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A Day Late And A Dollar Short
''A Day Late And A Dollar Short'' is a compilation album by the American punk rock band the Queers, released in January 1996 by Lookout! Records. It collects material recorded between 1982 and 1994, most of it with original member Wimpy Rutherford. It includes the band's first two EPs, 1982's ''Love Me'' and 1984's ''Kicked Out of the Webelos'', several demo tracks recorded in 1991, 16 tracks recorded during a January 1993 reunion with Rutherford, and a complete set of early songs recorded live on radio station WFMU in 1994 with Rutherford on lead vocals. After the Queers rescinded their master recordings from Lookout! in 2006, ''A Day Late And A Dollar Short'' was reissued by Asian Man Records the following year, having been remastered by the band's longtime studio collaborator Mass Giorgini. Material ''Love Me'' The album's first 13 tracks comprise the Queers' first two EPs, ''Love Me'' (1982) and ''Kicked Out of the Webelos'' (1984). The band had formed in 1982 in Portsmouth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queers
The Queers are an American punk rock band, formed in 1981 by the Portsmouth, New Hampshire native Joseph “Joe” P. King (a.k.a. Joe Queer) along with Scott Gildersleeve (a.k.a. Tulu), and John “Jack” Hayes (a.k.a. Wimpy Rutherford). With the addition of Keith Hages (ex-guitarist of Berlin Brats) joining on bass in 1983 the band started playing their first public performances. This original lineup played a total of 5-6 live shows. The original lineup of The Queers initially broke up in late 1984, but reformed with Joe Queer and a new line-up in 1986. In 1990, the band signed with Shakin' Street Records and released their first album ''Grow Up (The Queers album), Grow Up''. The album earned the band notability within New England, but with the release of their next album 1993's ''Love Songs for the Retarded'', on Lookout! Records, their following grew larger. In 2006, after releasing six albums on Lookout! Records, the band rescinded their master rights from the label, citing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MacArthur Park (song)
"MacArthur Park" is a song written by American singer-songwriter Jimmy Webb that was recorded first by Irish actor and singer Richard Harris in 1968. Harris's version peaked at number two on the ''Billboard'' Hot 100 chart and number four on the UK Singles Chart. "MacArthur Park" was subsequently covered by numerous artists, including a 1969 Grammy-winning version by country music singer Waylon Jennings and a number one ''Billboard'' Hot 100 disco arrangement by Donna Summer in 1978.Boucher, Geoff"'MacArthur Park' Jimmy Webb , 1968" ''Los Angeles Times'', June 10, 2007. Retrieved June 1, 2015 In 1967, producer Bones Howe had asked Webb to create a pop song with different movements and changing time signatures. Webb delivered "MacArthur Park" to Howe with "everything he wanted", but Howe did not care for the ambitious arrangement and unorthodox lyrics and the song was rejected by the group The Association, for whom it had been intended. Jimmy Webb songwriting Composition "Mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Harris
Richard St John Francis Harris (1 October 1930 – 25 October 2002) was an Irish actor and singer. He appeared on stage and in many films, notably as Corrado Zeller in Michelangelo Antonioni's '' Red Desert'', Frank Machin in ''This Sporting Life'', for which he was nominated for the Academy Award for Best Actor, and as King Arthur in the 1967 film ''Camelot'', as well as the 1981 revival of the stage musical. He played an English aristocrat captured by the Sioux in '' A Man Called Horse'' (1970), Oliver Cromwell in ''Cromwell'' (1970), an embattled Irish farmer in Jim Sheridan's '' The Field'' (which earned him a second Academy Award nomination for Best Actor), English Bob in Clint Eastwood's revisionist Western ''Unforgiven'' (1992), Roman emperor Marcus Aurelius in '' Gladiator'' (2000), '' The Count of Monte Cristo'' (2002) as Abbé Faria, and Albus Dumbledore in the first two '' Harry Potter'' films: ''Harry Potter and the Philosopher's Stone'' (2001) and ''Harry Pott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni Records
Don Giovanni Records is an independent record label originally specializing in punk rock from the New Brunswick, New Jersey music scene but eventually working with a variety of artists from different genres. History Don Giovanni Records was founded by Joe Steinhardt and Zach Gajewski while they were living in Boston in 2004. The label is best known for developing artists like Screaming Females, Mitski, Waxahatchee, Laura Stevenson, and Moor Mother, as well as fostering a geographically diverse community of artists, including Mal Blum, Native American Music Award “Best Artist” winner Keith Secola, Holy Modal Rounders founder, Peter Stampfel, Lavender Country, Swamp Dogg, Alice Bag, and comedian Chris Gethard. Steinhardt and Gajewski started the label while playing in bands and attending college at Boston University where the two met. After graduation they moved to New Brunswick, where Steinhardt was from, in order to make the label a full-time operation. In 2016, Steinh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microcosm Publishing
Microcosm Publishing is an independent publisher and distributor based in Portland, Oregon. Microcosm describes itself as having "a reputation for teaching self-empowerment, showing hidden histories, and fostering creativity through challenging conventional publishing wisdom, influencing other publishers large and small with books and bookettes about DIY skills, food, zines, and art." History Beginning in 1996 with only Joe Biel, an autistic, self-taught teenager, doing part-time mail order out of a bedroom in Cleveland, Ohio, Microcosm moved to Portland, Oregon in 1998. Microcosm Publishing was originally run partly as a record label, which continues to inform its approach to bookselling. Microcosm released records by The Taxpayers, Flotation Walls, Bedford, Organic, Cripple Kid, The Unknown, The Roswells, Little Dipper, Rock, Star. The operation grew significantly over the first six years, was picked up for distribution by National Book Network in 2002 when Microcosm shifted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Songs For The Retarded
''Love Songs for the Retarded'' is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs (he would also produce the band's next two studio efforts, and co-wrote a number of songs with King which were used on later Queers and Screeching Weasel records), and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. ''Love Songs for the Retarded'' became the Queers' highest-selling album, with sales surpassing 100,000 copies. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grow Up (The Queers Album)
''Grow Up'' is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King (aka Joe Queer), it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover. In 1993 the Queers signed to Lookout! Records, who released their second album, ''Love Songs for the Retarded''. Lookout! reissued ''Grow Up'' the following year, altering the cover art and track order and having the album remixed by Ben Weasel of the band Screeching Weasel. After the Queers rescinded their master recordings from Loo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Ramone
Thomas Erdelyi (born Tamás Erdélyi; January 29, 1949 – July 11, 2014), known professionally as Tommy Ramone, was a Hungarian American record producer and musician. He was the drummer for the influential punk rock band the Ramones for the first four years of the band's existence and was the longest-surviving original member of the Ramones. Background Tamás Erdélyi was born on January 29, 1949, in Budapest. His Jewish parents were professional photographers, who survived the Holocaust by being hidden by neighbors. Many of his relatives were killed by the Nazis. The family left Hungary during the Hungarian Revolution of 1956. In 1957 he emigrated with his family to the United States. Initially settling in the South Bronx, the family moved up to the middle-class neighborhood of Forest Hills in Queens, New York. Verona Estates in Forest Hills was the place where Tamás grew up and later described as "home sweet home". He changed his name to Thomas Erdelyi. In high sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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