|
A Man's A Man
''Man Equals Man'' (german: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. One of the agitprop works inspired by the developments in USSR praising the bolshevik collectivism and replaceability of each member of the collective (along with ''The Decision'' and "Verwisch die Spuren"). Not only was the play the first to emerge after Brecht's move from Munich to Berlin, but it was also the first to be produced by what came to be known as 'the Brecht collective', :"that shifting group of friends and collaborators on whom he henceforth depended. As such it mirrored the artistic climate of the middle 1920s, with their attitude of 'Neue Sachlichkeit' (or New Matter-of-Factness), their stressing of the collectivity and downplaying of the individual, and their new cult of Anglo-Saxon imagery and sport. Together the 'collective' would go to fights, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Legal
Ernst Otto Eduard Legal (2 May 1881 – 29 June 1955) was a German actor and opera director of Berlin State Opera. Born on 2 May 1881 in Schlieben in the Prussian Province of Saxony, he was the father of the actress Marga Legal. He died in Berlin at age 74. Selected filmography * ''The Mayor of Zalamea'' (1920) * ''The Story of Christine von Herre'' (1921) * '' The Agony of the Eagles'' (1922) * ''Friedrich Schiller'' (1923) * ''There Is a Woman Who Never Forgets You'' (1930) * '' Love Conquers All'' (1934) * ''Charley's Aunt'' (1934) * ''The Girlfriend of a Big Man'' (1934) * ''Hundred Days'' (1935) * '' One Too Many on Board'' (1935) * ''Augustus the Strong'' (1936) * ' (1936) * '' The Dreamer'' (1936) * ''Maria the Maid'' (1936) * '' Street Music'' (1936) * ''To New Shores'' (1937) * '' His Best Friend'' (1937) * ''The Glass Ball'' (1937) * ''Diamonds'' (1937) * ''The Divine Jetta'' (1937) * ''Seven Slaps'' (1937) * ''The Man Who Was Sherlock Holmes'' (1937) * ''When Women Kee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar Neher
Caspar Neher (born Rudolf Ludwig Caspar Neher; 11 April 1897 – 30 June 1962) was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht. Neher was born in Augsburg. He and Brecht were school friends who were separated for a time by the First World War, during which Neher was awarded the Iron Cross, Second Class (on 2 February 1918). In 1919, he studied under Angelo Jank at the Academy of Fine Arts, Munich. He was first engaged professionally by the Munich Kammerspiele in 1922, although his designs for its production of Brecht's ''Drums in the Night'' were rejected.Willett (1986, 119). On 18 August 1923, Neher married Erika Tornquist in Graz. Their son, Georg, was born on 14 October 1924.Willett (1986, 120). In autumn of 1926, Neher became the staff designer at the Berlin Staatstheater. A year later, he became head of design at the Grillo-Theater in Essen, Germany, where he designed 8 operas and 11 pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenic Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Geis
Jacob Geis (30 November 1890 – 22 July 1972) was a German theatre director, screenwriter and film producer. He wrote for 35 films between 1935 and 1959. Selected filmography * '' The Model Husband'' (1937) * '' Five Million Look for an Heir'' (1938) * ''The Roundabouts of Handsome Karl'' (1938) * ''Drei Unteroffiziere'' (1939) * ''Uproar in Damascus'' (1939) * '' Between Heaven and Earth'' (1942) * ''Nora'' (1944) * '' Between Yesterday and Tomorrow'' (1947) * ''Keepers of the Night'' (1949) * ''The Appeal to Conscience'' (1949) * '' The Falling Star'' (1950) * '' The Exchange'' (1952) * ''Red Roses, Red Lips, Red Wine'' (1953) * '' A Girl Without Boundaries'' (1955) * ''Beloved Enemy'' (1955) * ''Regine Regine () or Régine is a feminine given name. Regine is a German-French form of Regina, and Régine is a French form of Regina. People with the first name include: Regine * Regine Heitzer (born 1944), Austrian figure skater * Regine Hildebrandt ...'' (1956) * '' The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state and the seventh-largest city in Germany, with a population of 617,280. Düsseldorf is located at the confluence of two rivers: the Rhine and the Düssel, a small tributary. The ''-dorf'' suffix means "village" in German (English cognate: ''thorp''); its use is unusual for a settlement as large as Düsseldorf. Most of the city lies on the right bank of the Rhine. Düsseldorf lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Region. It neighbours the Cologne Bonn Region to the south and the Ruhr to the north. It is the largest city in the German Low Franconian dialect area (closely related to Dutch). Mercer's 2012 Quality of Living survey ranked Düsseldorf the sixth most livable city in the world. Düsse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Elephant Calf
''The Elephant Calf'' (''Das Elefantenkalb''), also known as ''The Baby Elephant'', is an early one-act surrealistic prose farce written by the German modernist playwright Bertolt Brecht. It originally formed the penultimate scene of Brecht's full-length play ''Man Equals Man'', but by 1926 Brecht had separated it to an appendix to the published text. It was performed as part of ''Man Equals Man'' that same year. It is an interlude form of play within a play A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes c ... and in a later note Brecht suggests that it is "to be played in the foyer". He has also given it the subtitle "or The provability of any and every contention". References * Willett, John. 1967. ''The Theatre of Bertolt Brecht: A Study from Eight Aspects.'' Third ed. London: Methu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Hauptmann
Elisabeth Hauptmann (20 June 1897, Peckelsheim, Westphalia, German Empire – 20 April 1973, East Berlin) was a German writer who worked with fellow German playwright and director Bertolt Brecht. She got to know Brecht in 1922, the same year she came to Berlin. She worked as a secretary for the German-American poet and writer Herman George Scheffauer.See Sabine Kebir Ich fragte nicht nach meinem Anteil Elisabeth Hauptmanns Arbeit mit Bertolt Brecht (Aufbau-Verlag GmbH: Berlin 1997), p. 22. She began collaborating with Brecht in 1924, and is listed as co-author of ''The Threepenny Opera'' (1928). She purportedlyBrecht & Co.: Sex, Politics and the Making of the Modern Drama by John Fuegi wrote the majority of the text as well as providing a German translation of John Gay's ''The Beggar's Opera'', on which the musical play is based, as working material for Brecht and Kurt Weill, the composer. She reportedly wrote at least half of the ''Mahagonny-Songspiel'', but was not credited. Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudyard Kipling
Joseph Rudyard Kipling ( ; 30 December 1865 – 18 January 1936)''The Times'', (London) 18 January 1936, p. 12. was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work. Kipling's works of fiction include the ''Jungle Book'' duology ('' The Jungle Book'', 1894; '' The Second Jungle Book'', 1895), ''Kim'' (1901), the '' Just So Stories'' (1902) and many short stories, including "The Man Who Would Be King" (1888). His poems include " Mandalay" (1890), " Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), " The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.Rutherford, Andrew (1987). General Preface to the Editions of Rudyard Kipling, in "Puck of Pook's Hill and Rewards and Fairies", by Rudyard Kipling. Oxford University Press. His children's books are classics; one critic noted "a versatile and luminous narrative gift".Rutherford, Andrew ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1988%2C_MiNr_Block_091.jpg "Click for more on -> Bertolt Brecht")
