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A Good Git-Together
''A Good Git-Together'' is a 1959 studio album by Jon Hendricks. It was Hendricks' first solo album, and featured Cannonball Adderley and Wes Montgomery. Track listing # "Everything Started in the House of the Lord" – 1:03 # "Music in the Air" (Gigi Gryce) – 3:58 # "Feed Me" – 3:50 # "I'll Die Happy" – 2:22 # "Pretty Strange" (Randy Weston) – 2:53 # "The Shouter" (Gildo Mahones) – 5:03 # "Minor Catastrophe" – 5:21 # "Social Call" (Gryce) – 2:22 # "Out of the Past" (Benny Golson) – 4:55 # "A Good Git-Together" – 3:41 # "I'm Gonna Shout (Everything Started in the House of the Lord)" – 2:26 All songs written by Jon Hendricks, collaborators indicated. Personnel *Jon Hendricks – vocals * Nat Adderley – cornet (2, 5, 6, 8, 9) * Cannonball Adderley – alto saxophone (2, 5, 6, 8, 9) * Pony Poindexter – alto saxophone, vocals (1, 3, 4, 7, 10, 11) * Wes Montgomery – guitar * Gil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hendricks Albums
Jon is a shortened form of the common given name Jonathan, derived from "YHWH has given", and an alternate spelling of John, derived from "YHWH has pardoned". Behind the Name. Retrieved on 2013-09-06. The name is spelled in and on the . In the , it is derived from |
Jimmy Wormworth
James Edward Wormworth III (born August 14, 1937, in Utica, New York) is an American jazz drummer. He was described by Leonard Feather in 1960 edition of ''The Encyclopedia of Jazz'' as "One of the most promising young drummers on the New York scene." He is the father of drummer James Wormworth and bassist Tracy Wormworth. Biography Born in Utica, New York, Jimmy Wormworth was the son of the African-American jazz drummer and pianist James Wormworth II and Ann Mariani, the sister of the Utica tenor saxophonist Dick Mariani.Feather, Leonard, ''The Encyclopedia of Jazz'', New York: Horizon Press, 1960, p. 469. He began studying drums with George Claesgens in Utica in 1947 and was playing professionally in upstate New York while still in his teens.Hamilton CollegeJazz Archive Interviews transcript of interview conducted with Jimmy Wormworth in New York City on January 6, 2002, by Monk Rowe, director of the Hamilton College Jazz Archive. Wormworth went on to tour Europe with America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monk Montgomery
William Howard "Monk" Montgomery (October 10, 1921 – May 20, 1982) was an American jazz bassist. He was a pioneer of the electric bass guitar and possibly the first to be recorded playing the instrument when he participated in a 1953 session released on ''The Art Farmer Septet''. He was the brother of jazz guitarist Wes Montgomery and vibraphonist Buddy Montgomery. Biography Born in Indianapolis, Indiana, United States, into a musical family, Monk had three brothers and a sister. His older brother Thomas played drums, and died at 16. Monk gave his younger brother Wes (1923–68) a tenor guitar when Wes was 11 or 12. The youngest brother, Buddy (1930–2009) played piano and later took up the vibraphone. Their younger sister, Ervena (Lena), also played piano. Monk himself did not take up the double bass until he was 30, after hearing one of Wes' groups perform. The three brothers released a number of albums together as the Montgomery Brothers, also playing together on some albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ike Isaacs (bassist)
Charles "Ike" Isaacs (March 28, 1923 – February 27, 1981) was an American jazz bassist from Greater Cleveland. Early life Born in Akron, Ohio, Isaacs played trumpet and tuba as a child before settling on bass. Career Isaacs served in the Army during World War II, where he took lessons from Wendell Marshall. Following this he played with Tiny Grimes (1948–50), Earl Bostic (1951–53), Paul Quinichette (1953), and Bennie Green (1956). He led a band locally in Ohio in 1956, then played for two years in the trio of Carmen McRae, whom he married late in the decade. He worked with Lambert, Hendricks and Ross, then with Count Basie (1962), Gloria Lynne (1962–64), and Erroll Garner (1966–70), as well as with his own small groups. He recorded only once as a leader, in 1967 for RGB Records. On this recording he plays in a trio with Jack Wilson on piano and Jimmie Smith on drums. Discography As leader or co-leader * ''Maxine Sullivan with the Ike Isaacs Quartet'' (Audiophile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pony Poindexter
Norwood "Pony" Poindexter (February 8, 1926, New Orleans, Louisiana – April 14, 1988, Oakland, California) was an American jazz saxophonist. Poindexter began on clarinet and switched to playing alto and tenor sax. In 1940 he studied under Sidney Desvigne, and following World War II attended the newly founded Candell Conservatory of Music in Oakland, California. From 1947 to 1950 he played with Billy Eckstine. In 1950 he played in a quartet with Vernon Alley. From 1951 to 1952, he was with Lionel Hampton and in 1952 he played with Stan Kenton. Neal Hefti wrote the tune "Little Pony", named after Poindexter, for the Count Basie Orchestra. Through the end of the 1950s Poindexter played extensively both as a leader and as a sideman, recording with Charlie Parker, Nat King Cole, T-Bone Walker, and Jimmy Witherspoon. In the early 1960s he began playing the soprano sax as well. He recorded with Eric Dolphy and Dexter Gordon on a session for Epic Records around 1962. From 1961 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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