A Girl Asleep (Vermeer)
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A Girl Asleep (Vermeer)
''A Girl Asleep'' (Dutch: ''Slapend meisje''), also known as ''A Woman Asleep'', ''A Woman Asleep at Table'', and ''A Maid Asleep'',Liedtke, Walter, with Michael C. Plomp and Axel Rüger, ''Vermeer and the Delft School'', pp 369-371; New York: The Metropolitan Museum of Art and New Haven and London: Yale University Press, 2001 (catalogue of an exhibition of the same name New York, March 8-May 27, 2001, and at the National Gallery, London, June 20 – September 16, 2001) is a painting by the Dutch master Johannes Vermeer, created ''c.'' 1657.Benjamin Binstock ''Vermeer's Family Secrets: Genius, Discovery, and the Unknown Apprentice'' 1136087060 2013 p.117 "Vermeer's Girl Asleep, likely from 1656, portrays a young woman seated at a table with her eyes closed, in the .. " It is now in the Metropolitan Museum of Art in New York City and may not be lent elsewhere under the terms of the donor's bequest. Theme, influences and composition changes According to Liedtke, the presence of the d ...
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Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ...
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John W
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ...
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Genre Paintings By Johannes Vermeer
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Dutch Golden Age Painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ...
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List Of Paintings By Johannes Vermeer
The following is a list of paintings by the Dutch Golden Age painter Johannes Vermeer (1632–1675). After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. His popularity is due less to his subject matter than to the poetic manner in which he portrays his subjects and that he lived a very difficult life. Vermeer's paintings of the 1660s are generally more popular than his work from the 1670s: in the eyes of some, his later work is colder.Bonafoux, 124 Today, 34 paintings are firmly attributed to him, with question marks over a further three.Jonathan JansonEssential Vermeer: complete Vermeer catalogueaccessed 16 June 2010 This compares to the 74 pictures attributed to him by a Theophile Burger in 1866. Vermeer's reputation increased greatly during the latter half of the 20th century, a period during which the number of paintings ascribed to him shrank greatly.Bonafoux, 144 This is partly because he has ...
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Benjamin Altman
Benjamin Altman (July 12, 1840 – October 7, 1913) was a New York City department store owner and art collector who is best known today for his large art collection, which he donated to the Metropolitan Museum of Art. Life and career Benjamin Altman was born on July 12, 1840, the son of Bavarian Jews who emigrated to America in 1835 and opened a small store on Attorney Street in New York City. After working in his father's dry goods store, Altman set out on his own. In 1865, Altman founded B. Altman and Company, a dry goods store located on Third Avenue and 10th Street in New York City. Over the years, the store grew in prosperity and expanded to several other locations. In 1877, a large storefront opened on Sixth Avenue; dubbed the "Palace of Trade" for its lavish architecture, Altman's store was one of the first to display clothing for different ages in different areas. In 1906, the B. Altman and Company Building opened on Fifth Avenue. Altman used his wealth to fund var ...
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Joseph Duveen, 1st Baron Duveen
Joseph Duveen, 1st Baron Duveen (14 October 1869 – 25 May 1939), known as Sir Joseph Duveen, Baronet, between 1927 and 1933, was a British art dealer who was considered one of the most influential art dealers of all time. Life and career Joseph Duveen was British by birth, the eldest of thirteen children of Rosetta (Barnett) and Sir Joseph Joel Duveen, a Dutch-Jewish immigrant who had set up a prosperous import business in Hull. The Duveen Brothers firm became very successful and became involved in trading antiques. Duveen Senior died in 1908; Joseph took over the business, working in partnership with his late father's brother Henry J. Duveen. He had received a thorough and stimulating education at University College School. He moved the Duveen company into the risky, but lucrative, trade in paintings and quickly became one of the world's leading art dealers due to his good eye, sharpened by his reliance on Bernard Berenson, and skilled salesmanship. His success is famous ...
