A Day At The Races Tour
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A Day At The Races Tour
The A Day at the Races Tour (also known as the World Tour '77, Summer Tour 1977 and the Jubilee Tour) was the fourth headlining concert tour by the British rock band Queen, supporting their late 1976 album '' A Day at the Races''. Background This tour was the first in which the band played " Somebody to Love" and many others. " Brighton Rock" and "Bohemian Rhapsody" were performed full-length for the first time. Also, singer Freddie Mercury performed a vocal canon between "White Man" and "The Prophet's Song". "When people started singing along, we found it kind of annoying…" recalled Brian May. "Then there was an enormous realisation, at Bingley Hall in the Midlands. They sang every note of every song. Freddie and I looked at each other and went, 'Something's happening here. We've been fighting it, and we should be embracing it.' That's where 'We Will Rock You' and 'We Are the Champions' came from. It was an epoch-making moment." The opening act for most of the North Ameri ...
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A Day At The Races (album)
''A Day at the Races'' is the fifth studio album by the British rock band Queen, released on 10 December 1976 by EMI Records in the United Kingdom and by Elektra Records in the United States. Recorded at The Manor, Sarm East, and Wessex Sound Studios in England, it was the band's first completely self-produced album, and the first completed without the involvement of producer Roy Thomas Baker; engineering duties were handled by Mike Stone. It serves as a companion to Queen's previous album, '' A Night at the Opera'', with both taking their names from Marx Brothers films and having similar packaging and eclectic musical themes. The album reached the top of the charts in the UK, Japan, and the Netherlands. It reached number five on the US ''Billboard'' Top LPs & Tape chart and was Queen's third album to ship gold in the US, subsequently reaching platinum status in the country. In 2006, a listener poll conducted by BBC Radio 2 saw ''A Day at the Races'' voted the 67th greatest ...
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Earls Court Exhibition Centre
Earls Court Exhibition Centre was a major international exhibition and events venue just west of central London. At its peak it is said to have generated a £2 billion turnover for the economy. It replaced exhibition and entertainment grounds, originally opened in 1887, with an art moderne structure built between 1935 and 1937 by specialist American architect C. Howard Crane. With the active support of London mayor Boris Johnson, in an attempt to create Europe's "largest regeneration scheme", its proposed heritage listing was refused after it was acquired by developers, who promptly in 2008 applied for and were granted a Certificate of Immunity from Listing by English Heritage, and its demolition was completed in 2017. Located in Earl's Court but straddling the boundary between the Royal Borough of Kensington and Chelsea and the Borough of Hammersmith and Fulham, it was the largest such venue within the capital served by two London Underground stations—one of them, Earl's ...
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Sweet Lady (Queen Song)
"Sweet Lady" is a song by British rock band Queen, which was written by Queen guitarist Brian May. Details "Sweet Lady" is a distortion-driven fast rocker written by May. The song is an unusual rock style in 3/4 meter (which gives way to 4/4 at the bridge). According to an online source, Roger Taylor once said that because of its unusual time signature, "Sweet Lady" was the hardest song for him to play live on the drums.http://www.queenlive.ca/queen/75-11-14.htm The backing track was probably recorded live, as one can hear the wires on the snare drum of Taylor's kit vibrating along with John Deacon's bass guitar riff. Comments Live performances "Sweet Lady" was first performed live on the A Night at the Opera Tour in November 1975. It was one of only three songs from the soon to be released album ('' A Night At The Opera'') to be performed live (the others being "Bohemian Rhapsody" and "The Prophet's Song"). The band were still completing the album a week before it was ...
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You're My Best Friend (Queen Song)
"You're My Best Friend" is a song by the British rock band Queen, written by the band's bass player, John Deacon, who wrote it for and about his wife. It was first included on the 1975 album '' A Night at the Opera'', and later released as a single. The ballad also appeared on the ''Live Killers'' (1979) live album, and on the compilation albums ''Greatest Hits'' (1981), ''Absolute Greatest'' (2009) and ''Queen Forever'' (2014). The song reached number seven in the UK Singles Chart and number 16 on the US ''Billboard'' Hot 100. It is certified platinum by the RIAA in the US with over one million copies sold. The song has since featured in television, film, and other media, such as ''The Simpsons'' and ''Family Guy''. History Deacon wrote the song for his wife, Veronica Tetzlaff. In this song, he plays a Wurlitzer electric piano in addition to his bass guitar work. The characteristic "bark" of the Wurlitzer's bass notes plays a prominent role in the song. During live performance ...
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Killer Queen
"Killer Queen" is a song by the British rock band Queen. It was written by lead singer Freddie Mercury and recorded for their third album ''Sheer Heart Attack'' in 1974. It reached number two in the UK Singles Chart and became their first US hit, reaching number twelve on the ''Billboard'' Hot 100. The song is about a high-class call girl and has been characterised as "Mercury's piano-led paean to a Moët-quaffing courtesan". The song is included in Queen's 1981 ''Greatest Hits'' compilation. It is also recorded on the live albums ''Live Killers'' and ''Queen Rock Montreal''. History and recording Mercury commented he wrote the lyrics before the melody and music, whereas normally he would do the opposite. He stated that the song was about a high-class call girl. The song's first verse quotes a phrase falsely attributed to Marie Antoinette: "'Let them eat cake,' she says, Just like Marie Antoinette". "Killer Queen" retained the essence of Queen's trademark sound, particular ...
