At The Supper Club Part III (Como)
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At The Supper Club Part III (Como)
This collection was created from transcriptions of ''The Chesterfield Supper Club'' recorded for the Armed Forces Radio Service (AFRS). Others featured on the broadcasts are Lloyd Shaffer and his Orchestra, Helen Carroll and the Satisfiers, Jo Stafford, Carole Landis, Anne Andre, Kitty Kallen, and The Mills Brothers. Track listing # Introduction: "All The Things You Are" # " Sweet Lorraine" # "Your Father's Moustache" # "Harriet" # " How Deep Is the Ocean?" # "Just a Sittin' and a Rockin'" # "Rockin' Chair" # " My Melancholy Baby" # "Here Comes Heaven Again" # "When You're Away" # "Moonbeams" # "I'm Falling In Love With Someone" # "Tramp! Tramp! Tramp!" # "Ah! Sweet Mystery of Life" # " Blue Skies" # Medley:"Tiger Rag"/"Don't Be a Baby, Baby" # "Cynthia's In Love" # "Aren't You Glad You're You?" # "Some Sunday Morning" # "As If I Didn't Have Enough On My Mind" # " Love Is Just Around the Corner" # "Temptation" # "My Momma Says No No" # "Personality" # Introduction # " Blue Skie ...
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Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ...
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My Melancholy Baby
"My Melancholy Baby" is a popular song published in 1912 and first sung publicly by William Frawley. The music was written by Ernie Burnett (1884–1959), the lyrics by George A. Norton. Background Ernie Burnett, who composed the music, was wounded fighting in the First World War, from which he lost his memory and his identity dog tags. While recuperating in hospital, a pianist entertained the patients with popular tunes including "Melancholy Baby". Burnett rose from his sickbed and exclaimed, "That's my song!" He had regained his memory. William Frawley version William Frawley, who played Fred Mertz on ''I Love Lucy'', stated that he was the first person to perform the song publicly, in 1912 in the Mozart Cafe at 1647 Curtis Street in Denver, Colorado. Frawley revealed this during a May 3, 1965, appearance on the TV game show ''I've Got a Secret''. In 1958, Frawley performed the song again on the '' Lucy-Desi Comedy Hour'' on the episode "Lucy Goes to Sun Valley". Frawley, as ...
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Compilation Albums Published Posthumously
Compilation may refer to: *In computer programming, the translation of source code into object code by a compiler **Compilation error **Compilation unit *Product bundling, a marketing strategy used to sell multiple products *Compilation thesis Media Literature * Anthology, a collection of short works, most often poetry or short stories Film & TV * Anthology film *Compilation documentary *Compilation film, a feature film that is mostly composed of footage from an older television serial, movie serial or short films *Compilation episode, a clip show A clip show is an episode of a television series that consists primarily of excerpts from previous episodes. Most clip shows feature the format of a frame story in which cast members recall past events from past installments of the show, depicte ... with clips from a TV series assembled together in one episode *Compilation ( adult), an adult film or video made up of various segments from other productions or leftover/spare footage ...
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Personality (1946 Song)
"Personality" is a popular song with lyrics by Johnny Burke and music by Jimmy Van Heusen. It was written for the 1946 film ''Road to Utopia'', and Dorothy Lamour performed it in the movie. Van Heusen said that he wrote the song with a limited vocal range to accommodate Lamour. In a slightly longer version, the song became a number one '' Billboard'' hit for Johnny Mercer and the Pied Pipers with Capitol Records in 1946. Dinah Shore also recorded it around that time. Lamour was between record contracts at the time of the film's release, so she did not record the song herself until years later. The song employs tongue-in-cheek, slightly bawdy lyrics and an ironic use of the word "personality." The lyrics suggest that men are often attracted to a woman because of her shapely figure (called euphemistically her “personality”) rather than other beauty traits or any other admirable qualities she might possess. Cover versions * Bing Crosby recorded the song with Eddie Condon and ...
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Temptation (1933 Song)
"Temptation" is a popular song published in 1933, with music written by Nacio Herb Brown and lyrics by Arthur Freed. Bing Crosby recording The song was introduced by Bing Crosby in the 1933 film ''Going Hollywood''. Crosby recorded the song with Lennie Hayton's orchestra on October 22, 1933, and it reached the No. 3 spot in the charts of the day during a 12-week stay. He recorded it again with John Scott Trotter's Orchestra on March 3, 1945 and also for his 1954 album '' Bing: A Musical Autobiography''. Other notable recordings *Other popular versions of the song have been recorded by Ferde Grofé & His Orchestra with vocal refrain by Al Dary on November 21, 1933, Artie Shaw and his orchestra on September 7, 1940, Perry Como in 1945, and by Mario Lanza on 29 November 1951 at Radio Recorders and subsequently released by RCA in January 1952. A British cover version by Steve Conway was released in 1946. *A parody version, entitled "Tim-tay-shun", was recorded in a country music s ...
