A King And No King
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A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ...
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A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ...
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1618 In Literature
This article contains information about the literary events and publications of 1618. Events *January – Lady Hay and eight other Court ladies plan and rehearse a ''Ladies' Masque'' or ''Masque for Ladies'', intended for a Twelfth Night performance, but it is cancelled a few days before, either by King James or Queen Anne. *January 4 – Sir Francis Bacon is appointed Lord Chancellor by King James I of England. *April 6 (Easter Monday) – The King's Men perform ''Twelfth Night'' at Court. *April 7 – The King's Men perform ''The Winter's Tale'' at Court. *July – Ben Jonson sets out to walk to Scotland. *Catherine de Vivonne, marquise de Rambouillet, begins remodelling the Paris residence which becomes the Hôtel de Rambouillet to form a literary ''salon''. New books Prose *William Cecil, 1st Baron Burghley – ''Certain Precepts or Directions, For the Well-ordering and Carriage of a Man's Life'' * Renold Elstracke – ''Braziliologia'' *Vicente Espinel – ''Relaciones de ...
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London Theatre Closure 1642
On September 2, 1642, just after the First English Civil War had begun, the Long Parliament ordered the closure of all London theatres. The order cited the current "times of humiliation" and their incompatibility with "public stage-plays", representative of "lascivious Mirth and Levity". The closure was the culmination of the rising anti-theatrical sentiment among Puritans, and along with William Prynne's ''Histriomastix'' (1633), its text was the most notorious attack on theatre in English history. The ban, which was not completely effective, was reinforced by an Act of 11 February 1648, at the beginning of the Second English Civil War, Second Civil War. It provided for the treatment of actors as rogue (vagrant), rogues, the demolition of theatre seating, and fines for spectators. On 24 January 1643, the actors pleaded with Parliament to reopen the theatres by writing a pamphlet called '''The Actors remonstrance or complaint for the silencing of their profession, and banishmen ...
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Cyrus Hoy
Cyrus Henry Hoy (February 26, 1926 – April 27, 2010) was an American literary scholar of the English Renaissance stage who taught at the University of Virginia and Vanderbilt University, and was the John B. Trevor Professor of English (emeritus, 1994) at the University of Rochester. He wrote and published on a wide range of topics in English literature, though he is best known for his works on William Shakespeare, Beaumont and Fletcher, and other figures in English Renaissance theatre. Probably his most frequently-cited work is his study of authorship problems in the Beaumont/Fletcher plays. Titled "The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon," it was published in seven annual issues of the journal ''Studies in Bibliography,'' published by the Bibliographical Society of the University of Virginia (1956–62). Hoy identified specific linguistic markers for individual dramatists, most notably a highly distinctive pattern of preferences for ...
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1679 In Literature
This article contains information about the literary events and publications of 1679. Events *April 30 – John Locke, returning to England from France, moves into Thanet House in London. *June – Nathaniel Lee's play ''The Massacre at Paris'' (about the St. Bartholomew's Day massacre of 1572, as was Christopher Marlowe's play of the same title) is suppressed by King Charles II of England as anti-French, the French being English allies at this time. *August – Thomas Otway returns to England from military service in the Netherlands. *October – Thomas Otway's ''The History and Fall of Caius Marius'', his adaptation of ''Romeo and Juliet'', is written. When performed the following year, it will drive Shakespeare's original off the stage for more than sixty years. *December 18 – Rose Alley ambuscade: John Dryden is set upon by three assailants in London, thought to have been instigated by John Wilmot, 2nd Earl of Rochester in retaliation for an attack on "want of wit" in ...
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1647 In Literature
This article contains information about the literary events and publications of 1647. Events *Summer – Thomas Hobbes gives up his work as mathematics tutor to the future Charles II of England because of a serious illness. *October 6 – London authorities raid the Salisbury Court Theatre, breaking up an illicit performance of Beaumont and Fletcher's ''A King and No King''. *''unknown date'' – Plagiarist Robert Baron publishes his ''Deorum Dona'', a masque, and ''Gripus and Hegio'', a pastoral, which draws heavily on the poems of Edmund Waller and John Webster's ''The Duchess of Malfi''. The masque claims to have been performed before "Flaminius and Clorinda, King and Queen of Cyprus, at their regal palace in Nicosia," a fantasy with no relation to the actual history of Cyprus. New books Prose *René Descartes – ''Les Principes de la philosophie'' (French version of original Latin) * Antonio Enríquez Gómez – ''El siglo pitagórico. La vida de don Gregorio Guadaña'' *B ...
