|
A Blow For Me, A Toot For You
''A Blow for Me, a Toot to You'' is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker. Reception The album contains heavy participation by the P-Funk musical collective, including Garry Shider, Michael Hampton, and Jerome Brailey. The album also contains the heavily sampled track "Four Play" which, due to its title, prevented the track from garnering airplay when it was released as a single. The album was produced by George Clinton and Bootsy Collins, and was reissued in 1993, first by P-Vine records in Japan, then by Sequel Records in the UK, and lastly AEM in the U.S.. The reissue contains two new remixes of the tracks "Four Play" and "A Blow for Me, a Toot to You", as well as an interview with George Clinton discussing the recording's background. Years later, WEA released both Horny Horns albums on a two-CD set, in the UK. Track listing Bonus tracks on the CD reissue Personnel *Fred Wesley (trombone), Maceo Parker (saxophone), Rick G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Wesley
Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and raised in Mobile, Alabama. As a child he took piano and later trumpet lessons. He played baritone horn and trombone in school, and at around age 12 his father brought a trombone home, whereupon he switched (eventually permanently) to trombone. During the 1960s and 1970s, he was a pivotal member of James Brown's bands, playing on many hit recordings including "Say it Loud - I'm Black and I'm Proud," "Mother Popcorn" and co-writing tunes such as "Hot Pants." His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown's R&B, soul, and funk tunes their instrumental punch. In the 1970s he also served as band leader and musical director of Brown's band the J.B.'s and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
P-Vine
P-Vine Records is an independent record label based in Tokyo, Japan. History It was started in 1976 by Blues Interactions, a firm founded in 1975 by Yasufumi Higurashi and Akira Kochi, as a record label focused on black music. The label name comes from the "Peavine Branch" of the Mississippi Yazoo and Mississippi Valley Railroad sung in blues songs by Charley Patton and Big Joe Williams. In the early years, the label focused on blues and R&B but gradually expanded to wider genres such as jazz, Latin, funk, j-pop, house music, and garage punk. The label has released some newly recorded materials, including the album ''Original Chicago Blues'' with Kansas City Red, Eddie Taylor, and Big John Wrencher. But its focus has been on reissuing vintage recordings. P-Vine has released materials from labels such as Chess, Delmark, Modern/Kent, Black Top, and Alligator. It was also responsible for releasing previously unreleased live and studio recordings by Parliament-Funkadelic, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raw Fusion
Raw Fusion was an American spin-off project from Digital Underground emcee Money-B, with DJ talent provided by DU contributor DJ Fuze. Their albums contained cameos by many of the Digital Underground crew, including Shock G (as himself, Humpty Hump, and the Piano Man) and 2Pac. The group gave a more raw, hardcore feel than the funky styles that typical Digital Underground albums projected, pulling away from their Funkadelic and Parliament roots. Tracks put out under the Raw Fusion name tended to be more experimental, and had less of the flow, that was typically found in other tracks to which Money-B and DJ Fuze had contributed. The group released two albums before disbanding. Discography ;Albums * ''Live from the Styleetron ''Live from the Styleetron'' is the debut studio album by Oakland-based hip hop group Raw Fusion. The group was fronted by Ron Brooks, known as Money-B, an active member of Digital Underground who produced this album as a side project with ...'' (1991) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Crawford
Veronica "Randy" Crawford (born February 18, 1952) is an American jazz and R&B singer. She has been more successful in Europe than in the United States, where she has not entered the ''Billboard'' Hot 100 as a solo artist. However, she has appeared on the Hot 100 singles chart twice. The first time was in 1979 as a guest vocalist on The Crusaders' top-40 hit " Street Life". She also dueted with Rick Springfield on the song "Taxi Dancing", which hit number 59 as the B-side of Springfield's hit "Bop Til You Drop". She has had five top-20 hits in the UK, including her 1980 number-two hit, "One Day I'll Fly Away", as well as six UK top-10 albums. Despite her American nationality, she won Best British Female Solo Artist in recognition of her popularity in the UK at the 1982 Brit Awards. In the late 2000s, she received her first two Grammy Award nominations. Career Crawford first performed at club gigs from Cincinnati to Saint-Tropez, but made her name in the mid-1970s in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawn Silva
