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A Long December
"A Long December" is a song by American alternative rock band Counting Crows. The ballad is the second single and 13th track from their second album, ''Recovering the Satellites'' (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a car, making the song about reflecting on tragedy with a positive disposition. Released in December 1996, "A Long December" peaked at number five on the US ''Billboard'' Modern Rock Tracks chart and number one on the Canadian ''RPM'' Top Singles chart. In December 1997, the song was re-released in the United Kingdom and reached number 68, six places below its original peak of number 62. ''American Songwriter'' magazine named "A Long December" the best Counting Crows song in April 2022. Background and composition In an interview with ''Rolling Stone'' magazine, lead singer Adam Duritz explained that he was inspired to write "A Long December" after one of his friends had been hit by a car. While the song is a refle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counting Crows
Counting Crows is an American rock band from San Francisco, California. Formed in 1991, the band consists of guitarist David Bryson, drummer Jim Bogios, vocalist Adam Duritz, keyboardist Charlie Gillingham, David Immerglück, bass guitarist Millard Powers, and guitarist Dan Vickrey. Past members include the drummers Steve Bowman (1991–1994) and Ben Mize (1994–2002), and bass guitarist Matt Malley (1991–2005). Counting Crows gained popularity following the release of its first album, ''August and Everything After'' (1993). With the breakthrough hit single " Mr. Jones" (1993), the album sold more than 7 million copies in the United States. The band received two Grammy Awards nominations in 1994, one for "Best Rock Performance by a Duo or Group with Vocal" (for "Round Here") and one for "Best New Artist". The follow-up album, ''Recovering the Satellites'', reached number one on the US ''Billboard'' 200 album chart and reached number one in several other countries. All but o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KKLS-FM
KKLS-FM (104.7 MHz, "Hot 104.7") is a radio station broadcasting a Top 40 (CHR) format. The station serves the Sioux Falls, South Dakota, area. KKLS and its sister stations were owned by Southern Minnesota Broadcasting until 2003 when they were sold to Cumulus Media, and sold again in 2012 to Townsquare Media. Its studios are located on Tennis Lane in Sioux Falls, while its transmitter is located near Humboldt. History In the 1990s, KKLS-FM was oldies formatted "Oldies 104.7" under ownership of Southern Minnesota Broadcasting. In December 1997, KKLS flipped to CHR as "Hot 104.7", filling a format void that was left by KPAT's flip to hot AC as KMXC in 1992. Prior to the flip, KKCK (then at 99.7 FM, now at 94.7 FM) served as the only Top 40/ CHR radio station in the Sioux Falls market between 1992 and 1997. In 2003, Southern Minnesota Broadcasting sold their Sioux Falls stations to Cumulus Media. In 2012, it was announced that Cumulus was selling their Sioux Falls stations to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bryson
Counting Crows is an American rock band from San Francisco, California. Formed in 1991, the band consists of guitarist David Bryson, drummer Jim Bogios, vocalist Adam Duritz, keyboardist Charlie Gillingham, David Immerglück, bass guitarist Millard Powers, and guitarist Dan Vickrey. Past members include the drummers Steve Bowman (1991–1994) and Ben Mize (1994–2002), and bass guitarist Matt Malley (1991–2005). Counting Crows gained popularity following the release of its first album, ''August and Everything After'' (1993). With the breakthrough hit single " Mr. Jones" (1993), the album sold more than 7 million copies in the United States. The band received two Grammy Awards nominations in 1994, one for "Best Rock Performance by a Duo or Group with Vocal" (for "Round Here") and one for "Best New Artist". The follow-up album, ''Recovering the Satellites'', reached number one on the US ''Billboard'' 200 album chart and reached number one in several other countries. All but o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Box (American TV Channel)
The Box, originally named the Video Jukebox Network, was an American broadcast, cable and satellite television network that operated from 1985 to 2001. The network focused on music videos, which through a change in format in the early 1990s, were selected by viewer request via telephone; as such, unlike competing networks (such as MTV and VH1), the videos were not broadcast on a set rotation. The network was distributed on cable and satellite providers, with additional carriage on over-the-air UHF television stations (mainly on low-power outlets);Music Television YOU Control most of these stations, which later became affiliates of following the shutdown of The Box's US operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courteney Cox
Courteney Bass Cox (previously Courteney Cox Arquette; born June 15, 1964) is an American actress and filmmaker. She gained international recognition for her starring role as Monica Geller on the NBC sitcom '' Friends'', which aired from 1994 to 2004. For her performance in the series, she received seven Screen Actors Guild Award nominations, of which she won one. She received further recognition for starring as Gale Weathers in the horror film franchise ''Scream'' (1996–present). She also starred as Lauren Miller in the NBC sitcom ''Family Ties'' (1987–1989), Lucy Spiller in the FX drama series ''Dirt'' (2007–2008), and as Jules Cobb in the ABC/ TBS sitcom ''Cougar Town'' (2009–2015), the lattermost of which earned her nominations at the Golden Globe Awards and the Critics' Choice Awards. Cox's other films include the action fantasy '' Masters of the Universe'' (1987), the comedy '' Ace Ventura: Pet Detective'' (1994), the animated comedy '' Barnyard'' (2006), the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Alternative Airplay
Adult Alternative Airplay (also known as Triple A or Triple A Airplay, and formerly Adult Alternative Songs and Triple A Songs) is a record chart currently published by ''Billboard'' that ranks the most popular songs on adult album alternative radio stations. The 40-position chart is formulated based on each song's weekly radio spins, as measured by Nielsen Broadcast Data Systems. The earliest incarnation of the chart was first published on January 20, 1996, as a feature in ''Billboard'' sister publication ''Airplay Monitor''. In 2006, ''Airplay Monitor'' ceased publication after ''Billboard'' parent company VNU Media's acquisition of rival radio trade magazine ''Radio & Records'', which then subsequently incorporated ''Airplay Monitor''s Nielsen-based Triple A chart. ''Billboard'' itself began publishing the Triple A chart in the issue dated July 5, 2008 through their Billboard.biz website, appropriating the same airplay data as ''Radio & Records''. ''Radio & Records'' closed in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot 100 Airplay
The Radio Songs chart (previously named Hot 100 Airplay until 2014 and Top 40 Radio Monitor until 1991) is released weekly by ''Billboard (magazine), Billboard'' magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales (both Hot Singles Sales, physical and the Hot Digital Songs, digital) and streaming activity, that determine the chart positions of songs on the Billboard Hot 100, ''Billboard'' Hot 100. History Radio airplay has always been one of the component charts of the Hot 100. Prior to the establishment of the Hot 100, ''Billboard'' published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in 1959 as jukeboxes lost their popularity. During the 1960s and 1970s, ''Billboard'' continued to collect airplay data as a component of the Hot 100 but did not make the chart public. The airplay-only chart d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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