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Beaumont And Fletcher Folios
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama. The first folio, 1647 The 1647 folio was published by the booksellers Humphrey Moseley and Humphrey Robinson. It was modelled on the precedents of the first two folio collections of Shakespeare's plays, published in 1623 and 1632, and the first two folios of the works of Ben Jonson of 1616 and 1640–1. The title of the book was given as ''Comedies and Tragedies Written by Francis Beaumont and John Fletcher Gentlemen,'' though the prefatory matter in the folio recognised that Philip Massinger, rather than Francis Beaumont, collaborated with Fletcher on some of the plays included in the volume. (In fact, the 1647 volume "contained almost nothing of Beaumont's" work.) Seventeen works in Fletcher's canon that had al ...
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William Leake
William Leake, father (died 1633) and son (died 1681), were London publishers and booksellers of the late sixteenth and the seventeenth centuries. They were responsible for a range of texts in English Renaissance drama and poetry, including works by Shakespeare and Beaumont and Fletcher. Senior William Leake I, or William Leake the elder, started in business as a bookseller around 1586. His shops were at the sign of the Greyhound in Paternoster Row, and at the sign of the Holy Ghost in St. Paul's Churchyard. In 1596 he acquired the rights to Shakespeare's '' Venus and Adonis'' from John Harrison the elder, and published six editions of that very popular poem from 1599 to 1602 in literature (the fifth through tenth editions, or the third octavo edition, O3, through the eighth, O8). The elder Leake published the first quartos of Anthony Munday's two plays about Robin Hood, ''The Downfall and The Death of Robert Earl of Huntington'' (both 1601). Leake published editions of John ...
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Richard Hawkins (publisher)
Richard Hawkins (died 1633) was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn. Beginnings Hawkins served his apprenticeship under the stationer Edmond Matts in 1604–11; in turn he acquired Matts's business in 1613 and established himself as an independent publisher. In his first year, Hawkins reprinted John Marston's ''The Metamorphosis of Pigmalion's Image,'' a work originally issued by Matts in 1598. Hawkins's initial entry into the Stationers' Register was Elizabeth Tanfield Cary's '' The Tragedy of Mariam,'' which he also printed in 1613 — a work now recognized as the first tragedy by a woman to be published in English. Shakespeare Hawkins's connection with the Shakespeare canon started in 1628; an entry in the Stationers' Register, dated 1 March that year, records the transfer of the rights ...
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1631 In Literature
This article is a summary of the literary events and publications of 1631. Events * January 9 – '' Love's Triumph Through Callipolis'', a masque written by Ben Jonson and designed by Inigo Jones, is staged at Whitehall Palace. *January 11 – The Master of the Revels in England refuses to license Philip Massinger's new play, ''Believe as You List'', because of its seditious content; it is first performed in a revised version on May 7. * February 5 – Puritan minister and theologian Roger Williams emigrates from England to Boston in the Massachusetts Bay Colony. *February 22 – ''Chloridia'', the year's second Jonson/Jones masque, is performed. *June 10 – The King's Men perform ''Pericles, Prince of Tyre'' (c.1607/8) at the Globe Theatre. *The young Blaise Pascal moves with his family to Paris. *Thomas Hobbes is employed as a tutor by the Cavendish family, to teach the future Earl of Devonshire. *Publication of the "Wicked Bible" by Robert Barker and Martin Lucas, the r ...
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1625 In Literature
This article contains information about the literary events and publications of 1625. Events *January 1 – The King's Men act '' Henry IV, Part 1'' (described as ''The First Part of Sir John Falstaff '') at Whitehall Palace. * January 9 – Ben Jonson's masque ''The Fortunate Isles and Their Union'' (designed by Inigo Jones) is played before the English Court in London, becoming the last of the Jacobean era. *February 12 – John Milton enters Christ's College, Cambridge, aged 16. *March 27 – On the death of King James VI of Scotland and I of England and Ireland, patron of the King James Bible and essayist, he is succeeded by his son, the Prince of Wales. At the same time, theatres are closed because of an outbreak of plague and do not reopen until December. *April – Sir Richard Baker's Oxfordshire property is seized as a result of debts. * August 2–September 26 – Playwright Cyril Tourneur becomes secretary to the Council of War. On October 8 he joins the catastr ...
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Philaster (play)
''Philaster, or Love Lies a-Bleeding'' is an early Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher. One of the duo's earliest successes, the play helped to establish the trend for tragicomedy that was a powerful influence in early Stuart-era drama. Date and performance While the date of the play's origin cannot be fixed with certainty, ''Philaster'' must pre-date 1611, based on its mention by John Davies in his ''Scourge of Folly.'' (Davies's book was entered into the Stationers' Register on 8 October 1610, and was printed soon after.) Scholars generally assign the play to the 1608–10 interval, with "the middle to late summer of 1610" as perhaps the most likely specific period. The play was acted by the King's Men at both the Globe and Blackfriars theatres, and was performed at court twice in the winter of 1612–13. Publication The play was first published in 1620 by the bookseller Thomas Walkley, in a seriously defective text; Wa ...
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