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Love Is Just Around The Corner
"Love Is Just Around the Corner" is a popular song with music by Lewis E. Gensler and lyrics by Leo Robin, published in 1934. It was introduced in the 1934 Bing Crosby film ''Here is My Heart'' and was also included in the 1935 film ''Millions in the Air''. Crosby recorded the song on November 9, 1934 with Georgie Stoll and his Orchestra for Decca Records and it reached the No. 8 position in the USA charts of the day. He recorded the song again in 1954 for his album '' Bing: A Musical Autobiography''. The song has become a standard, recorded by many artists. Early recordings were made by Bing Crosby in 1934 and Robert Cummings the next year. Other recordings *June Christy - ''The Uncollected June Christy, Vol II'' (1957), ''A Friendly Session, Vol. 2'' (1999) with the Johnny Guarnieri Quintet *Alma Cogan - ''With Love in Mind'' (1988) *Billy Eckstine - ''Billy Eckstine's Imagination'' (1958) *Duke Ellington - ''Up in Duke's Workshop'' (1979) *Jackie Davis - ''Hammond Gone Cha-Cha'' ...
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Some Sunday Morning
"Some Sunday Morning" is the title of two well-known American songs. The first has music written by Richard A. Whiting with lyrics by Gus Kahn and Raymond B. Egan, and was recorded by Ada Jones and Billy Murray in 1917. The second has music by M.K. Jerome and Ray Heindorf, with lyrics by Ted Koehler, and was introduced in the 1945 film ''San Antonio'' by Alexis Smith. The song was nominated for the Academy Award for Best Original Song in 1945 but lost out to “It Might as Well Be Spring”. It was also recorded that year by Helen Forrest and Dick Haymes, peaking at No. 9 on the Billboard chart. Legacy The Jerome-Heindorf-Koehler tune was sung by Sylvester the Cat in the 1948 Merrie Melodies cartoon '' Back Alley Oproar'', by Clint Walker and Joan Weldon in the 1957 ''Cheyenne'' episode "The Conspirators", and by Peggy King in the 1959 ''Maverick Maverick, Maveric or Maverik may refer to: History * Maverick (animal), an unbranded range animal, derived from U.S. cattlem ...
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Tiger Rag
"Tiger Rag" is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of "Tiger Rag" was entered into the U.S. Library of Congress National Recording Registry. Background The song was first recorded on August 17, 1917 by the Original Dixieland Jass Band for Aeolian-Vocalion Records. The band did not use the "Jazz" spelling in its name until 1917. The Aeolian-Vocalion sides did not sell well because they were recorded in a vertical format which could not be played successfully on most contemporary phonographs. But the second recording on March 25, 1918 for Victor was a hit and established it as a jazz standard. The song was copyrighted, published, and credited to band members Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro, and Larry Shields in 1917. Authorship "Tiger Rag" was first copyrighted in 1917 with music composed by Nick LaRocca. In subsequen ...
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Blue Skies (1926 Song)
"Blue Skies" is a popular song, written by Irving Berlin in 1926. "Blue Skies" is one of many popular songs whose lyrics use a " bluebird of happiness" as a symbol of cheer: "Bluebirds singing a song/Nothing but bluebirds all day long." The sunny optimism of the lyrics are undercut by the minor key giving the words an ironic feeling. History The song was composed in 1926 as a last-minute addition to the Rodgers and Hart musical ''Betsy''. Although the show ran for only 39 performances, "Blue Skies" was an instant success, with audiences on opening night demanding 24 encores of the piece from star Belle Baker. During the final repetition, Ms. Baker forgot her lyrics, prompting Berlin to sing them from his seat in the front row.Laurence Bergreen, ''As Thousands Cheer: The Life of Irving Berlin'', 1996, p. 277. In 1927, the music was published and Ben Selvin's recorded version (as The Knickerbockers with vocals by Charles Kaley) was a hit. That same year, it became one of the fir ...
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Tramp! Tramp! Tramp!
"Tramp! Tramp! Tramp! (The Prisoner's Hope)" was one of the most popular songs of the American Civil War. George F. Root wrote both the words and music and published it in 1864 to give hope to the Union prisoners of war. The song is written from the prisoner's point of view. The chorus tells his fellow prisoners that hope is coming. Lyrics Confederate lyrics In addition to the original version, soldiers of the Confederate States of America made their own lyrics to the tune. The Confederate lyrics revolve around General Lee's Army of Northern Virginia invading Pennsylvania, following which prisoners held in Northern prison camps shall be liberated. In popular culture The song has been parodied and the melody has been repurposed numerous times: ;Religion * It is well known as the melody for the Christian children's song "Jesus Loves the Little Children". * The Latter-day Saint hymn "In Our Lovely Deseret" employs the tune as well. ;Politics * It also lends the music to an Iri ...
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At The Supper Club Part II (Como)
This compact disk was created from transcriptions of ''The Chesterfield Supper Club'' recorded for the Armed Forces Radio Service (AFRS). Others featured on the broadcasts are Lloyd Shaffer and his Orchestra, Helen Carroll and the Satisfiers, and announcer Martin Block. Guests are Carmen Cavallaro, Carmen Miranda and The Mills Brothers. Track listing # Introduction # "How Soon (Will I Be Seeing You)" # "Walkin' with My Honey (Soon, Soon, Soon)" # "Rosemary" # "Waitin' for the Train To Come In" # " Dark Eyes" # "It's Never Too Late To Pray" # "Did You Ever Get That Feeling in the Moonlight" # " Till the End of Time" # "Song of Songs" # "Symphony" # " I Can't Begin to Tell You" # "In the Middle of May" # " A Prisoner of Love" # "It's the Talk of the Town" # " All the Things You Are" # "Begin the Beguine" # " Falling in Love with Love" # "Momma Never Told Me" # "Chico Chico from Puerto Rico" # "All Through the Day" # "I Wonder Who's Kissing Her Now" # "Come To Baby, Do" # "Docto ...
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