A Blind Bargain
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A Blind Bargain
''A Blind Bargain'' is a 1922 American silent horror film starring Lon Chaney and Raymond McKee, released through Goldwyn Pictures. The film was directed by Wallace Worsley and is based on Barry Pain's 1897 novel ''The Octave of Claudius''. Lon Chaney played a dual role in the film, as both Dr. Lamb and "the Ape Man", one of Chaney's few "true horror films". The claim that Wallace Beery appeared as an ape-man uncredited has never been proven, but does persist in many sources. Although the film was finished in November 1921, it was only released in December 1922. This delay was due to problems with the censors, as the film's theme dealt with doctors creating artificial life and attempting to play God. The film was cut from six reels to five in the process, and the title cards had to be rewritten four times. The film is now considered lost and remains today one of the most sought after lost films of Lon Chaney's career. A lobby card from the film exists on the internet, as well a ...
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Wallace Beery
Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film and stage actor. He is best known for his portrayal of Bill in ''Min and Bill'' (1930) opposite Marie Dressler, as General Director Preysing in ''Grand Hotel'' (1932), as Long John Silver in ''Treasure Island'' (1934), as Pancho Villa in ''Viva Villa!'' (1934), and his titular role in '' The Champ'' (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr. For his contributions to the film industry, Beery was posthumously inducted into the Hollywood Walk of Fame with a motion-picture star in 1960. His star is located at 7001 Hollywood Boulevard. Early life B ...
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A Blind Bargain 1922
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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John George (actor)
John George ( ar, جون جورج; born Tufei Fatella, January 20, 1898 – August 25, 1968) was an actor who appeared in at least 130 movies from 1916 to 1960. George worked in films of all genres alongside countless stars although often for only the briefest of appearances, uncredited. Early years George was born in Aleppo, Syria. Little is known about his early life but he immigrated to the United States around 1911 and searched for his mother and sisters who seem to have settled in the Nashville, Tennessee, area. Film Eventually George found his way to Los Angeles and the early silent film industry. George may have begun his career in the Joseph De Grasse movie ''Bobbie of the Ballet'' (1916) as an uncredited "tenement dweller". George may have even appeared earlier than that in the 1915 serial ''The Broken Coin'' unbilled, as an actor who strongly favors him appears in a still photo from the chapter play with Francis Ford and Grace Cunard in Daniel Blum's ''Pictorial Histo ...
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Free To Love
''Free to Love'' is a 1925 American silent drama film directed by Frank O'Connor. The film stars Clara Bow and Donald Keith. Plot As described in a film magazine review, after threatening him with a gun but relenting, Marie Anthony, who was recently released from a reformatory, is adopted by Judge Orr and becomes the fiancée of the young minister James Crawford, who intends to assist former convicts. Gang leader Jack Garner, who threatens to disclose what he knows of her past, succeeds in temporarily separating the lovers. Tony, a hunchback that Marie has befriended, warns her that Crawford's father is a confederate of criminals. Trying to shield the latter, Marie is arrested and accused of murder when Tony kills Garner, but is released when Tony later confesses. The senior Crawford commits suicide. Marie and her lover are reunited. Cast Preservation As well as being available on DVD, a copy of ''Free to Love'' is held at UCLA Film and Television Archive The UCLA Film & T ...
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Clara Bow
Clara Gordon Bow (; July 29, 1905 – September 27, 1965) was an American actress who rose to stardom during the silent film era of the 1920s and successfully made the transition to "talkies" in 1929. Her appearance as a plucky shopgirl in the film '' It'' brought her global fame and the nickname " The It Girl". Bow came to personify the Roaring Twenties and is described as its leading sex symbol. Bow appeared in 46 silent films and 11 talkies, including hits such as '' Mantrap'' (1926), ''It'' (1927), and ''Wings'' (1927). She was named first box-office draw in 1928 and 1929 and second box-office draw in 1927 and 1930.''Exhibitors Herald'', December 31, 1927 Her presence in a motion picture was said to have ensured investors, by odds of almost two-to-one, a "safe return". At the apex of her stardom, she received more than 45,000 fan letters in a single month (January 1929). Two years after marrying actor Rex Bell in 1931, Bow retired from acting and became a rancher in Nevada ...
