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At The Jazz Band Ball
"At the Jazz Band Ball" is a 1917 jazz instrumental recorded by the Original Dixieland Jazz Band. The instrumental is one of the earliest and most recorded jazz compositions. It is a jazz classic and a standard of the genre. The instrumental was recorded by Larry Shields, Tony Sbarbaro, Henry Ragas, Nick LaRocca, and Eddie Edwards, the members of the Original Dixieland Jazz Band. It was composed by Nick LaRocca and Larry Shields, and first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3, 1917, in New York and released as an Aeolian Vocalion single, A1205. The instrumental was rerecorded on March 19, 1918, and was released as a Victor 78 single, Victor 18457, Matrix #B-21583/1, with "Ostrich Walk" as the flip side. A third version was recorded on April 16, 1919, in London, England and released as a 78 single as Columbia 735 with "Barnyard Blues" as the flip side. Lyricist Johnny Mercer added lyrics to the original 1917 ODJB instrumental in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The Jass Band Ball Aeolian Vocalion ODJB 1917
AT or at may refer to: Geography Austria * Austria (ISO 2-letter country code) * .at, Internet country code top-level domain United States * Atchison County, Kansas (county code) * The Appalachian Trail (A.T.), a 2,180+ mile long mountainous trail in the Eastern United States Elsewhere * Anguilla (World Meteorological Organization country code) * Ashmore and Cartier Islands (FIPS 10-4 territory code, and obsolete NATO country code) * At, Bihar, village in Aurangabad district of Bihar, India * Province of Asti, Italy (ISO 3166-2:IT code) Science and technology Computing * @ (or "at sign"), the punctuation symbol now typically used in e-mail addresses and tweets) * at (command), used to schedule tasks or other commands to be performed or run at a certain time * IBM Personal Computer/AT ** AT (form factor) for motherboards and computer cases ** AT connector, a five-pin DIN connector for a keyboard * The Hayes command set for computer modems (each command begins with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Fountain
Pierre Dewey LaFontaine Jr. (July 3, 1930 – August 6, 2016), known professionally as Pete Fountain, was an American jazz clarinetist. Early life and education LaFontaine was born to Pierre, Sr. and Madeline, in a small Creole cottage-style frame house on White Street (between Dumaine Street and St. Ann Street) in New Orleans.Fountain, Pete, with Bill Neely, ''A Closer Walk, the Pete Fountain Story'' (Henry Regnery Company, 1972), p. 2-3 Pete was the great-grandson of a French immigrant, François Fontaine, who was born in Toulon, circa 1796, and came to the U.S. in the early 19th century, and died on the Mississippi Gulf Coast circa 1885. Pete's father, a truck driver and part-time musician, changed the family name to Fountain. He started playing clarinet as a child at the McDonogh 28 school located on Esplanade Avenue. As a child, young Pete was very sickly, frequently battling respiratory infections due to weakened lungs. He was given expensive medication but it proved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs About Jazz
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The Jazz Band Ball ODJB Sheet Music Leo Feist
AT or at may refer to: Geography Austria * Austria (ISO 2-letter country code) * .at, Internet country code top-level domain United States * Atchison County, Kansas (county code) * The Appalachian Trail (A.T.), a 2,180+ mile long mountainous trail in the Eastern United States Elsewhere * Anguilla (World Meteorological Organization country code) * Ashmore and Cartier Islands (FIPS 10-4 territory code, and obsolete NATO country code) * At, Bihar, village in Aurangabad district of Bihar, India * Province of Asti, Italy (ISO 3166-2:IT code) Science and technology Computing * @ (or "at sign"), the punctuation symbol now typically used in e-mail addresses and tweets) * at (command), used to schedule tasks or other commands to be performed or run at a certain time * IBM Personal Computer/AT ** AT (form factor) for motherboards and computer cases ** AT connector, a five-pin DIN connector for a keyboard * The Hayes command set for computer modems (each command begins with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Heath (bandleader)
