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Ave Maria (other)
The ''Ave Maria'' (Hail Mary) is a traditional Christian prayer addressing Mary, mother of Jesus. Ave Maria may also refer to: Films * ''Ave Maria'' (1918 film), a British silent film directed by Wilfred Noy * ''Ave Maria'' (1920 film), a 1920 Italian silent film directed by Memmo Genua and Diana Karenne * ''Ave Maria'' (1936 film), a 1936 German and Italian film directed by Johannes Riemann * ''Ave Maria'' (1953 film), a West German drama film directed by Alfred Braun * ''Ave Maria'' (1984 film), a 1984 French drama film directed by Jacques Richard *''Avé Maria'' (2006), a Portuguese TV movie starring Beatriz Batarda * ''Ave Maria'' (2015 film), directed by Basil Khalil *'' Ave Maryam'', a 2019 Indonesian romance drama film Music Albums * ''Ave Maria'' (album), a 2021 album by Maria Peszek *''Ave Maria'', a 1980 album by Plácido Domingo *''Ave Maria'', a 1992 album by Stephanie Salas *''Ave Maria – En Plein Air'', a 2015 album by Finnish singer Tarja Turunen Compositio ...
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Ave Maria
The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's subsequent visit to Elisabeth, the mother of John the Baptist (the Visitation). The Hail Mary is a prayer of praise for and of petition to Mary, regarded as the Theotokos (Mother of God). Since the 16th century, the version of the prayer used in the Catholic Church closes with an appeal for her intercession. The prayer takes different forms in various traditions and has often been set to music. In the Latin Church, the Hail Mary forms the basis of other prayers such as the Angelus and the Rosary. In the psalmody of the Oriental Orthodox Churches a daily Theotokion is devoted to ascribing praise to the Mother of God. The Eastern Orthodox Churches have apart from the ''Theotokion'' a quite similar prayer to the Hail Mary (without explicit ...
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Ave Maria (Bach/Gounod)
"Ave Maria" is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as "". The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major, BWV 846, from Book I of his ''The Well-Tempered Clavier'', 1722. The 1853 publication has French text, but it is the 1859 version with the Latin Ave Maria which became popular. History Gounod improvised the melody, and his future father-in-law Pierre-Joseph-Guillaume Zimmermann transcribed the improvisation and in 1853 made an arrangement for violin (or cello) with piano and harmonium. The same year it appeared with the words of Alphonse de Lamartine's poem ''Le livre de la vie'' ("The Book of Life"). In 1859, Jacques-Léopold Heugel published a version with the familiar Latin text. The version of Bach's prelude used by Gounod includes the "Schwencke measure" (m.23), a measure allegedl ...
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Charles Aznavour
Charles Aznavour ( , ; born Shahnour Vaghinag Aznavourian, hy, Շահնուր Վաղինակ Ազնավուրեան, ; 22 May 1924 – 1 October 2018) was a French-Armenian singer, lyricist, actor and diplomat. Aznavour was known for his distinctive vibrato tenor voice: clear and ringing in its upper reaches, with gravelly and profound low notes. In a career as a composer, singer and songwriter, spanning over 70 years, he recorded more than 1,200 songs interpreted in 9 languages. Moreover, he wrote or co-wrote more than 1,000 songs for himself and others. Aznavour is regarded as one of the greatest songwriters in the history of music and an icon of 20th-century pop culture. One of France's most popular and enduring singers, he was dubbed France's Frank Sinatra, while music critic Stephen Holden described Aznavour as a "French pop deity". He was also arguably the most famous Armenian of his time. In 1998, Aznavour was named Entertainer of the Century by CNN and users of ''T ...
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Ave Maria (Beyoncé Song)
"Ave Maria" is a song by American singer Beyoncé from her third studio album '' I Am... Sasha Fierce'' (2008). Amanda Ghost, Ian Dench and Makeba Riddick wrote the song in collaboration with its producers Knowles and production duo Stargate. As stated by Ghost, "Ave Maria" was inspired by Knowles and her own respective marriages. The song is a re-write of Franz Schubert's "Ave Maria". It is instrumentally complete with a piano and strings. Throughout the pop- R&B ballad, Knowles sings in a lower register with an operatic soprano. Lyrically, it speaks about being surrounded by friends but still feeling alone. Critical reception towards the song was mixed. Many contemporary critics praised its balladry and Knowles vocals while others dubbed it as merely a normal take on the original. Following the release of ''I Am... Sasha Fierce'', "Ave Maria" debuted on the UK Singles Chart at number 150 on November 29, 2008, based on downloads alone. The song was a part Knowles' set list duri ...
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Faces (mixtape)
''Faces'' is the eleventh mixtape by American rapper Mac Miller. It was independently released for free download on May 11, 2014. The mixtape is the follow-up to Miller's second studio album ''Watching Movies with the Sound Off'' (2013), and is considered by many to be his magnum opus for its dark and personal exploration of Miller's struggle with drug addiction and mental illness. On October 15, 2021, ''Faces'' was commercially released on streaming platforms and vinyl. Miller produced most of ''Faces'' himself and moved towards creating more psychedelic and jazzy instrumentals for his increasingly dark lyrical themes. Its jazziness is not a departure from Miller's previous work, as it echoes the project he released under the alias Larry Lovestein titled ''You'' that was also centered around jazz instrumentals. It continues to build upon and experiment with the psychedelic sounds of ''Watching Movies with the Sound Off.'' The mixtape features guest appearances from Rick Ross, Earl ...
