At The Supper Club Part II (Stafford)
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At The Supper Club Part II (Stafford)
This compact disk was created from transcriptions of ''The Chesterfield Supper Club'' recorded for the American Forces Network, Armed Forces Radio Service (AFRS) in March and April 1946. Others featured on the broadcasts are Carl Kress and his Orchestra, Helen Carroll and the Satisfiers, and Lloyd Shaffer and his Orchestra. Guests are Benny Goodman, Xavier Cugat, Cozy Cole, Mel Powell, and Bob Eberly. Track listing # ''All The Things You Are'' # "What A Deal!" # "I Can't Begin to Tell You" # "Love Letters (song), Love Letters" # "Yesterdays" # "Patience and Fortitude" # "Down Honeymoon Lane (I'll Be Walking With My Baby)" # "I Didn't Mean a Word I Said" # "Aren't You Glad You're You" # "I Can't Give You Anything but Love, Baby" # "If I Had a Dozen Hearts" # "It's a Grand Night for Singing" # "Old Man Harlem" # "Falling in Love With Love" # "A Little Consideration" # "Oye Negra" # "Day By Day" # "I'll Remember April (song), I'll Remember April" # "My Romance" # "Doctor, Law ...
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Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ...
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All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical ''Very Warm for May'' (1939)"Jerome Kern"
. Songwriters Hall of Fame
and was introduced by , , , and Ralph Stuart. It appeared in the film ''

Compilation Albums Published Posthumously
Compilation may refer to: *In computer programming, the translation of source code into object code by a compiler **Compilation error **Compilation unit *Product bundling, a marketing strategy used to sell multiple products *Compilation thesis Media Literature * Anthology, a collection of short works, most often poetry or short stories Film & TV * Anthology film *Compilation documentary *Compilation film, a feature film that is mostly composed of footage from an older television serial, movie serial or short films *Compilation episode, a clip show A clip show is an episode of a television series that consists primarily of excerpts from previous episodes. Most clip shows feature the format of a frame story in which cast members recall past events from past installments of the show, depicte ... with clips from a TV series assembled together in one episode *Compilation ( adult), an adult film or video made up of various segments from other productions or leftover/spare footage ...
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They Say It's Wonderful
"They Say It's Wonderful" is a popular song written by Irving Berlin for the musical '' Annie Get Your Gun'' (1946), where it was introduced by Ethel Merman and Ray Middleton. A film version in 1950 again featured the song when it was performed by Howard Keel and Betty Hutton. More recently it was performed in an episode of The Marvelous Mrs. Maisel by Darius de Haas. Recordings *Ethel Merman recorded it for the original Decca Records cast album of '' Annie Get Your Gun'' (1946). In 1979, she recorded a "camp" version for The Ethel Merman Disco Album, but it was not released on the original vinyl record. It was issued as a bonus track on the CD reissue in 2002. * Andy Russell (''Billboard'' no. 10 in 1946) *Perry Como (''Billboard'' no. 27 in 1946) *Bing Crosby recorded the song on January 22, 1946 (''Billboard'' no. 12 in 1946) *Frank Sinatra (1946) *Betty Hutton, Howard Keel, soundtrack recording, ''Annie get Your Gun'', MGM, (1950) *Modern Jazz Quartet - '' The Modern Jazz Quart ...
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Doctor, Lawyer, Indian Chief
"Doctor, Lawyer, Indian Chief" is a popular song published in 1945, with music by Hoagy Carmichael and lyrics by Paul Francis Webster. The title and lyrics are a play on the popular counting game "Tinker, Tailor." The biggest-selling version of the song was recorded by Betty Hutton on June 29, 1945. The recording was released by Capitol Records as catalog number 220. The record first reached the Billboard magazine charts on December 6, 1945 and lasted 17 weeks on the chart, peaking at #1. Another recording was made by the Les Brown Orchestra on January 6, 1946. This recording was released by Columbia Records as catalog number 36945, with the flip side " Day by Day". The record first reached the Billboard magazine charts on March 7, 1946 and lasted 4 weeks on the chart, peaking at #6. The composer Hoagy Carmichael recorded the song for the ARA label on October 23, 1945 (catalog number 128, with the flip side " Am I Blue?") and for the Decca label on December 9, 1946 (catalo ...
