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A Dance To The Music Of Time (painting)
''A Dance to the Music of Time'' is a painting by Nicolas Poussin in the Wallace Collection in London. It was painted between and 1636 as a commission for Giulio Rospigliosi (later Pope Clement IX), who according to Gian Pietro Bellori dictated its detailed iconography. The identity of the figures remains uncertain, with differing accounts. The painting is well known for giving its name to the ''A Dance to the Music of Time'' novel cycle, though this title is first seen in a Wallace Collection catalogue of 1913. Before that it was given titles referring to the Four Seasons. In the 1845 sale it was called ''La Danse des Saisons, ou l'Image de la vie humaine''. The Bibliothèque nationale de France lists it with three different French titles. Description There are four figures, holding each other by the hand, dance in a circle, as Time plays a lyre on the right. The scene is set in the early morning, with Aurora, goddess of dawn, preceding the chariot of Apollo the sun-god in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Treasures Exhibition, Manchester 1857
The Art Treasures of Great Britain was an exhibition of fine art held in Manchester, England, from 5 May to 17 October 1857.''Exhibition of art treasures of the United Kingdom, held at Manchester in 1857. Report of the executive committee'' 1859. Many details in this article are taken from this comprehensive record of the exhibition. It remains the largest art exhibition to be held in the UK,Art Treasures in Manchester: 150 years on Manchester Art Gallery possibly in the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Richard Wallace, 1st Baronet
Sir Richard Wallace, 1st Baronet (21 June 1818 – 20 July 1890), of Sudbourne Hall in Suffolk, Hertford House in London, and of the Château de Bagatelle in Paris, was a British art collector and Francophile. Origins and youth Richard is believed to have been the illegitimate son of Richard Seymour-Conway, 4th Marquess of Hertford (1800-1870). He was born in London on 26 July 1818, to a certain Agnes Jackson, who according to Burns (2008) was in reality Mrs Agnes Bickley, the wife of Samuel Bickley, an insurance underwriter and member of Lloyds of London, and a daughter of Sir Thomas Dunlop Wallace, 5th Baronet (1750–1835), of Craigie Castle, Ayrshire, born "Thomas Dunlop", who had adopted the additional name and style of baronet on inheriting the Craigie estate of his grandfather Sir Thomas Wallace, 4th Baronet. It is unclear why his mother had adopted the surname Jackson, as she remained married to Samuel Bickley at the time of Richard's birth and bore Samuel legitimate c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Seymour-Conway, 4th Marquess Of Hertford
Captain Richard Seymour-Conway, 4th Marquess of Hertford KG (22 February 1800 – 25 August 1870) was an English aristocrat and sometime politician who spent his life in France devoted to collecting art. From birth to 1822 he was styled Viscount Beauchamp and from 1822 to 1843 Earl of Yarmouth. Early life Lord Hertford was the son of Francis Seymour-Conway, 3rd Marquess of Hertford Francis Charles Seymour-Conway, 3rd Marquess of Hertford, (11 March 1777 – 1 March 1842), styled Viscount Beauchamp between 1793 and 1794 and Earl of Yarmouth between 1794 and 1822, of Ragley Hall in Warwickshire and of Sudbourne Hall in Su ... and Maria Seymour-Conway, Marchioness of Hertford. He had two siblings, Lord Henry Seymour-Conway, who also died unmarried, and Lady Frances Maria Seymour-Conway (the wife of the Marquis de Chevigne). His paternal grandparents were Francis Ingram-Seymour-Conway, 2nd Marquess of Hertford and, his second wife, Isabella Ingram-Seymour-Conway, Marchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Fesch
Joseph Fesch, Prince of France (3 January 1763 – 13 May 1839) was a French priest and diplomat, who was the maternal half-uncle of Napoleon Bonaparte (half-brother of Napoleon's mother Laetitia). In the wake of his nephew, he became Archbishop of Lyon and Cardinal. He was also one of the most famous art collectors of his period, remembered for having established the Musée Fesch in Ajaccio, which remains one of the most important Napoleonic collections of art. Born in Corsica, he was the son of Swiss-born Franz Faesch and Angela Maria Pietrasanta, and belonged on his father's side to the Faesch family, one of the most prominent patrician families of Basel. He rose to great prominence in France following Napoleon's coup d'état of 1799. Fesch became Archbishop of Lyon in 1802, a Cardinal in 1803, Ambassador to the Holy See in 1804, a French senator and count in 1805, Grand Almoner of France in 1805, a sovereign prince in 1806, Prince of France in 1807 (a dignity he shared only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Question Of Upbringing