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Stabat Mater (album)
''Stabat Mater'' is the sixth full-length album by Stefano Lentini. It was released on October 8, 2013. The single 'Stabat Mater' is a part of the soundtrack of Wong Kar Wai's The Grandmaster, 2014 Oscar Nominee. In an interview with the Pitchfork website, Lentini said: ''Sacred music is generally only referred to music based on religious texts. I think this is wrong. Any kind of music able to convey some Truth about existence should be regarded as “sacred”. It is neither a matter of sound nor of musical instrument. It is not a genre, but an attitude: whether it is symphonic or indie music, if there is some inner truth in it, a profound expressive intensity, then there’s sacredness. Whatever is human is necessarily sacred, because humanity always deserves to be respected and honoured. Before being “sacred” for its text, my Stabat Mater is mundanely sacred for the emotions it hopefully arouses''. Track listing All songs written by Stefano Lentini # "Stabat Mater" – ...
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Morten Lauridsen
Morten Johannes Lauridsen (born February 27, 1943) is an American composer. A National Medal of Arts recipient (2007), he was composer-in-residence of the Los Angeles Master Chorale from 1994 to 2001, and is the Distinguished Professor Emeritus of Composition at the University of Southern California Thornton School of Music, where he taught for 52 years until his retirement in 2019.Thornton School of Musicbr>Profile About A native of the Pacific Northwest, Lauridsen worked as a Forest Service firefighter and lookout (on an isolated tower near Mount St. Helens), where he remained on this tower alone for 10 weeks. Lauridsen stated that it was a great time of self-reflection for him, and that it helped him realize that music needed to become a central part of his life. He attended Whitman College for 2 years, before traveling south to study composition at the University of Southern California with Ingolf Dahl, Halsey Stevens, Robert Linn, and Harold Owen. He began teaching at USC ...
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Ave Maria (Vavilov)
"Ave Maria" is a much-recorded aria, composed by Vladimir Vavilov around 1970. Vavilov himself published and recorded it in 1970 on the Melodiya label with the ascription "Anonymous". It is believed that organist Mark Shakhin, one of the performers on the "Melodiya" LP, first ascribed the work to Giulio Caccini after Vavilov's death, and gave the "newly-discovered scores" to other musicians. The organist Oleg Yanchenko then made an arrangement of the aria for a recording by Irina Arkhipova in 1987, after which the piece came to be famous worldwide. Selected list of recorded versions * 1970 – Vladimir Vavilov (vocal Nadezhda Vainer), Melodiya label * 1980s- Alexander Akimov, arranged for horn solo with mallet accompaniment, Soviet TV * 1987 – Irina Arkhipova, arranged by Oleg Yanchenko * 1994 – Inessa Galante, arranged for organ, on the live album ''Musica Sacra'', Campion label * 1994 – Ilga Tiknuse, on the album ''The Organ of Riga Dome'' vol.3 * 1995 – Inessa Gal ...
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Ave Maria (Biebl)
Ave Maria by Franz Biebl is a motet composed for double choir, a large four-part choir and a three-part choir which can be performed by soloists. It is a setting of part of the Latin liturgical Angelus prayer, which contains the Ave Maria (Hail Mary) as a refrain. The composition was originally written for men's chorus, but the composer wrote arrangements for mixed choir and women's choir. The work and arrangements were published by Wildt's Musikverlag, first in 1964. The piece first became famous when a U.S. group, the Cornell University Glee Club, included it in their Christmas programs, and more famous when the Chanticleer ensemble made it part of their regular repertoire. It was published in the U.S. by Hinshaw and became one of the publisher's best-selling items. History Biebl was the organist and choir master of a parish in Fürstenfeldbruck, Bavaria, and of a men's chorus there, for which he composed many works and arrangements. He composed Ave Maria sometime before May ...
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Ave Maria (Stravinsky)
''Ave Maria'' (originally published using the Slavonic title ''Bogoroditse D'vo'') is a short motet for SATB chorus by Russian composer Igor Stravinsky. Composition Stravinsky, though in his later years came to be a practicing member of the Russian Orthodox Church, showed little interest in his own religious and spiritual research in his early adult years and only returned to the fold in 1926, after sixteen years outside the Communion, when he started attending religious services held by Russian emigrants living in Paris. It was at this time that Stravinsky started composing short pieces for unaccompanied chorus based on Orthodox texts. ''Ave Maria'' was the last of the three pieces to have survived during this period, the other two being ''Otche Nash'' (1926) and ''Credo'' (1932). The original manuscript by Stravinsky was then kept by fellow musician Nadia Boulanger, who later claimed ''Ave Maria'' was one of her favorite pieces to conduct, possibly because of its accessibility. ...
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Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ...
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Ave Maria (Verdi)
The ''Quattro pezzi sacri'' (, ''Four Sacred Pieces'') are choral works by Giuseppe Verdi. Written separately during the last decades of the composer's life and with different origins and purposes, they were nevertheless published together in 1898 by Casa Ricordi. They are often performed as a cycle, not in chronological sequence of their composition, but in the sequence used in the Ricordi publication: * Ave Maria, a setting of the Latin Ave Maria for four solo voices a cappella composed in 1889 * Stabat Mater, a setting of the Latin Stabat Mater for chorus and orchestra composed in 1896 and 1897 * Laudi alla Vergine Maria, a setting of a prayer in Canto XXXIII of Dante's '' Paradiso'' for four female voices a cappella composed between 1886 and 1888 * Te Deum, a setting of the Latin Te Deum for double chorus and orchestra composed in 1895 and 1896. They were first performed together (without the Ave Maria) in a concert by the Paris Opera on April 7, 1898. History After V ...
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