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Tie Your Mother Down
"Tie Your Mother Down" is a song by the British rock band Queen, written by lead guitarist Brian May. It is the opening track and the second single from their 1976 album '' A Day at the Races''. On its original release as a single in 1977 the song peaked at 31 in the UK Singles Chart. More than 20 years later, it was released as a double a-side to " No-One but You (Only the Good Die Young)" where it reached 13 in UK Singles Chart. On the album the song is preceded by a one-minute instrumental intro featuring a Shepard tone melody, performed by Brian May, which is reprised in the ending of " Teo Torriatte": this was intended to create a "circle" within the album. After its release in 1976, it was played by Queen on every subsequent tour. At the 1992 The Freddie Mercury Tribute Concert, the song was co-performed by Queen and guests Joe Elliott and Slash. On several occasions in recent years, Brian May and Roger Taylor have played the song live with the Foo Fighters, including perf ...
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Outlaws (band)
Outlaws are an American southern rock band from Tampa, Florida. They are best known for their 1975 hit "There Goes Another Love Song" and extended guitar jam "Green Grass and High Tides" from their 1975 debut album, plus their 1980 cover of the Stan Jones classic " (Ghost) Riders in the Sky". History Early years (1967–1971) Outlaws were formed in Tampa, Florida, United States, in 1967 by guitarists/vocalists Frank Guidry, Hughie Thomasson, Herbie Pino and Hobie O'Brien. Drummer David Dix and bassist Phil Holmberg joined the band as well. Before Guidry joined the band the group was called The Four Letter Words. He had previously been in a band by the same name. By early 1968, O'Brien and Holmberg both left the band to get married and Frank O'Keefe came in on vocals and bass. Later that year, Tommy Angarano joined Outlaws to replace Pino, bringing Hammond organ sounds and his style of vocals to the band. But after he left, Pino was brought back in. In the spring of 1968 t ...
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Head East
Head East is an American rock band, originally from East Central Illinois. The band was formed by vocalist John Schlitt, guitarist Danny Piper, keyboardist Roger Boyd, bassist Larry Boyd, and drummer Steve Huston. They met and formed the band while John, Roger, and Larry were studying at the University of Illinois, Steve was at Eastern Illinois University 45 miles away and Danny was not in college. Eventually both Larry and Danny dropped out of the band and were replaced by Mike Somerville (guitar) and Dan Birney (bass). The band achieved success in the Midwest during the 1970s, but fell into obscurity in the following decades on both coasts while remaining strong in the Midwest and South. They remain best known for their AOR hit " Never Been Any Reason". Background Originally known as the TimeAtions, the band adopted the name Head East on August 6, 1969, at the suggestion of the band's roadie, Baxter Forrest Twilight. In a 2011 interview, founding member Steve Huston claime ...
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Cheap Trick
Cheap Trick is an American rock band from Rockford, Illinois, formed in 1973 by guitarist Rick Nielsen, bassist Tom Petersson, lead vocalist Robin Zander and drummer Bun E. Carlos. The current lineup of the band consists of Zander, Nielsen and Petersson. Cheap Trick released their self-titled debut album in 1977 and, later that year, found success in Japan with the release of their second album, '' In Color''. The band would achieve mainstream popularity in the United States in 1979 with their breakthrough album ''Cheap Trick at Budokan''. Cheap Trick reached the Top 10 in the US charts in 1979 with the ''Budokan'' live version of "I Want You to Want Me" and topped the charts in 1988 with " The Flame". Cheap Trick has performed live more than 5,000 times and sold more than 20 million albums. Over the course of its career, the band has experienced several resurgences of popularity and built a dedicated cult following. Cheap Trick was inducted into the Rock and Roll Hall of Fam ...
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John Deacon
John Richard Deacon (born 19 August 1951) is an English retired musician, best known for being the bass guitarist for the rock band Queen. He wrote several songs for the group, including Top 10 hits " You're My Best Friend", " Another One Bites the Dust" and "I Want to Break Free"; co-wrote "Under Pressure", "Friends Will Be Friends" and "One Vision"; and he was involved in the band's financial management. Deacon grew up in Oadby, Leicestershire, playing bass guitar in a local band, The Opposition, before moving to study electronics at Chelsea College, London. He joined Queen in 1971 on the strength of his musical and electronic skills, particularly the home-made Deacy Amp which guitarist Brian May used to create guitar orchestras throughout Queen's career. From the third album, ''Sheer Heart Attack'', onwards, he wrote at least one song per album, several of which became hits. As well as bass guitar, Deacon played some guitar, keyboards and piano on Queen's studio work. Aft ...
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Roger Taylor (Queen Drummer)
Roger Meddows Taylor (born 26 July 1949) is an English musician, singer, songwriter, multi-instrumentalist and the drummer for the rock band Queen. As a drummer, Taylor was recognised early in his career for his unique sound''Rolling Stone'' – Issue 149 – 12 June 1973 and was voted the eighth-greatest drummer in classic rock music history in a listener poll conducted by Planet Rock in 2005. He was inducted into the Rock and Roll Hall of Fame in 2001 as a member of Queen. As a songwriter, Taylor composed at least one track on every Queen album, and often sang lead vocals on his own compositions. He wrote or co-wrote three UK number ones ("These Are the Days of Our Lives", "Innuendo" and "Under Pressure") and wrote a further five major hits ("Radio Ga Ga", " A Kind of Magic", "Heaven for Everyone", " Breakthru", and "The Invisible Man"). He was also the main writer on the international top-ten hit "One Vision", although the track is credited to the whole band. He has collab ...
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Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nigh ...
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