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A Maze Of Recycled Creeds
''A Maze of Recycled Creeds'' is the fifth studio album by French technical death metal band Gorod. It was released on 16 October 2015 via Listenable Records in Europe, and Unique Leader Records in the United States. It's the band's first album to feature drummer Karol Diers. Track listing Personnel ;Gorod * Julien "Nutz" Deyres – vocals * Mathieu Pascal - guitars * Nicolas Alberny - guitars * Benoit Claus - bass * Karol Diers - drums ;Additional musicians * Denis Cornardeau - guitar solo ;Production and design * Mathieu Pascal - production, recording A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fields in a database related to one entity ** Boot sector or boot record, r ..., mixing, layout * Pierre-Yves Marani – mastering * Eric Liberge - artwork References 2015 albums Listenable Records albums Unique Leader Records alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorod (band)
Gorod is a technical death metal band from Bordeaux, France. History Gorod originally formed in 1997 under the name Gorgasm, but later changed their named to Gorod in 2005, to avoid confusion with an American death metal band of the same name. They released their debut album ''Neurotripsicks'' on Deadsun Records in 2004, which was later re-released by Willowtip Records a year after. They later followed up with ''Leading Vision'' in 2006. Their original drummer, Sandrine Bourguignon would also leave the band around this time. In 2008, Gorod announced they had written six new songs, which were to be a part of their upcoming album. In May 2009, the band announced their new album ''Process of a New Decline'' as well as releasing another track from that album, "Programmers of Decline" on their Myspace as well. The album was released a month after to fairly moderate critical acclaim. This album would also be their last with their original vocalist Guillaume Martinot, who would late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Listenable Records Albums
Listenable Records is an independent metal label originally founded in 1990 in France. The label specializes in metal, with a focus on extreme metal music. The company has published albums from many acclaimed extreme metal bands, such as Immortal, My Dying Bride, Gojira, Aborted, Textures, and Immolation. The label has extended its catalog to more classic rock bands like Wolf Jaw, Imperial Jade, Jared James Nichols, and My Dynamite; they have also published albums for doom metal and stoner rock groups such as Mos Generator and Mars Red Sky. Aspiring to be at the forefront of developing new talent from diverse musical backgrounds with dedication and enthusiasm, Listenable Records has become one of the most respected labels of international metal and hard rock. Artists * Aaron Buchanan & The Cult Classics *Abhorrence *Aborted * Abscess *Adagio *Amaran *Ancient *Angtoria *Anorexia Nervosa *Armageddon * Betraying the Martyrs *Bloodjinn *Blind Dog *Centurian *Crescent (Egy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2015 Albums ...
The following is a list of albums, EPs, and mixtapes released in 2015. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, or disbanded, for deaths of musicians, and for links to musical awards, see 2015 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2015 albums Albums 2015 File:2015 Events Collage new.png, From top left, clockwise: Civil service in remembrance of November 2015 Paris attacks; Germanwings Flight 9525 was purposely crashed into the French Alps; the rubble of residences in Kathmandu following the Apri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonneries De La Rose+Croix
' ("Three Sonneries of the Rose+Cross") is a piano composition by Erik Satie, first published in 1892, while he was composer and chapel-master of the Rosicrucian "", led by Sâr Joséphin Péladan. Other ways of transcribing the title of this work include ', ' and '. The composition has three movements, totalling about 11 minutes execution time: #' ("Air of the Order") #' ("Air of the Grand-Master", i.e. Sâr Péladan) #' ("Air of the Grand-Prior", i.e. Count Antoine de La Rochefoucauld) A composition dated 20 January 1891, having only ' (Moderato) marked on the score, is generally known as ', after its first publication in 1968. The three sections are written with no bar lines, implying a free metric structure. Each piece is written in an elegant melody/accompaniment chorale style, exhibiting an interplay of two themes in austere but cleverly designed juxtaposition, with repetition and occasional departure from the initial exposition. In 1988, Alan Gillmor of Carleton Univer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technical Death Metal
Technical death metal (also referred to as tech-death) is a musical subgenre of death metal that began and developed in the early- to mid-1990s, with particular focus on challenging, demanding instrumental skill and complex songwriting. Technical experimentation in death metal began in the late 1980s and early 1990s by four bands that are often grouped together as "technical death metal's Big Four" – Death, Pestilence, Atheist, and Cynic – as well as Nocturnus; all but Pestilence being part of the Florida death metal scene. Some of the distinct features of this genre include dynamic song structures, complex and atypical rhythmic structures, abundant use of diminished chords and arpeggios, frequent employment of odd time chord progressions, and constant use of string skipping on the guitars. Bass lines are usually complex, and the drums are extremely fast-paced with abundant use of blast beats and other extreme drumming techniques. The technical death metal genre has al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technical Death Metal
Technical death metal (also referred to as tech-death) is a musical subgenre of death metal that began and developed in the early- to mid-1990s, with particular focus on challenging, demanding instrumental skill and complex songwriting. Technical experimentation in death metal began in the late 1980s and early 1990s by four bands that are often grouped together as "technical death metal's Big Four" – Death, Pestilence, Atheist, and Cynic – as well as Nocturnus; all but Pestilence being part of the Florida death metal scene. Some of the distinct features of this genre include dynamic song structures, complex and atypical rhythmic structures, abundant use of diminished chords and arpeggios, frequent employment of odd time chord progressions, and constant use of string skipping on the guitars. Bass lines are usually complex, and the drums are extremely fast-paced with abundant use of blast beats and other extreme drumming techniques. The technical death metal genre has al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
