The Blues and how to Play 'em''. Piano method book. New York, Leeds Music 1942 *Don Raye/Frank Paparelli: ''Piano Music – (That Place) Down the Road a Piece''. D. Davis & Co. 1943. *''Nat 'King' Cole – Piano Capers'', Transcribed and Edited by Frank Paparelli. New York: Leeds Music Ltd. 1946 *''2 to the Bar - Dixieland Piano Method''. New York City, Leeds Music Corporation 1946 *''Thelonious Monk, Dizzy Gillespie – 52nd Street Theme - Be-Bop (New Jazz)'', arranged by Frank Paparelli. London, Bosworth & Co 1948 *''Dizzy Gillespie, Gil Fuller, Jay Roberts – Oop Bop SH-Bam - Be-Bop (New Jazz)'', arranged by Frank Paparelli. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Green
Bud Green (19 November 1897 – 2 January 1981) was an American lyricist especially of Broadway musicals and show tunes Early life and family Green was born Moses David Green in the Austro-Hungarian Empire and immigrated to the United States as an infant. Bud Green (Buddy) grew up in Harlem at 108th & Madison Avenue at the turn of the 20th century, the eldest of seven. He dropped out of elementary school to sell newspapers and help the family. While selling papers, he decided to become a songwriter and started keeping a notebook of poems and rhymes that he thought would be useful someday. His sister, Hannah, was married to the lyricist Bob Russell (1914–1970), who wrote "Brazil", "Frenesi", "Don't Get Around Much Anymore", "He Ain't Heavy, He's My Brother" and many other songs. Career In his early career, he wrote material for vaudevilles. He was a staff writer for music publishers and wrote Broadway stage scores as well as songs for other musicals. By 1928, he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Edwards (American Composer)
Michael Edwards (1893–1962) was an American composer and musician, known for composing the 1937 hit " Once in a While". He was also a classical violinist, organist and music arranger.Once in a While at ''jazzstandards.com'' – retrieved on May 21, 2009 Edwards's most famous composition, "Once in a While", became a number one hit for and His Orchestra, and later for (1957) and |
Once In A While (1937 Song)
"Once in a While" is a popular song, written by Michael Edwards with lyrics by Bud Green. The song was published in 1937. The song is a much-recorded standard. Popular recordings *Tommy Dorsey's recording in 1937 went to number one in the United States. *One of the best-known recordings was made by Patti Page in 1952 (on Mercury 5867). *The song was revived in doo-wop style by the Chimes in 1960, and their version peaked at number eleven on the ''Billboard'' Hot 100 in January 1961. Other recordings Popular culture *At the end of the instrumental "Stucco Homes" on the third volume of Frank Zappa's 1981 album ''Shut Up 'n Play Yer Guitar'', drummer Terry Bozzio sings the hook of this song. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
