|
Aus Der Tiefen Rufe Ich, Herr, Zu Dir
"Aus der Tiefen rufe ich, Herr, zu dir" (From the deep I cry to thee, O Lord) is a German hymn with a text by .Lomtev, Denis, ed. (2019)Gottfried Heinrich Stölzel: Kantate "Aus der Tiefen rufe ich" (Preface).Ortus. The opening lines of the hymn stay close to those of Psalm 130, while most stanzas of the hymn are written from a Christian perspective. Vopelius, Gottfried (1682). ''Neu Leipziger Gesangbuch'', pp. 936–938. It was first published, with its own hymn tune ( Zahn No. 1217), in the Nürnberg hymnal of 1676. Gottfried Vopelius published it with a new hymn tune (Zahn No. 1218) in the 1682 ''Neu Leipziger Gesangbuch'', p. 936. From 1699 to 1738 the hymn was published with four more new melodies (Zahn Nos. 1219–1222). In the Gotha hymnal, the hymn was adopted with " Ach was ist doch unser Leben" as singing tune. The central chorale movement of Gottfried Heinrich Stölzel's 1744 cantata for Rogate Sunday, ''Aus der Tiefen rufe ich'', H. 419 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Brümmer
Karl Wilhelm Franz Brümmer (17 November 1836, Wusterhausen – 30 January 1923, Munich) was a German educator and lexicographer. He attended the teaching seminar in Köpenick and later worked as an instructor in Zehdenick (from 1856) and Trebbin (from 1860). In 1863 he moved to Nauen, where in 1879 he was appointed conrector of the boys' school. Published works He is best remembered as the author of detailed lexicons involving German poets and writers of prose, such as: * ''Lexikon der deutschen Dichter und Prosaisten von den ältesten Zeiten bis zum Ende des 18. Jahrhunderts'', (1884) – Lexicon of German poets and prose writers from the earliest times to the end of the 18th century. * ''Deutsches Dichter-Lexicon. Biographische und bibliographische Mittheilungen über deutsche Dichter aller Zeiten. Unter besonderer Berücksichtigung der Gegenwart'' (2 volumes 1886–87) – German lexicon of poets; biographical and bibliographical information. ''Lexikon der deutschen Dichter u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Heinrich Stölzel
Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works. Biography Stölzel was born in Grünstädtel, in the Erzgebirge, on 13 January 1690. His father, organist in Grünstädtel, gave him his first music education. When he was thirteen, he was sent to study in Schneeberg, where he was taught music, including thoroughbass, by cantor Christian Umlaufft, a former student of Johann Kuhnau. A few years later he was admitted to the gymnasium in Gera, where he further practiced music under Emanuel Kegel, the director of the court chapel. Some of his educators took a dim view of music, and tried to divert his attention from it: apart from engaging in poetry and oratory, Stölzel nonetheless continued to develop his interest in music.Mattheson 1740Mizler 1754Melvin P. Unger, editor"Introduction" pp.&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasch Repertorium
Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant. Life Fasch was born in the town of Buttelstedt, 11 km north of Weimar, the eldest child of schoolmaster Friedrich Georg Fasch and his wife Sophie Wegerig, from Leißling near Weißenfels. After his father's death in 1700, Fasch lived with his maternal uncle, the clergyman Gottfried Wegerig in Göthewitz, and it was presumably in this way that he made the acquaintance of the Opera composer Reinhard Keiser. Fasch was a choirboy in Weissenfels and studied under Johann Kuhnau at the St. Thomas School in Leipzig. It was in Leipzig in 1708 that he founded a Collegium Musicum. In 1711 he wrote an opera to be performed at the Peter-Paul Festival in Naumburg, and a second one for the festival in 1712. In 1714, unable to procure aristocratic patronage for a journey to Italy, Fasch instead travelled to Darm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jubilate Sunday
The Fourth Sunday of Easter is the day that occurs three weeks after the Christian celebration of Easter. Western Christianity Tridentine Catholicism (pre-1970) In the historical Roman Rite of the Catholic Church, this day was officially known as the Third Sunday after Easter. It was also nicknamed Jubilate Sunday due to the incipit ("Iubilate Deo") of the introit assigned to this day. The full text of the introit in its original Latin was: "Iubilate Deo, omnis terra, allelúia: psalmum dícite nómini eius, allelúia, allelúia, allelúia. Dícite Deo, quam terribília sunt ópera tua, Dómine! in multitúdine virtútis tuæ mentiéntur tibi inimíci tui." This introit is based on (which is now more commonly called Psalm 66 in accord with the Hebrew numbering used in modern Bibles). For a brief period of time (1847–1911), this Sunday was also celebrated as the Solemnity of St. Joseph, Patron of the Universal Church. In 1911, this feast day was moved to the following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Fasch
Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant. Life Fasch was born in the town of Buttelstedt, 11 km north of Weimar, the eldest child of schoolmaster Friedrich Georg Fasch and his wife Sophie Wegerig, from Leißling near Weißenfels. After his father's death in 1700, Fasch lived with his maternal uncle, the clergyman Gottfried Wegerig in Göthewitz, and it was presumably in this way that he made the acquaintance of the Opera composer Reinhard Keiser. Fasch was a choirboy in Weissenfels and studied under Johann Kuhnau at the St. Thomas School in Leipzig. It was in Leipzig in 1708 that he founded a Collegium Musicum. In 1711 he wrote an opera to be performed at the Peter-Paul Festival in Naumburg, and a second one for the festival in 1712. In 1714, unable to procure aristocratic patronage for a journey to Italy, Fasch instead travelled to D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV2a
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The Liturgical calendar (Lutheran)#Reformation era, liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. ''Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
