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Azadeh (Shahnameh)
Āzādeh ( fa, آزاده; ) is a Roman slave-girl harpist in Shahnameh and other works in Persian literature. When Bahram V, Bahram-e Gur (Bahram V) was in al-Hirah, Azadeh became his companion. She always accompanies Bahram in hunting. Her story with Bahram is mentioned in other works such as Nezami Ganjavi's Bahramnameh (also known as ''Haft Paykar'') and Al-Tha'alibi, Tha'alibi's ''Ḡorar''. Azadeh appears as Dilaram (heart's ease) in ''Hasht-Bihisht (poem), Hasht-Behest'' by Amir Khusrau. Bahram and Azadeh hunting was a popular subject in Persian miniature, and other media, such as mina'i ware paintings. The moment usually shown is when Azadeh challenges the king to pin a gazelle's foot to its shoulder with an arrow (when raising the foot to scratch itself); Bahram achieves this. References {{Shahnameh Women in Shahnameh Harpists Fictional Greek and Roman slaves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Literature
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahram V
Bahram V (also spelled Wahram V or Warahran V; pal, 𐭥𐭫𐭧𐭫𐭠𐭭), also known as Bahram Gor (New Persian: , "Bahram the onager") was the Sasanian King of Kings (''shahanshah'') from 420 to 438. The son of the incumbent Sasanian shah Yazdegerd I (), Bahram was at an early age sent to the Lahkmid court in al-Hira, where he was raised under the tutelage of the Lakhmid kings. After the assassination of his father, Bahram hurried to the Sasanian capital of Ctesiphon with a Lakhmid army, and won the favour of the nobles and priests, according to a long-existing popular legend, after withstanding a trial against two lions. Bahram V's reign was generally peaceful, with two brief wars—first against his western neighbours, the Eastern Roman Empire, and then against his eastern neighbours, the Kidarites, who were disturbing the Sasanian eastern provinces. It was also during his reign that the Arsacid line of Armenia was replaced by a ''marzban'' (governor of a frontier pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Hirah
Al-Hirah ( ar, الحيرة, translit=al-Ḥīra Middle Persian: ''Hērt'' ) was an ancient city in Mesopotamia located south of what is now Kufa in south-central Iraq Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq .... History Kingdom of the Lakhmids Al-Hirah was a significant city in pre-Islamic Arab history. Al-Hirah (4th-7th centuries) served as the capital of the Lakhmids, an Arab vassal kingdom of the Sasanian Empire, whom it helped in containing the nomadic Arabs to the south. The Lakhmid rulers of al-Hirah were recognized by Shapur II (309-379), the tenth Sasanian emperor. A particular Mār 'Abdīšo' was born in Maysan and moved to Ḥīrā after studying elsewhere under Mār 'Abdā. There he gained widespread respect as he built a monastery and lived a pious life. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nezami Ganjavi
Nizami Ganjavi ( fa, نظامی گنجوی, lit=Niẓāmī of Ganja, translit=Niẓāmī Ganjavī; c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was ''Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī'',Mo'in, Muhammad(2006), "Tahlil-i Haft Paykar-i Nezami", Tehran.: p. 2: Some commentators have mentioned his name as “Ilyas the son of Yusuf the son of Zakki the son of Mua’yyad” while others have mentioned that Mu’ayyad is a title for Zakki. Mohammad Moin, rejects the first interpretation claiming that if it were to mean 'Zakki son of Muayyad' it should have been read as 'Zakki i Muayyad' where izafe (-i-) shows the son-parent relationship but here it is 'Zakki Muayyad' and Zakki ends in silence/stop and there is no izafe (-i-). Some may argue that izafe is dropped due to meter constraints but dropping parenthood izafe is very strange and rare. So it is possible that Muayyad was a sobriquet for Zaki or part of his name (like Muayyad al-D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahramnameh
''Haft Peykar'' ( fa, هفت پیکر ''Haft Peykar'') also known as Bahramnameh (, ''The Book of Bahram'', referring to the Sasanian king Bahram Gur) is a romantic epic by Persian poet Nizami Ganjavi written in 1197. This poem forms one part of his ''Khamsa''. The original title in Persian ''Haft Peykar'' can be translated literally as "seven portraits" with the figurative meaning of "seven beauties". Both translations are meaningful and the poet doubtless exploited intentionally the ambiguity of the words. The poem was dedicated to the Ahmadili ruler of Maragha, Ala-al-Din Korpe Arslan bin Aq-Sonqor. The poem is a masterpiece of erotic literature, but it is also a profoundly moralistic work.François de BloisHaft Peykar// Encyclopædia Iranica. — 15 December 2002. — V. XI. — pp. 522–524. Story The Haft Peykar consists of seven tales. Bahram sends for seven princesses as his brides, and builds a palace containing seven domes for his brides, each dedicated to one day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Tha'alibi
