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At The Drop Of A Hat
''At the Drop of a Hat'' is a musical revue by Flanders and Swann, described by them as "an after-dinner farrago". In the show, they both sang on a nearly bare stage, accompanied by Swann on the piano. The songs were linked by contemporary social commentary, mostly by Flanders. After a long London run the show played in the US, Switzerland, and on tour in Britain. Background Michael Flanders and Donald Swann had performed together as schoolboys, collaborating in 1940 on a revue at Westminster School. They later collaborated on writing songs for revues, performed by such artists as Max Adrian, Elsie and Doris Waters, Ian Carmichael and Joyce Grenfell. They also wrote songs for Ian Wallace, some of which he recorded on the LP "Wallace's Private Zoo". As successful songwriters they were invited to lecture on the subject at Dartington International Summer School in 1956. Flanders found that his spoken introductions were as well received by the audience as the songs themselves.
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Donald Swann
Donald Ibrahim Swann (30 September 1923 – 23 March 1994) was a British composer, musician, singer and entertainer. He was one half of Flanders and Swann, writing and performing comic songs with Michael Flanders. Life Donald Swann was born in Llanelli, Carmarthenshire, Wales. His father, Herbert Alfredovich Swann, was a Russian doctor of English descent, from the expatriate community that started out as the Muscovy Company. His mother, Naguimé Sultán Swann (born Piszóva), was a Turkmen-Russian nurse from Ashgabat, now part of Turkmenistan. They were refugees from the Russian Revolution. Swann's great-grandfather, Alfred Trout Swan, a draper from Lincolnshire, emigrated to Russia in 1840 and married the daughter of the horologer to the tsars. Some time later the family added a second 'n' to their surname. His uncle Alfred wrote the first biography of Alexander Scriabin in English. The family moved to London, where Swann attended Dulwich College Preparatory School and West ...
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The Observer
''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and ''The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the world's oldest Sunday newspaper. History Origins The first issue, published on 4 December 1791 by W.S. Bourne, was the world's first Sunday newspaper. Believing that the paper would be a means of wealth, Bourne instead soon found himself facing debts of nearly £1,600. Though early editions purported editorial independence, Bourne attempted to cut his losses and sell the title to the government. When this failed, Bourne's brother (a wealthy businessman) made an offer to the government, which also refused to buy the paper but agreed to subsidise it in return for influence over its editorial content. As a result, the paper soon took a strong line against radicals such as Thomas Paine, Francis Burdett and Joseph Priestley. 19th century In 180 ...
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Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationer's Company in September 1580,Frank Kidson, ''English Folk-Song and Dance''. READ BOOKS, 2008, p.26. John M. Ward, "'And Who But Ladie Greensleeues?'", in ''The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld'', edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. . and the tune is found in several late-16th-century and early-17th-century sources, such as ''Ballet's MS Lute Book'' and ''Het Luitboek van Thysius'', as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge. Form "Greensleeves" can have a ground either of the form called a ''romanesca''; or its slight variant, the ''passame ...
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Bel Canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associated with a "school" of singing until the middle of the 19th century, when writers in the early 1860s used it nostalgically to describe a manner of singing that had begun to wane around 1830. Nonetheless, "neither musical nor general dictionaries saw fit to attempt definition f bel cantountil after 1900". The term remains vague and ambiguous in the 21st century and is often used to evoke a lost singing tradition. History of the term and its various definitions As generally understood today, the term ''bel canto'' refers to the Italian-originated vocal style that prevailed throughout most of Europe during the 18th and early 19th centuries. Late 19th- and 20th-century sources "would lead us to believe that ''bel canto'' was restricted to ...
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Leslie Hutchinson
Leslie Arthur Julien Hutchinson, known as "Hutch" (7 March 1900 – 18 August 1969), was a Grenada-born singer and musician who was one of the biggest cabaret stars in the world during the 1920s and 1930s. Early life Born in Gouyave, Grenada, in 1900, when it was part of the British Windward Islands, to George Hutchinson and Marianne (''née'' Turnbull), Hutch took piano lessons as a child. In 1916, he moved to New York City while still in his teens. He originally emigrated to study for a degree in medicine as he had won a place due to his high aptitude, but instead he began playing the piano and singing in bars. Career In New York City, Hutch joined a black band led by Henry "Broadway" Jones, who often played for white millionaires such as the Vanderbilts, attracting the wrath of the Ku Klux Klan. In 1924, Hutch left America for Paris, where he had a residency in Joe Zelli's club and became a friend and lover of Cole Porter. Encouraged by Edwina Mountbatten, he came to ...
