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Automelon
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine octoechos—the eight-mode system as it had developed in Constantinople, Damascus, Jerusalem, and ...
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Octoechos (liturgy)
The Octoechos (from the Greek: ; from ὀκτώ 'eight' and ἦχος 'sound, mode' called echos; cu, Осмѡгласникъ, from о́смь 'eight' and гласъ 'voice, sound') is a liturgical book containing a repertoire of hymns ordered in eight parts according to eight echoi ( tones or modes). Originally created in the Monastery of Stoudios during the 9th century as a hymnal complete with musical notation, it is still used in many rites of Eastern Christianity. The book with similar function in the Western Church is the tonary, and both contain the melodic models of an octoechos system; however, while the tonary serves simply for a modal classification, the octoechos is organized as a cycle of eight weeks of services. The word itself can also refer to the repertoire of hymns sung during the celebrations of the Sunday Office. Role of meter in the Octoechos Many hymns in the Octoechos, such as Kathismata, Odes, and Kontakia are set in a strict meter—a f ...
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Idiomelon
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine octoechos—the eight-mode system as it had developed in Constantinople, Damascus, Jerusalem, and in man ...
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Medieval Greek
Medieval Greek (also known as Middle Greek, Byzantine Greek, or Romaic) is the stage of the Greek language between the end of classical antiquity in the 5th–6th centuries and the end of the Middle Ages, conventionally dated to the Ottoman conquest of Constantinople in 1453. From the 7th century onwards, Greek was the only language of administration and government in the Byzantine Empire. This stage of language is thus described as Byzantine Greek. The study of the Medieval Greek language and literature is a branch of Byzantine studies, the study of the history and culture of the Byzantine Empire. The beginning of Medieval Greek is occasionally dated back to as early as the 4th century, either to 330 AD, when the political centre of the Roman Empire was moved to Constantinople, or to 395 AD, the division of the empire. However, this approach is rather arbitrary as it is more an assumption of political, as opposed to cultural and linguistic, developments. Indeed, by this time ...
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Pentecostarion
The Pentecostarion ( el, Πεντηκοστάριον, ; cu, Цвѣтнаѧ Трїωдь, , literally "Flowery Triodon"; ro, Penticostar) is the liturgical book used by the Eastern Orthodox and Byzantine Catholic churches during the Paschal Season which extends from Pascha (Easter) to the Sunday following All Saints Sunday (i.e., the Second Sunday After Pentecost). The name means the Book of the "Fifty Days", referring to the period of time from Pascha to Pentecost. In Greek, it is also sometimes called the ''Joyful Pentecostarion'' (, ). In English, it is sometimes called the ''Paschal Triodion''. The name "Pentecostarion" is also applied to the liturgical season covered by the book. The Pentecostarion is part of the Paschal cycle or "Moveable Cycle" of the ecclesiastical year. This cycle is dependent upon the date of Pascha and continued throughout the coming year until the next Pascha. Pascha (Easter) is the most important feast of the entire year, outranking by far a ...
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Quinisext Council
The Quinisext Council (Latin: ''Concilium Quinisextum''; Koine Greek: , ''Penthékti Sýnodos''), i.e. the Fifth-Sixth Council, often called the Council ''in Trullo'', Trullan Council, or the Penthekte Synod, was a church council held in 692 at Constantinople under Justinian II. It is known as the "Council in Trullo" because, like the Sixth Ecumenical Council, it was held in a domed hall in the Imperial Palace (τρούλος 'troulos''meaning a cup or dome). Both the Fifth and the Sixth Ecumenical Councils had omitted to draw up disciplinary canons, and as this council was intended to complete both in this respect, it took the name of Quinisext. It was attended by 215 bishops, mostly from the Eastern Roman Empire. Basil of Gortyna in Crete belonged to the Roman patriarchate and called himself papal legate, though no evidence is extant of his right to use that title. Decisions Many of the council's canons were reiterations. It endorsed not only the six ecumenical councils alr ...
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Mar Saba
The Holy Lavra of Saint Sabbas, known in Arabic and Syriac as Mar Saba ( syr, ܕܝܪܐ ܕܡܪܝ ܣܒܐ, ar, دير مار سابا; he, מנזר מר סבא; el, Ἱερὰ Λαύρα τοῦ Ὁσίου Σάββα τοῦ Ἡγιασμένου) and historically as the Great Laura of Saint Sabas, is a Greek Orthodox monastery overlooking the Kidron Valley in the Bethlehem Governorate of Palestine, in the West Bank, at a point halfway between Bethlehem and the Dead Sea. The monks of Mar Saba and those of subsidiary houses are known as Sabaites. Mar Saba is considered to be one of the oldest continuously inhabited monasteries in the world, and it maintains many of its ancient traditions. One in particular is the restriction on women entering the main compound. The only building that women can enter is the Women's Tower, near the main entrance. History Byzantine period The monastery was founded by Sabbas the Sanctified in 483, on the eastern side of the Kidron Valley, where ...
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Mar Saba Kloster Mar Saba 11
Mar, mar or MAR may refer to: Culture * Mar or Mor, an honorific in Syriac * Earl of Mar, an earldom in Scotland * MAA (singer) (born 1986), Japanese * Marathi language, by ISO 639-2 language code * March, as an abbreviation for the third month of the year in the Gregorian calendar * Biblical abbreviation for the Gospel of Mark Places * Mar, Isfahan, a village in Iran * Mar, Markazi, a village in Iran * Mar, Russia, in the Sakha Republic * Marr, a region of Scotland * Mesoamerican region, an economic region * Mid-Atlantic Ridge, a ridge on the floor of the Atlantic Ocean People * Mar (surname), a Chinese and Scottish surname (including a list of people with the surname) * Mar Abhai, a saint of the Syriac Orthodox Church * Mar Amongo (1936–2005), a Filipino illustrator *Mar Cambrollé (born 1957), Spanish trans rights activist * Mar Roxas (born 1957), Filipino politician Other uses * ''MÄR'' (''Marchen Awakens Romance''), a 2003 Japanese manga series * ''Mar'' (boat), ...
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Contrafact
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, ''Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of ''Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be confus ...
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A Kontakion As A Model And Its Prosomoia
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Cantor (church)
In Christianity, the cantor, sometimes called the precentor or the protopsaltes (; from ), is the chief singer, and usually instructor, employed at a church, with responsibilities for the choir and the preparation of the Mass or worship service. Generally, a cantor must be competent to choose and conduct the vocals for the choir, to start any chant on demand, and to be able to identify and correct the missteps of singers placed under them. A cantor may be held accountable for the immediate rendering of the music, showing the course of the melody by movements of the hand(s) (''cheironomia''), similar to a conductor. Western Christianity Roman Catholicism Before and after the Second Vatican Council, a ''cantor'' in the Roman Catholic Church was the leading singer of the choir, a ''bona fide'' clerical role. The medieval cantor of the papal Schola Cantorum was called ''Prior scholae'' or ''Primicerius''. In medieval cathedrals, the cantor or precentor directed the music and ...
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