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I'll Remember April (song)
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ''Lux ...
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I Can't Give You Anything But Love, Baby
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's ''Blackbird Revue'', which opened on Broadway later that year as the highly successful ''Blackbirds of 1928'' (518 performances), wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean. In the 100-most recorded songs from 1890 to 1954, "I Can't Give You Anything But Love, Baby" (1928) is No. 24. Background Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Club on 57th Street, New York, which featured the vocalist Adelaide Hall. However, the producer Lew Leslie believed that they still missed a 'smash' tune. The team pondered for a while before finally playing Leslie "I Can't Give You Anything but Love, Baby". This was the song Leslie had been looking for and he immediately inc ...
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Love Letters (song)
"Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor Young. The song appeared, without lyrics, in the movie of the same name performed by Dick Haymes, and was nominated for the Academy Award for Best Original Song in 1945 but lost out to "It Might as Well Be Spring". The song has been covered by a number of artists, most notably by Nat King Cole (1957), Ketty Lester (1961), Elvis Presley (1966), and Alison Moyet (1987). Ketty Lester version In 1961, Era Records released Ketty Lester's version of "Love Letters" b/w "I'm a Fool to Want You". Lester's recording of "Love Letters", which featured Lincoln Mayorga's sparse piano arrangement and Earl Palmer on drums, reached No. 5 on the ''Billboard'' Hot 100 in early 1962.Profile
Oldies.com; accessed August 15, 2015.
The record also reached No. 2 on ...
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Bob Eberly
Robert Eberly (born Robert Eberle; July 24, 1916 – November 17, 1981) was an American big band vocalist best known for his association with Jimmy Dorsey and his duets with Helen O'Connell. His younger brother Ray was also a big-band singer, making his name with Glenn Miller and His Orchestra. Biography Eberly was born Robert Eberle but changed the spelling of his surname slightly to the homonymous Eberly. His younger brother Ray was also a big-band singer, most notably with Glenn Miller's orchestra. Their father, John A. Eberle, was a policeman, sign-painter, and tavern-keeper. Another brother, Al, was a Hoosick Falls, New York, village trustee. Eberly was hired by the Dorsey Brothers Orchestra in 1935 shortly after winning an amateur hour contest on Fred Allen's radio show and shortly before Tommy Dorsey left the band to form his own group. Eberly stayed with Jimmy Dorsey and would be a fixture with the orchestra until drafted into the service late in 1943. In the early ...
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At The Supper Club (Stafford)
This compact disc was created from transcriptions of ''The Chesterfield Supper Club'' recorded for the Armed Forces Radio Service (AFRS) in May 1946. Others featured on the broadcasts are Carl Kress and his Orchestra, Helen Carroll and the Satisfiers. Track listing # " All The Things You Are" (Jerome Kern, Oscar Hammerstein II) # "Personality" ( Jimmy Van Heusen, Johnny Burke) # "My Old Flame" (Sam Coslow, Arthur Johnston) # "Come Rain or Come Shine" ( Harold Arlen, Johnny Mercer) # "In Atlanta GA" # "I'm in the Mood for Love" (Jimmy McHugh, Dorothy Fields) # " Walkin' My Baby Back Home" ( Fred E. Ahlert, Roy Turk) # "I've Got the World on a String" ( Harold Arlen. Ted Koehler) # " Sioux City Sue" ( Dick Thomas, Ray Freedman) # "In the Moon Mist" ( Benjamin Godard, Jack Lawrence) # Irving Berlin Medley # " April Showers" (Louis Silvers, B. G. De Sylva) # "S'posin'" (Paul Denniker, Andy Razaf) # "Cement Mixer" ( Slim Gaillard) # " Oh! What it Seemed to Be" (Bennie Benjamin, ...
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