George Edward Heath (30 March 1902 – 18 November 1969) was a British musician and big band leader. Heath led what is widely considered Britain's greatest post-war big band, recording more than 100 albums, which sold over 20 million copies. The most successful band in Britain during the 1950s, it remained in existence as a ghost band long after Heath died, surviving in such a form until 2000."Ted Heath" Jazz Professional, from the Internet Archive/Wayback Machine Musical beginnings After playing tenor horn at the age of six, encouraged by his father Bert, a trumpeter and the leader of the Wandsworth Town Brass Band, Heath later switched to trombone.Moira Heath, ''I Haven't Said Thanks: The Story of Ted and Moira Heath'' < ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Venutti
Giuseppe "Joe" Venuti (September 16, 1903 – August 14, 1978) was an American jazz musician and pioneer jazz violinist. Considered the father of jazz violin, he pioneered the use of string instruments in jazz along with the guitarist Eddie Lang, a friend since childhood. Through the 1920s and early 1930s, Venuti and Lang made many recordings as leader and as featured soloists. He and Lang became so well known for their 'hot' violin and guitar solos that on many commercial dance recordings they were hired to do 12- or 24-bar duos towards the end of otherwise stock dance arrangements. In 1926, Venuti and Lang started recording for the OKeh label as a duet (after a solitary duet issued on Columbia), followed by "Blue Four" combinations, which are considered milestone jazz recordings. Venuti also recorded commercial dance records for OKeh under the name "New Yorkers". He worked with Benny Goodman, Adrian Rollini, the Dorsey Brothers, Bing Crosby, Bix Beiderbecke, Jack Teagarden, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Hodes
Arthur W. Hodes (November 14, 1904 – March 4, 1993), was a Russian Empire-born American jazz and blues pianist. He is regarded by many critics as the greatest white blues pianist. Biography Hodes was born in Mykolaiv, in present-day Ukraine. His family settled in Chicago, Illinois, when he was a few months old. His career began in Chicago clubs, but he did not gain wider attention until moving to New York City in 1938. In New York, he played with Sidney Bechet, Joe Marsala, and Mezz Mezzrow. Later, Hodes founded his own band in the 1940s and it would be associated with his hometown of Chicago. He and his band played mostly in that area for the next forty years. In the late 1960s, Hodes starred in a series of TV shows on Chicago style jazz called ''Jazz Alley'', where he appeared with musicians such as Pee Wee Russell and Jimmy McPartland. Episodes of the show have been released on DVD. Hodes was editor of the magazine, ''The Jazz Record'', for five years in the 1940s. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Condon
Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. Early years Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. Career He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent the Sunset Café to see Louis Armstrong and his Hot Five for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Krupa
Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from an accompanist to an important solo voice in the band. In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer's kit. Krupa is considered "the founding father of the modern drumset" by ''Modern Drummer'' magazine. Early life The youngest of Anna (née Oslowski) and Bartłomiej Krupa's nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polish descent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nappy Lamare
Joseph Hilton "Nappy" Lamare (June 14, 1905 – May 8, 1988) was an American jazz banjoist, guitarist, and vocalist. Music career Lamare was born in New Orleans, Louisiana, United States. He got his nickname from his friend, Eddie Miller, because he had curly hair. He started playing trumpet, then dropped it for banjo when he was thirteen. Weeks later, he was a member of the Midnight Serenaders. In his teens he worked with Sharkey Bonano, Monk Hazel, and Johnny Wiggs and, in 1925, toured in California with Johnny Bayersdorffer. He recorded for the first time two years later with the New Orleans Owls. He moved to New York City, playing mostly guitar instead of banjo. He became of a member of the Ben Pollack orchestra and sang on "Two Tickets to Georgia" and “Got the Jitters” in 1933. After Pollack left, Bob Crosby took over the orchestra in 1934, and Lamare remained with him until 1942, performing in records and films, sometimes as a vocalist. After the orchestra dissolved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
