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A Hope For Home
A Hope for Home (commonly abbreviated to AHFH) is a post-metal band based in Portland, Oregon that formed in 2006. They have five studio albums, three of which were released on Facedown Records and Strike First (the imprint label of Facedown Records). Throughout their career, A Hope for Home has controlled many of the aspects of their music including recording, production, mixing, art direction, and art design. These commitments have allowed them to achieve the precise sound and imagery of their intentions, and have become part of the band's dynamic. History Founded in 2006 by friends Kyle Cooke and Matthew Ellis, "A Hope for Home" was a project devised by Cooke after discovering that his cancer had returned and was terminal. After a long struggle with cancer, founding member Kyle Cooke died on August 5, 2006. After his death, friends and family members of Cooke created the "Kyle Cooke Foundation", a "non-profit fundraising corporation that raises money for The Friends of Doe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portland, Oregon
Portland (, ) is a port city in the Pacific Northwest and the largest city in the U.S. state of Oregon. Situated at the confluence of the Willamette and Columbia rivers, Portland is the county seat of Multnomah County, the most populous county in Oregon. Portland had a population of 652,503, making it the 26th-most populated city in the United States, the sixth-most populous on the West Coast, and the second-most populous in the Pacific Northwest, after Seattle. Approximately 2.5 million people live in the Portland metropolitan statistical area (MSA), making it the 25th most populous in the United States. About half of Oregon's population resides within the Portland metropolitan area. Named after Portland, Maine, the Oregon settlement began to be populated in the 1840s, near the end of the Oregon Trail. Its water access provided convenient transportation of goods, and the timber industry was a major force in the city's early economy. At the turn of the 20th century, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isis (band)
Isis (sometimes stylized ISIS) was an American post-metal band formed in Boston, Massachusetts in 1997. The band borrowed from and helped to evolve the post-metal sound pioneered by bands such as Neurosis and Godflesh, characterized by lengthy songs focusing on repetition and evolution of structure. Isis's last studio album, ''Wavering Radiant'', was released on May 5, 2009. Isis disbanded in June 2010, just before the release of a split EP with the Melvins. In 2018, the group reformed as Celestial for a one-off show to pay tribute to Caleb Scofield. History Formation, ''Celestial'', and other early releases (1997–2001) In Boston, several sessions of experimentation led friends Aaron Turner (guitar/vocals; also the owner of Hydra Head Records and its subsidiary, HH Noise Industries), Jeff Caxide (bass guitar), Chris Mereschuk (electronics/vocals) and Aaron Harris (drums) to form Isis in autumn of 1997. As Turner stated, "Isis formed as a result of the dissatisfaction with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Will Destroy You
This Will Destroy You (abbreviated as TWDY) is an American post-rock band from San Marcos, Texas, formed in 2004. They typically compose lengthy atmospheric instrumental pieces, featuring layers of effects-laden guitar and a heavy usage of dynamics. Their fourth album ''Another Language'', released in 2014, entered the ''Billboard'' Heatseekers Album Chart at number 7. History Formation (2002–2005) This Will Destroy You was formed by guitarists Jeremy Galindo and Christopher Royal King, bassist Raymond Brown and drummer Andrew Miller in San Marcos, Texas, in 2005.There is some ambiguity as to their exact year of formation as sources have reported various years between 2002 and 2005. The latter is, however, the most-often reported year. They had met through mutual friends, and played together in various different bands throughout high school before the lineup was finalized by around 2002. Early iterations of the band featured Galindo on vocals and "sounded like Radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrice
Thrice is an American rock band from Irvine, California, formed in 1998. The group was founded by guitarist/vocalist Dustin Kensrue and lead guitarist Teppei Teranishi while they were in high school. Early in their career, the band was known for melodic hardcore punk music based in heavily distorted guitars, prominent lead guitar lines, and frequent changes in complex time signatures. This style is exemplified on their second album, '' The Illusion of Safety'' (2002) and their third album ''The Artist in the Ambulance'' (2003). Their fourth album ''Vheissu'' (2005) made significant changes by incorporating electronic beats, keyboards, and a more experimental sound. In 2007 and 2008, Thrice released '' The Alchemy Index'', consisting of two studio albums that together make a four-part, 24-song cycle. Each of the four six-song EPs of the Alchemy Index features significantly different styles, based on different aspects of the band's musical esthetic which reflect the elemental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Of Luna
Cult of Luna is a Swedish heavy metal band from Umeå founded in 1998. They are known for post-metal music similar to the contemporary bands Neurosis and Isis. The band was signed to Earache Records in the early 2000s and released five albums, including the commercially successful albums ''Salvation'' (2004) and ''Somewhere Along the Highway'' (2006). After an extended period of inactivity, Cult of Luna returned with its Indie Recordings debut ''Vertikal'' (2013) and companion EP '' Vertikal II'' (2013), both drawing inspiration from Fritz Lang's 1927 film, ''Metropolis''. In 2016 the band released their space-themed collaborative album, ''Mariner'', featuring American vocalist Julie Christmas. History Formation and early releases (1998–2007) They formed from the remnants of a Umeå hardcore punk band called Eclipse in 1998. They slowly garnered critical appreciation and underground popularity with early releases ''Cult of Luna'' (2001) and '' The Beyond'' (2003); however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panopticon (album)
''Panopticon'' is the third full-length album by Los Angeles, California based post-metal band ISIS, released by Ipecac Recordings in 2004. The album's title is derived from philosopher Jeremy Bentham's panopticon prison ideal and philosopher/historian Michel Foucault's later allegorical appropriation of the concept. The liner notes also include quotes from technology writer Howard Rheingold and futurist Alex Steffen; as a concept album, ''Panopticons focus is on the proliferation of surveillance technologies throughout modern society and the government's role in that spread. Critical response to ''Panopticon'' was generally very warm; as it followed 2002's critically acclaimed ''Oceanic'', many reviewers were quick to hold the two in comparison. The consensus was that ''Panopticon'' represented a progression, of sorts. The album's sound continued ISIS' departure from the strictures of sludge and metal – which had been the hallmarks of their earlier material – and continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Hardcore
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands (such as Bad Religion and Descendents), have proven influential across the spectrum of punk rock, as well as rock music more generally. The term "melodic punk" is often used to describe both melodic hardcore and skate punk bands. Characteristics Melodic hardcore is broadly defined, however generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Many notable bands, such as Dag Nasty and Lifetime use minor interval chords on guitar, such as minor ninth and seventh chords, as well as fifth or ninth harmonies on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-metal
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars (subjected to various effects) and drums, while any vocals are usually screamed or growled and resemble an additional instrument. Post-metal is related to other experimental styles of metal: avant-garde metal, drone metal, progressive metal, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