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Charles Sedelmeyer
Charles Sedelmeyer (30 April 1837, Vienna – 9 August 1925, Paris) was an Austrian and French art dealer, collector, and publisher active in Paris from 1866, with premises at 6 rue de la Rochefoucauld. He is credited with popularising the Dutch artist Jan van Goyen in France. Sedelmeyer assessed the American market as important enough to send his Rubens ''Atalanta and Meleager'' from the Marlborough collection for exhibition at the Metropolitan Museum of Art in the winter of 1886. Mihály Munkácsy Though specialized in old masters, Sedemeyer became friends with the artist Mihály Munkácsy, who lived in Paris from 1872 onwards. Sedelmeyer bought and sold Mihaly Munkácsy's 1878 ''The Blind Milton Dictating Paradise Lost to his Daughters,'' and after doing so offered Munkácsy a ten-year contract, making that painter a wealthy man and a really established member of the Paris art world. Sedelmeyer wanted him to paint large-scale pictures which could be exhibited on their own ...
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Pieter Claesz Van Ruijven
Pieter Claesz. van Ruijven (1624 – August 7, 1674) is best known as Johannes Vermeer's patron for the better part of the artist's career. Van Ruijven was born in Delft, the son of a brewer and a Remonstrant. In 1653 he married Maria de Knuijt. The couple had one daughter named Magdalena, born in 1655. Like his father, he worked for the city institution, the ''Camer van Charitate'' (1668–1672). In 1657, he lent Vermeer 200 guilders. In 1680 his daughter Magdalena van Ruijven married Jacob Abrahamsz Dissius, a bookbinder. His father owned a printing press on the Market square, close to Maria Thins. Van Ruijven died in Delft, aged about fifty. Magdalena had 20 of Vermeer's works in her estate at her death, inherited from her father. Magdalena van Ruijven died in 1682, one year after her mother. Her spouse inherited most of her wealth, including 20 paintings by Vermeer. In 1683, the estate was divided by Dissius and his father. In 1694 Abraham Dissius was buried, his son ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Jacob Dissius
Jacob Abrahamsz. Dissius (1653 - 1695) was a Dutch typography, typographer and printer. He is most notable as an art collector and for his links to Johannes Vermeer - his collection included 21 Vermeer works (including ''The Milkmaid (Vermeer), The Milkmaid'', ''Portrait of a Young Woman (Vermeer, New York), Portrait of a Young Woman'', ''A Girl Asleep (Vermeer), A Girl Asleep'', ''Woman Holding a Balance'' and ''The Music Lesson'') and in 1680 he married Madgdalene, daughter and sole heir of Vermeer's main patron Pieter van Ruijven. Dissius died in 1695 and his collection was auctioned off in Amsterdam the following year. Biography Jacob Dissius was baptised on 23 November 1653 in Delft as the son of Maria Cloeting and the printer Abraham Dissius. He married Magdalena Pieters van Ruijven, daughter of Pieter van Ruijven, born in 1655. Dissius' father-in-law was one of the wealthier citizens of Delft, and became a patron of Vermeer. She inherited her parents' money and art collection ...
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The Milkmaid (Vermeer)
''The Milkmaid'' (Dutch: ''De Melkmeid'' or ''Het Melkmeisje''), sometimes called ''The Kitchen Maid'', is an Oil painting, oil-on-canvas painting of a "milkmaid", in fact, a Kitchen maid (domestic worker), domestic kitchen maid, by the Netherlands, Dutch artist Johannes Vermeer. It is now in the Rijksmuseum Amsterdam, Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions". The exact year of the painting's completion is unknown, with estimates varying by source. The Rijksmuseum estimates it as circa 1658. According to the Metropolitan Museum of Art in New York City, it was painted in about 1657 or 1658. The "Essential Vermeer" website gives a broader range of 1658–1661. Descriptions and commentary The painting shows a milkmaid, a woman who milks cows and makes dairy products like butter and cheese, in a plain room carefully pouring milk into a squat earthenware container on a table. Milkmaids began working sol ...
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