A Lick Of The Old Cassette Box
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A Lick Of The Old Cassette Box
''A Lick of the Old Cassette Box'' aka ''The Lost Album'' is an album by the British industrial rock/alternative dance band Pop Will Eat Itself originally recorded in 1995 and 1996, but not released until September 2013. It was originally intended to become the band's sixth album back in 1996, and their second album on Nothing Records, but did not get released due to the band breaking up that year. The album was released on CD as disc two of a remastered re-release of the band's previous album ''Dos Dedos Mis Amigos''. It was also released separately on orange vinyl, limited to 200 copies. Music ''Louder Than War'' said that "within the grooves" is evidence which suggests the band "had the potential to challenge for the popular industrial crossover crown subsequently seized by The Prodigy who went on to fill stadiums across the globe and sell records by the millions." Reception Phil Newall of ''Louder Than War'' was favourable, saying the album is "good", but noted "I’m just n ...
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Pop Will Eat Itself
Pop Will Eat Itself are an English alternative rock band formed in 1986 in Stourbridge in the West Midlands of England with members from Birmingham, Coventry and the Black Country. Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest- charting single was the 1993 top-ten hit "Get the Girl! Kill the Baddies!". After initially disbanding in 1996, and having a brief reformation in 2005, they issued their first release in more than five years in 2010. Career Early years: 1981–1988 An early permutation of the band formed in 1981 under the name From Eden. Members included Clint Mansell, Adam Mole, Chris Fradgley, Malcolm Treece and Miles Hunt (Treece and Hunt went on to form The Wonder Stuff). From Eden recruited Graham Crabb from ‘Kit-Form Colossus’ to replace Hunt on drums befor ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Pop Will Eat Itself Albums
Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * ''Pop'' (Gas album) * ''Pop'' (Joachim Witt album) * ''Pop'' (Mao Abe album) * ''Pop'' (Same Difference album) * ''Pop'' (Tones on Tail album) * ''Pop'' (U2 album) * ''Pop'', an album by Topi Sorsakoski and Agents * ''P.O.P'', The Mad Capsule Markets album * ''Pop! The First 20 Hits'', an album by English duo Erasure Songs * "Pop" (song), by 'N Sync * "Pop", a song by A.R. Kane * "Pop", a song by Ari Lennox from ''Shea Butter Baby'' * "Pop", a song by La Oreja de Van Gogh from ''El viaje de Copperpot'' * "Pop!", a song by Nayeon from ''Im Nayeon'' Periodicals * ''Pop'' (fashion magazine), a British publication * ''Pop Magazine'', a sports magazine Television * Pop (American TV channel), formerly TVGN * Pop (British and Irish TV channel), f ...
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Revolting Cocks
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry. History 1984: Origins Revolting Cocks' origins date to late 1984, when Belgian industrial dance group Front 242, after having been invited by Chicago-based indie record label Wax Trax! Records, commenced their first American tour as an opening act for their then-labelmates, American band Ministry. Afterwards, Ministry lead singer Al Jourgensen asked Front 242 member Richard23 to produce a dub remix project. After returning to Brussels, Richard23 discussed collaboration with Luc van Acker; Van Acker, previously session guitarist for Shriekback, joined the newly formed project after talking with Jourgensen over the phone. The band's name came from an incident that took place in a Chicago bar; according to van Acker and Jourgensen, the band was trying out "in ...
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The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ...
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Louder Than War
''Louder Than War'' is a music and culture website and magazine focusing on mainly alternative arts news, reviews, and features. The site is an editorially independent publication that was started by journalist John Robb in 2010 and is now run by a team of other journalists with a worldwide team of freelancers. There has been a print edition since 2015. The site is built around live reviews, album reviews and interviews. In 2012, ''Louder Than War'' launched a record label to promote and champion lesser known bands and artists. History In its first year, in November 2011, Robb was voted to win the UK Association of Independent Music "Indie Champion" award. Louder Than War created the record label Louder Than War Records in 2014, to act as a platform for bands and artists to reach a wider audience; the first release being Evil Blizzard 'The Dangers Remixes', a 300 copy CD only release without a catalogue number, each being hand numbered; the 8 track releases being a remix of ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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Dos Dedos Mis Amigos
''Dos Dedos Mis Amigos'' is the fifth studio album by English industrial rock band Pop Will Eat Itself. It was released on 19 September 1994 in the United Kingdom by Infectious Records and in the United States by Nothing Records, Nothing and Interscope Records. The album is somewhat different from the band's other albums, as it had more of an Industrial music, industrial influence and fewer samples were used. The cover art was created by longtime collaborators The Designers Republic. The album was the last before the band disbanded in 1996 (excluding the then A Lick of the Old Cassette Box, unreleased album), until the reformed band released ''New Noise Designed by a Sadist'' in 2011, with a different line-up. It was followed by an album of remixes, ''Two Fingers My Friends!'', which is the English translation of "Dos Dedos Mis Amigos". Reception ''Record Collector'' said it was "arguably their best" album, adding that several songs on their later album ''Anti-Nasty League (album ...
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Nothing Records
Nothing Records was an American record label specializing in industrial rock and electronic music, founded by John Malm Jr. and Trent Reznor in 1992. It is considered an example of a vanity label, where an artist is able to run a label with some small degree of independence within a larger parent company, in this case the larger company being Interscope Records. Nothing Records went largely defunct in 2004, after a lawsuit by Reznor against John Malm. The label became inactive as a whole following several further releases; 2007's ''Beside You in Time'' music video was the label's final release. Background Nothing Records is most famous for its two original signings, Trent Reznor's own band Nine Inch Nails and Marilyn Manson. The label gained semi-iconic status within the industrial rock scene, and even acquired its own online-fanzine in ''Sick Among the Pure'', although this later became a more general industrial fanzine, and ceased to exist at all in 2005. The Nothing label ...
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Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ...
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Alternative Dance
Alternative dance (also known as indie dance or underground dance in the U.S.) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy in the 1990s. Characteristics AllMusic states that alternative dance mixes the "melodic song structure of alternative and indie rock with electronic beats, synths and/or samples, and club orientation of post-disco dance music". '' The Sacramento Bee'' calls it " postmodern– Eurosynth– technopop– New Wave in a blender". The genre draws heavily on club culture for inspiration while incorporating other styles of music such as electropop, house, and EBM. The performers of alternative dance are closely identified with their music through a signature style, texture, or fusion of specific musical elements. They are usually signed to small record labels. History 1980sâ ...
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Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ...
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