Al-Tha'alibi (961–1038), was a writer famous for his anthologies and collections of epigrams. As a writer of prose and verse in his own right, distinction between his and the work of others is sometimes lacking, as was the practice of writers of the time. Life Al-Thaʿālibī was born in Nishapur and was based there throughout his life. Of Arab ethnicity, his nickname means 'furrier' or 'tailor who works with fox fur', and medieval biographers speculated that this was his job or his father's, but there is no convincing evidence for either proposition. The only hint as to al-Thaʿālibī's education is that claim that he was taught by Abū Bakr al-Khwārizmi (who was certainly a source for al-Thaʿālibī's poetry anthologies). Likewise, despite his great proess, there are only hints that al-Thaʿālibī was himself a teacher. Al-Thaʿālibī travelled widely beyond Nishapur, however: autobiographical information scattered in his works shows that he spent time in Bukhārā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasht-Bihisht (poem)
"Hasht-Bihisht" ( fa, هشت بهشت, lit. "The Eight Paradises") is a famous poem written by Amir Khusrow around 1302 AD. The poem is based on the ''Haft Paykar'' by Nizami, written around 1197 AD, which in turn takes its outline from the earlier epic Shahnameh written by Firdausi around 1010 AD. Like Nizami's ''Haft Paykar'', Khusrow's ''Hasht Bihisht'' uses a legend about Bahram V Gur as its frame story and, in the style of ''One Thousand and One Nights'', introduces folktales told by seven princesses. Most famously, Khusrow appears to be the first writer to have added The Three Princes of Serendip as characters and the story of the alleged camel theft and recovery. The eight "paradises" in the poem link closely with the Islamic conception of Heaven with its eight gates and eight spaces, each one decorated with a special precious stone or material. Seven of the eight paradises are pavilions constructed for Bahram's "therapy" of storytelling. There is also a link to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Khusrau
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian culture, Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mysticism, mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian language, Persian, but also in Hindustani language, Hindavi. A vocabulary in verse, the ''Ḳhāliq Bārī'', containing Arabic, Persian and Hindustani language, Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (''Tuti-e-Hind''), and has been called the "father of Urdu literature." Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Miniature
A Persian miniature (Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ''muraqqa''. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mina'i Ware
ware is a type of Persian pottery developed in Kashan, Iran, in the decades leading up to the Mongol invasion of Persia in 1219, after which production ceased. It has been described as "probably the most luxurious of all types of ceramic ware produced in the eastern Islamic lands during the medieval period". The ceramic body of white-ish fritware or stonepaste is fully decorated with detailed paintings using several colours, usually including figures. It is significant as the first pottery to use overglaze enamels, painted over the ceramic glaze fixed by a main glost firing; after painting the wares were given a second firing at a lower temperature. "" ( fa, مینایی), a term only used for these wares much later, means "enamelled" in the Persian language. The technique is also known as ''haft-rang'', "seven colours" in Persian. This was the term used by the near-contemporary writer Abu al-Qasim Kasani, who had a pottery background. This technique much later became the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women In Shahnameh
There are many queens, princesses, heroines and witches in Ferdowsi's ''Shahnameh'' (Book of Kings), from the Iran, Turan, the Roman Empire, China, India etc. List of Women in the ''Shahnameh'' * Arezo, daughter of Mahyar * Arezo, wife of Salm * Azadeh, the lover of Bahram V Gor * Azarmidokht, Queen of Queens of Iran * Arnavāz, wife of Zahak and later of Freydon * Spanoy, a Turanian princess * Banou of Gazor * Banou of Gordoye * Banou of Mahbod * Boran, Queen of Queens of Iran * Beh-Afarid, daughter of Kay Vishtasp * Tahmina, mother of Sohrab and wife of Rustam * Jarireh, the first wife of Siyavash * Jamag, sister of Jamshid * Rudaba, wife of Zal and the mother of Rustam * Spinvad, an Indian princess and lover of Bahram V Gor * Sudabeh, wife of Kay Kavus * Sahi, wife of Iraj * Sindukht, grandmother of Rustam * Shahrnāz, daughter of Jamshid, wife of Zahak and Freydon * Faranak Farānak ( fa, فَرانَک) is a female character in the Persian epic ''Shahnameh''. She is ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
