A Dozen Dead Roses
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A Dozen Dead Roses
''A Dozen Dead Roses'' is the second album, studio album by American post-punk band No Trend, released in 1985 through their very own No Trend Records. The album features a dramatic musical and stylistic shift from previous releases, being more funk influenced when compared to their previous noise rock, noisy records such as ''Too Many Humans....., Too Many Humans''. The album features Lydia Lunch performing vocals on numerous tracks. The track "For the Fun of It All" originated from their previous release, ''Too Many Humans''. History After the release of ''Too Many Humans'', Frank Price and Michael Salkins left the group, leaving Jeff Mentges and Bob Strasser. Mentges would later recruit other musicians to help with the recording of ''A Dozen Dead Roses''. This album features a dramatic change in sound, featuring influences of jazz and funk music. The sudden change in sound has been described as a prank on the fan base they've attained from the release of ''Too Many Humans''. '' ...
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No Trend
''No Trend'' was an American noise rock and hardcore punk group from Ashton, Maryland, formed in 1982. They were considered anti-hardcore, with the members, especially guitarist and lyricist Frank Price, vehement about their abhorrence towards the punk youth subculture. The band was known for their confrontational stage performances, which normally involved aggressively baiting their punk audience. They were influenced by Public Image Ltd. and Flipper. They released three full-length albums, two released independently and one issued through Touch and Go Records. A fourth album that was recorded in 1987 but never released was finally issued as ''More'' in 2001. History No Trend formed in 1982 in Ashton, Maryland and consisted of Jeff Mentges (vocals), Bob Strasser (bass), Frank Price (guitar), and Michael Salkind (drums). Prior to No Trend, Mentges, Salkind, Strasser and Brad Pumphrey (guitar) were a band called the Aborted; they nearly played out with Government Issue. No Tre ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Jazz Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Too Many Humans
''Too Many Humans.....'' is the debut studio album by the American noise rock band No Trend, released through their own No Trend Records in 1984 on vinyl format. The album is known for its brash, misanthropic lyrics, as evident on tracks such as "Reality Breakdown" and "Mindless Little Insects". It has been described as "nightmarish" and has been compared to other noisy bands such as Flipper and Public Image Ltd. The title track would serve as inspiration for Godflesh during the recording of their 1988 album ''Streetcleaner''. The album was long thought to never be reissued due to the supposed destruction of the original master tapes. However, on May 29, 2020, Drag City released a box set reissue and remaster of the album, along with both versions of '' Teen Love''. Music and lyrics The album has been described as violent, misanthropic, noisy, and mean-spirited. Most lyrics mock punk subculture and the social normalities of human life; such as marriage, fashion, and so on. A ...
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Tritonian Nash-Vegas Polyester Complex
''Tritonian Nash-Vegas Polyester Complex'' is the third studio album by American no wave band No Trend, released in 1986 through Touch and Go Records. The album continues the experimental path the band created with their previous record, ''A Dozen Dead Roses''. The album was ill-received among the American underground, to the point that owners of the record would return it for refunds. Up until the reissue of ''Too Many Humans'' in 2020, ''Tritonian Nash-Vegas Polyester Complex'' and its follow-up album ''More'' were the only No Trend albums to be available through digital outlets such as iTunes iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital mul ... due to the belief that the master tapes for all of the band's previous material were lost. Track listing Personnel Performers *Jeff Men ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Noise Rock
Noise rock (sometimes called noise punk) is a noise music, noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimal music, minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement. Some groups are tied to song structures, such as Sonic Youth. Although they are not representative of the entire genre, they helped popularize noise rock among alternative rock audiences by incorporating melodies into their droning textures of sound, which set a template that numerous other groups followed. Other early noise rock bands were Big Black and Swans (band), Swans. Characteristics Noise rock fuses Rock music, rock to noise, usually with recognizable "rock" instrumentation, but with greater use of distortion and elect ...
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Lydia Lunch
Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks. Her work typically features provocative and confrontational noise music delivery, and has maintained an anti-commercial ethic, operating independently of major labels and distributors. The ''Boston Phoenix'' named Lunch one of the ten most influential performers of the 1990s. Her collaboration with Sonic Youth called " Death Valley '69" was named one of "The 50 Most Evil Songs Ever" by ''Kerrang!'' Biography Lunch was born on June 2, 1959, in Rochester, New York and is of German and Italian descent. She moved to New York City at the age of 16 and eventually moved into a communal household of artists and musicians. After befriending Alan Vega and Martin Rev at Max's K ...
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