A Boy With A Flying Squirrel
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A Boy With A Flying Squirrel
''A Boy with a Flying Squirrel (Henry Pelham)'', or ''Henry Pelham (Boy with a Squirrel)'', is a 1765 painting by the American-born painter John Singleton Copley. It depicts Copley's teenaged half-brother Henry Pelham (engraver), Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement. Painted while Copley was a Boston-based portraitist aspiring to be recognized by his European contemporaries, the work was brought to London for a 1766 exhibition. There, it was met with overall praise from artists like Joshua Reynolds, who nonetheless criticized Copley's minuteness. Later historians and critics assessed the painting as a pivotal work in both Copley's career and the history of American art. The work was featured in exhibitions at the Museum of Fine Arts, Boston, and the National Gallery of Art. As of 2023, it is held by the former. Background By 1765, John Singleton Copley established himself as ...
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John Singleton Copley
John Singleton Copley (July 3, 1738 – September 9, 1815) was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. Biography Early life Copley's mother owned a tobacco shop on Long Wharf. The parents, who, according to the artist's granddaughter Martha Babcock Amory, had come to Boston in 1736, were "engaged in trade, like almost all the inhabitants of the North American colonies at that time". His father was from Lim ...
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John Bee Holmes
John Bee Holmes was the seventh intendant (mayor) of Charleston, South Carolina, serving one term between 1794 and 1795. Holmes born in 1760 to Isaac Holmes and Rebecca Bee. During the Revolutionary War, he was the aide-de-camp to General John Barnwell. He married Elizabeth Edwards in 1783 and was admitted to practice law the same year. He owned Washington Plantation on the Cooper River in St. John's Parish (Berkeley County). Holmes was elected intendant in September 1794. He resigned in September 1795 and was followed in office by his brother-in-law, John Edwards. He also held state office, representing the Charleston area in the General Assembly of South Carolina from 1791 to 1797. He served in the South Carolina Senate from 1799 to 1801. He died on September 5, 1827, and is buried at the Circular Congregational churchyard in Charleston. References {{DEFAULTSORT:Holmes, John Mayors of Charleston, South Carolina 1760 births 1827 deaths Members of the South Caro ...
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Benjamin West
Benjamin West, (October 10, 1738 – March 11, 1820) was a British-American artist who painted famous historical scenes such as '' The Death of Nelson'', ''The Death of General Wolfe'', the '' Treaty of Paris'', and '' Benjamin Franklin Drawing Electricity from the Sky''. Entirely self-taught, West soon gained valuable patronage and toured Europe, eventually settling in London. He impressed King George III and was largely responsible for the launch of the Royal Academy, of which he became the second president (after Sir Joshua Reynolds). He was appointed historical painter to the court and Surveyor of the King's Pictures. West also painted religious subjects, as in his huge work ''The Preservation of St Paul after a Shipwreck at Malta'', at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich, and ''Christ Healing the Sick'', presented to the National Gallery. Early life West was born in Springfield, Pennsylvania, in a house that is now in the bo ...
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Lord Cardross
Lord Cardross is a title in the Peerage of Scotland, since 1695 a subsidiary title of the earldom of Buchan. It was created in 1606 for John Erskine, Earl of Mar, with remainder to his heirs male and assignees whatsoever and with the power to nominate his successor. In 1617 he nominated his second son by his second wife Marie Stewart, Henry Erskine, Master of Cardross, to be his successor in the lordship of Cardross. The Earl of Mar died in 1634 and was succeeded in the earldom of Mar by his son by his first wife, John, and in the lordship of Cardross by his grandson David Erskine, the second Lord Cardross, the son of Henry, Master of Cardross, who had died in 1628. The second Lord was a supporter of The Engagement and was barred from sitting in Parliament in 1649. He was succeeded by his eldest son, the third Lord. He emigrated to North America to escape religious persecution and established a colony in what is now Carolina. His son, the fourth Lord, succeeded his kinsman in the ...
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Pastel
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel (or a pastel drawing or pastel painting). ''Pastel'' used as a verb means to produce an artwork with pastels; as an adjective it means pale in color. Pastel media Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual ...