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Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ...
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Lord Chamberlain's Requirements
The Lord Chamberlain's requirements were a set of four prerequisites for a licence for a production in British theatres. These were printed in theatre programmes so the audience could be aware of them. The Lord Chamberlain's Office had control of theatres until 1968, including censorship of the production content as well as for logistical matters. In the 1980s, they were replaced by similar requirements applied by a local licensing authority. The original regulations were officially known as the Lord Chamberlain's Regulations, but as they were printed in every programme as "The Lord Chamberlain's Requirements", this became their accepted name. The requirements cover: # Leaving the theatre at the end of the performance. # Freedom of gangways and passages from obstruction. # Limitations on standees. # Operation of the safety curtain during each performance. Three of the requirements (leaving the theatre, freedom of the gangways and the operation of the safety curtain) were set to mus ...
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At The Drop Of Another Hat
''At the Drop of Another Hat'' is a musical revue by Flanders and Swann, similar in format to its long-running predecessor, ''At the Drop of a Hat'' (1956). In the show, they both sang on a nearly bare stage, accompanied by Swann on the piano. The songs were linked by contemporary social commentary, mostly by Flanders. Highlights included "Ill Wind", in which Flanders sings rapidly about a pilfered horn to the tune of the Rondo from Mozart's Horn Concerto No. 4 and "New Built Up Area", a soliloquy by Flanders in which a disgruntled resident of Salisbury Plain complains of the newly erected Stonehenge.''Flanders & Swann: At the Drop of Another Hat''
Allmusic, accessed 19 July 2011
The revue premiered at the

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Polio
Poliomyelitis, commonly shortened to polio, is an infectious disease caused by the poliovirus. Approximately 70% of cases are asymptomatic; mild symptoms which can occur include sore throat and fever; in a proportion of cases more severe symptoms develop such as headache, neck stiffness, and paresthesia. These symptoms usually pass within one or two weeks. A less common symptom is permanent paralysis, and possible death in extreme cases.. Years after recovery, post-polio syndrome may occur, with a slow development of muscle weakness similar to that which the person had during the initial infection. Polio occurs naturally only in humans. It is highly infectious, and is spread from person to person either through fecal-oral transmission (e.g. poor hygiene, or by ingestion of food or water contaminated by human feces), or via the oral-oral route. Those who are infected may spread the disease for up to six weeks even if no symptoms are present. The disease may be diagnosed ...
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Walter Kerr
Walter Francis Kerr (July 8, 1913 – October 9, 1996) was an American writer and Broadway theatre critic. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books, generally on the subject of theater and cinema. Biography Kerr was born in Evanston, Illinois, and earned both a B.A. and M.A. from Northwestern University., after graduation from St. George H.S. also in Evanston. He was a regular film critic for the St. George High School newspaper while a student there, and was also a critic for the Evanston News Index. He was the editor of the high school newspaper and yearbook. He taught speech and drama at The Catholic University of America. After writing criticism for ''Commonweal'' he became a theater critic for the ''New York Herald Tribune'' in 1951. When that paper folded, he then began writing theater reviews for ''The New York Times'' in 1966, writing for the next seventeen years. He married Jean ...
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New York Herald Tribune
The ''New York Herald Tribune'' was a newspaper published between 1924 and 1966. It was created in 1924 when Ogden Mills Reid of the ''New-York Tribune'' acquired the ''New York Herald''. It was regarded as a "writer's newspaper" and competed with ''The New York Times'' in the daily morning market. The paper won twelve Pulitzer Prizes during its lifetime. A "Republican paper, a Protestant paper and a paper more representative of the suburbs than the ethnic mix of the city", according to one later reporter, the ''Tribune'' generally did not match the comprehensiveness of ''The New York Times'' coverage. Its national, international and business coverage, however, was generally viewed as among the best in the industry, as was its overall style. At one time or another, the paper's writers included Dorothy Thompson, Red Smith, Roger Kahn, Richard Watts Jr., Homer Bigart, Walter Kerr, Walter Lippmann, St. Clair McKelway, Judith Crist, Dick Schaap, Tom Wolfe, John Steinbeck, and J ...
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John Golden Theatre
The John Golden Theatre, formerly the Theatre Masque and Masque Theater, is a Broadway theater at 252 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the Golden Theatre was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 800 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone. The ground floor, which contains the theater's entrance, is clad in rusticated blocks of terracotta above a granite water table. Above are a set of three double-height arches, as well as two terracotta plaques. The facade is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and a rib-arched ceiling. Due to the theater's small size, it lacks box seats. The balcony, p ...
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