Dawn Silva is an American funk vocalist. Silva started her career as a background vocalist for Sly and the Family Stone. She joined Parliament-Funkadelic in 1977. She was the only original Brides of Funkenstein member to continue through the Brides' entire career. In 1978, with Lynn Mabry, she released the successful '' Funk Or Walk''. The Bride's first single release on Atlantic Records, "Disco To Go", sold over five hundred thousand units, and was certified Gold. In 1979, with Sheila Horne and Jeanette McGruder, she released the top single "Never Buy Texas From A Cowboy," voted by ''Rolling Stone'' in 2001 as one of the top 50 coolest albums ever released. The Brides were the only group in the P-Funk organization to receive a Rhythm and Blues Award in 1981 for ''Never Buy Texas From A Cowboy''. Later career Silva recorded and toured with The Gap Band in 1982. She signed a solo deal with Polygram Records in 1988, but her debut album was never released. Her recording and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynn Mabry
Lynn Mabry (born March 21, 1958) is an American singer. Early life Born in Vallejo, California, Mabry's mother enjoyed playing piano and her father was a choir director and radio DJ. They divorced when she was 3 years old. Career She got her start in Sly and the Family Stone, along with Dawn Silva. In 1977, she joined P-Funk. The following year, Mabry and Silva became the original Brides of Funkenstein, releasing their first album ''Funk Or Walk''. Mabry became pregnant and left the band in 1979. She gave birth to a daughter named Akasha Larain Morrison in December 1979 (father is Walter "Junie" Morrison). Silva continued The Brides with backing singers Sheila Horne and Jeanette McGruder for another year. In 1983, Mabry joined Talking Heads for their concert film ''Stop Making Sense''. She also spent time as a background vocalist, continuing to tour with such acts as Rita Coolidge, Namie Amuro and Bette Midler and George Michael in 1989 on the song "If You Were My Woman". In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phelps Collins
Phelps "Catfish" Collins (October 17, 1943 – August 6, 2010) was an American musician. A lead guitarist and rhythm guitarist, he is known mostly for his work in the P-Funk collective. Although frequently overshadowed by his younger brother, Bootsy Collins, Catfish played on many important and influential records by James Brown, Parliament (band), Parliament, Funkadelic, and Bootsy's Rubber Band. Early life Phelps Collins was raised in Cincinnati, Ohio. He was the older brother of Bootsy Collins, William "Bootsy" Collins, whom he encouraged musically from a young age. It was Bootsy who nicknamed Phelps as "Catfish" because Bootsy thought he looked like a fish. Career In 1968, the Collins brothers, along with Kash Waddy and Philippé Wynne, formed a group called The Pacemakers (funk band), The Pacemakers. Later the Pacemakers were hired by James Brown to accompany his vocals, at this they became known as The J.B.'s. Some of Brown's previous band members had walked out because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brecker Brothers
The Brecker Brothers were a jazz fusion music duo consisting of siblings Michael Brecker, Michael and Randy Brecker, Randy. Michael played saxophone, flute, and EWI (musical instrument), EWI, and Randy played trumpet and flugelhorn. The brothers attended Cheltenham High School in Wyncote, Pennsylvania. Randy, the older brother, became famous as an original member of the group Blood, Sweat & Tears. He appeared on their debut album ''Child Is Father to the Man'' in 1968. Michael first appeared on record supporting Randy on his solo debut album, titled ''Score (Randy Brecker album), Score'', which was released in 1969. In 1970 and 1971 the brothers were members of the group Dreams (band), Dreams who recorded two albums for Columbia Records. The brothers frequently played together, and individually, as session musicians on recordings by other artists. They were heard on Todd Rundgren's hit "Hello It's Me", which reached No. 5 on the Billboard Hot 100, ''Billboard'' Hot 100 chart in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Goins
Glenn Lamonte Goins (January 2, 1954 – July 29, 1978), also known as Glen Goins, was a singer and guitarist for Parliament-Funkadelic in the mid-1970s. Goins is a member of the Rock and Roll Hall of Fame, posthumously inducted in 1997 with fifteen other members of Parliament-Funkadelic. His first (known) recordings were as part of the group "The Bags". They released a single in 1972: "It's Heavy" b/w "Don't Mess With My Baby". Biography Born and raised in Plainfield, New Jersey, in a family of talented musicians, Goins was a master vocalist with a strong, haunting and powerful gospel voice. He is perhaps best known for "calling in the Mothership" in the P-Funk live shows, such as on the renowned P-Funk Earth Tour. Goins was particularly prominent on the Parliament albums ''Mothership Connection'' (1975), '' The Clones of Dr. Funkenstein'' (1976), and '' Funkentelechy Vs. the Placebo Syndrome'' (1977). He played on the Funkadelic albums of this period as well. He sang lead voc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