''A Question of Upbringing'' is the opening novel in Anthony Powell's ''A Dance to the Music of Time'', a twelve-volume cycle spanning much of the 20th century. Published in 1951, it begins the story of a trio of boys — Nicholas Jenkins (the narrator), Charles Stringham, and Peter Templer — who are friends at a nameless school (based upon Powell's public school Eton College) and then move on to different paths. A fourth figure, Kenneth Widmerpool, stands slightly apart from them, poised for greatness. The title of the book had its origin in an incident in which Powell was a passenger in a car driven by his friend, the Old Etonian screenwriter Thomas Wilton ("Tommy") Phipps. Phipps and Powell found themselves driving straight towards an oncoming vehicle. Powell later recorded, "Seizing the hand-brake as we sped towards what seemed imminent collision, Phipps muttered to himself, 'This is just going to be a question of upbringing.'"''Faces in My Time'' (Heinemann, London, 1980) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Powell
Anthony Dymoke Powell ( ; 21 December 1905 – 28 March 2000) was an English novelist best known for his 12-volume work ''A Dance to the Music of Time'', published between 1951 and 1975. It is on the list of longest novels in English. Powell's major work has remained in print continuously and has been the subject of television and radio dramatisations. In 2008, ''The Times'' newspaper named Powell among their list of "the 50 greatest British writers since 1945". Life Powell was born in Westminster, Middlesex, the son of Lieutenant-Colonel Philip Lionel William Powell (1882-1959), of the Welch Regiment, and Maud Mary (died 1954), daughter of Edmund Lionel Wells- Dymoke, of The Grange, East Molesey, Surrey, descendant of a land-owning family in Lincolnshire, hereditary Champions to monarchs since King Richard II, having married into the family of the Barons Marmion, who first held the position. The Powell family descended from ancient Welsh kings and chieftains. Anthony Powell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentimenti
A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is , from the verb , meaning 'to repent'. Significance Pentimenti may show that a composition originally had an element, for example, a head or a hand, in a slightly different place, or that an element no longer in the final painting was originally planned. The changes may have been done in the underdrawing of the painting, or by the visible layers of paint differing from the underdrawing, or by the first painted treatment of the element having been over-painted. Some pentimenti have always been visible on the final painting with careful inspection; others are revealed by the increasing transparency that some paint acquires after several centuries. Others, especially in the underdrawing, can only be seen with modern methods such as X-rays and infrared reflectography and photographs. These are able to record photogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herma
A herma ( grc, ἑρμῆς, pl. ''hermai''), commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word (blocks of stone), which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans (called mercuriae), and revived at the Renaissance in the form of term figures and atlantes. Origin In the earliest times Greek divinities were worshipped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Ronsard
Pierre de Ronsard (; 11 September 1524 – 27 December 1585) was a French poet or, as his own generation in France called him, a "prince of poets". Early life Pierre de Ronsard was born at the Manoir de la Possonnière, in the village of Couture-sur-Loir, Vendômois (in present-day Loir-et-Cher). Baudouin de Ronsard or Rossart was the founder of the French branch of the house, and made his mark in the early stages of the Hundred Years' War. The poet's father was Louis de Ronsard, and his mother was Jeanne de Chaudrier, of a family both noble and well connected. Pierre was the youngest son. Louis de Ronsard was ''maître d'hôtel du roi'' to Francis I, whose captivity after Pavia had just been softened by treaty, and he had to quit his home shortly after Pierre's birth. The future poet was educated at home in his earliest years and sent to the Collège de Navarre in Paris at the age of nine. When Madeleine of France was married to James V of Scotland, Ronsard was attached a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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