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Handschiegl Color Process
The Handschiegl color process (, , App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints with color artificially added to selected areas of the image. Aniline dyes were applied to a black-and-white print using gelatin imbibition matrices. History of the process The process was invented in 1916 for Cecil B. DeMille's production of ''Joan the Woman'' (1917) by engraver Max Handschiegl and partner Alvin W. Wyckoff, with assistance from Loren Taylor. All three were technicians at the studio where the film was shot, Famous Players-Lasky, later Paramount Studios. The system was originally advertised as the "Wyckoff" process, and later referred to in publicity as the "DeMille-Wyckoff" process. For a time, the process was strictly used for Paramount releases only, but when Handschiegl and Wyckoff left Famous Players-Lasky, the process became known as the Handschiegl Color Process. Aside from Pathé's stencil process Pathéchrome, the Handschiegl process was the most ...
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Stencil
Stencilling produces an image or pattern on a surface, by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object, to create a pattern or image on a surface, by allowing the pigment to reach only some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which ''stencil'' is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design. Although aerosol or painting stencils can be made for one-time use, typically they are made with the intention of being reused. To be reusable, they must remain int ...
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Film Tinting
Film tinting is the process of adding color to black-and-white film, usually by means of soaking the film in dye and staining the film emulsion. The effect is that all of the light shining through is filtered, so that what would be white light becomes light of some color. Film toning is the process of replacing the silver particles in the emulsion with colored, silver salts, by means of chemicals. Unlike tinting, toning colored the darkest areas, leaving the white areas largely untouched. History Tinting in the silent era The process began in the 1890s, originally as a copy-guard against film pirates. The film was tinted amber, the color of the safelight on film printers. The discovery of bleaching methods by pirates soon put an end to this. Both the Edison Studios and the Biograph Company began tinting their films for setting moods. Because orthochromatic film stock could not be used in low-light situations, blue became the most popular tint, applied to scenes shot during the d ...
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London After Midnight (film)
''London After Midnight'' (original working title: ''The Hypnotist'') is a Lost film, lost 1927 American silent film, silent mystery film, mystery horror film directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was written by Waldemar Young, based on the story "The Hypnotist" which was written by Browning. Merritt B. Gerstad was the cinematographer, and the sets were designed by Cedric Gibbons and Arnold Gillespie. Harry Sharrock was the assistant director. The film cost $151,666.14 to produce, and grossed $1,004,000. Chaney's real-life make-up case can be seen in the last scene of the film sitting on a table, the only time it ever appeared in a movie. Browning remade the film as a talkie in 1935, as ''Mark of the Vampire'', starring Bela Lugosi.Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 172. . The last known cop ...
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1965 MGM Vault Fire
On August 10, 1965, a fire erupted in Vault 7, a storage facility, at the Metro-Goldwyn-Mayer studio (MGM) backlot (now Sony Pictures Studios) in Culver City, California. It was caused by an electrical short explosively igniting stored nitrate film. The initial explosion reportedly killed at least one person, and the resulting fire destroyed the entire contents of the vault, archived prints of silent and early sound films produced by MGM and its predecessors. The only known copies of hundreds of films were destroyed. Background The storage vaults, located on Lot 3, were spaced out to prevent fire from spreading between vaults. Studio manager Roger Mayer described the vaults as "concrete bunk houses" and stated that it was considered at the time as "good storage because he filmscouldn't be stolen". The vaults were not equipped with sprinkler systems and had only a small fan in the roof for ventilation. Despite this, Mayer stated that he believed a sprinkler system would have ma ...
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Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded on April 17, 1924 and based in Beverly Hills, California. MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Productions, Louis B. Mayer Pictures into one company. It hired a number of well known actors as contract players—its slogan was "more stars than there are in heaven"—and soon became Hollywood's most prestigious film studio, producing popular musical films and winning many Academy Awards. MGM also owned film studios, movie lots, movie theaters and technical production facilities. Its most prosperous era, from 1926 to 1959, was bracketed by two productions of ''Ben-Hur (1959 film), Ben Hur''. After that, it divested itself of the Loews movie theater chain, and, in the 1960s, diversified ...
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Lost Films
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 19 ...
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