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Society Of Artists Of Great Britain
The Society of Artists of Great Britain was founded in London in May 1761 by an association of artists in order to provide a venue for the public exhibition of recent work by living artists, such as was having success in the long-established Paris salons. Leading members seceded from the society in 1768, a move leading directly to the formation of the Royal Academy of Arts. The society was dissolved 1791 after years of decline. History The Society of Artists of Great Britain began in 1760 as a loose association of artists, including Joshua Reynolds and Francis Hayman, who wanted greater control by artists over exhibitions of their work previously organised by William Shipley's Society of Arts (founded in 1754). The new society organised their first exhibition in April 1760 and over one thousand visitors per day attended. The following year they held their second exhibition at Christopher Cock's Auction Rooms in Spring Gardens, Charing Cross, and "In a conspicuous gesture the ...
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Atlantic Ocean
The Atlantic Ocean is the second-largest of the world's five oceans, with an area of about . It covers approximately 20% of Earth's surface and about 29% of its water surface area. It is known to separate the " Old World" of Africa, Europe and Asia from the "New World" of the Americas in the European perception of the World. The Atlantic Ocean occupies an elongated, S-shaped basin extending longitudinally between Europe and Africa to the east, and North and South America to the west. As one component of the interconnected World Ocean, it is connected in the north to the Arctic Ocean, to the Pacific Ocean in the southwest, the Indian Ocean in the southeast, and the Southern Ocean in the south (other definitions describe the Atlantic as extending southward to Antarctica). The Atlantic Ocean is divided in two parts, by the Equatorial Counter Current, with the North(ern) Atlantic Ocean and the South(ern) Atlantic Ocean split at about 8°N. Scientific explorations of the A ...
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Visual Art Of The United States
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported. But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history ...
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Patagium
The patagium (plural: patagia) is a membranous body part that assists an animal in obtaining lift when gliding or flight. The structure is found in extant and extinct groups of flying and gliding animals including bats, birds, some dromaeosaurs, pterosaurs, gliding mammals, some flying lizards, and flying frogs. The patagium that stretches between an animal's hind limbs is called the uropatagium (especially in bats) or the interfemoral membrane. Bats In bats, the skin forming the surface of the wing is an extension of the skin of the abdomen that runs to the tip of each digit, uniting the forelimb with the body. The patagium of a bat has four distinct parts: #Propatagium: the patagium present from the neck to the first digit. #Dactylopatagium: the portion found within the digits. #Plagiopatagium: the portion found between the last digit and the hindlimbs. #Uropatagium: the posterior portion of the flap between the two hindlimbs. Pterosaurs In the flying pterosaurs, the patag ...
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Mahogany
Mahogany is a straight-grained, reddish-brown timber of three tropical hardwood species of the genus ''Swietenia'', indigenous to the AmericasBridgewater, Samuel (2012). ''A Natural History of Belize: Inside the Maya Forest''. Austin: University of Texas Press. pp. 164–165. . and part of the pantropical chinaberry family, Meliaceae. Mahogany is used commercially for a wide variety of goods, due to its coloring and durable nature. It is naturally found within the Americas, but has also been imported to plantations across Asia and Oceania. The mahogany trade may have begun as early as the 16th century and flourished in the 17th and 18th centuries. In certain countries, mahogany is considered an invasive species. Description The three species are: *Honduran or big-leaf mahogany ('' Swietenia macrophylla''), with a range from Mexico to southern Amazonia in Brazil, the most widespread species of mahogany and the only genuine mahogany species commercially grown today. Illegal l ...
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Silhouette
A silhouette ( , ) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an line art, outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed. Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term ''silhouette'' was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented a cheap but effective alternative to the portrai ...
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Peter Pelham
Peter Pelham (; – December 1751), an American portrait painter and engraver, born in England, a son of a man named "gentleman" in his will. His father, who died in Chichester, Sussex, in 1756, is revealed in letters to his son in America as a man of some property. London Born c. 1695 in London, Pelham was one of several London artists who learned the then new technique of the mezzotint engraving. Of his use of the medium one writer has said: "Pelham handled the rocker heavily, and so gave to his prints a darker appearance than usual". He obviously was well trained as a portrait painter, and he must have had influential connections, for between 1720 and 1726 he produced portrait plates of Queen Anne, George I, the Earl of Derby, Lord Wilmington, Lord Carteret, Lord Molesworth, Edmund Gibson, and others. Why, amidst such engagements, Pelham should have emigrated is mysterious, if, as seems quite certain, the poor schoolmaster, limner and engraver of Boston, Massachusetts, is ...
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