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At Midnight I'll Take Your Soul
''At Midnight I'll Take Your Soul'' ( pt, À Meia-Noite Levarei Sua Alma) is a 1964 Brazilian horror film directed and co-written by José Mojica Marins. Marins stars as Zé do Caixão (known in English-speaking countries as Coffin Joe), an undertaker who believes that he can achieve immortality by having a son, a concept he refers to as "the continuation of blood". The film marks the first appearance of the Coffin Joe character in media. ''At Midnight I'll Take Your Soul'' is the first Brazilian-produced horror film, and the first installment of the "Coffin Joe trilogy". It is followed by ''This Night I'll Possess Your Corpse'' (1967) and ''Embodiment of Evil'' (2008). Plot The film is set in an unnamed Brazilian small town. Zé do Caixão, the local undertaker who disdains religion and emotion and who believes the only thing that matters is the "continuity of the blood" (specifically his own), is looking for the "perfect woman" to bear him a superior child who will be immortal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Mojica Marins
José Mojica Marins (13 March 1936 – 19 February 2020) was a Brazilian filmmaker, actor, composer, screenwriter, and television horror host. Marins is also known for creating and playing the character Coffin Joe (loosely translated from Zé do Caixão) in a series of horror films; the character has since gone on to become his alter ego as well as a pop culture icon, a horror icon, and a cult figure. The popularity of Coffin Joe in Brazil has led to the character being referred to as "Brazil's National Boogeyman" and "Brazil's Freddy Krueger". Born in São Paulo, Marins made his feature film directorial debut the 1950s with the film ''Adventurer's Fate''. He went on to direct the 1964 film ''At Midnight I'll Take Your Soul'', which is considered Brazil's first horror film. ''At Midnight I'll Take Your Soul'' marks the first appearance of the Coffin Joe character, a role that Marins would reprise in ''This Night I'll Possess Your Corpse'' (1967) and ''Embodiment of Evil'' (2008) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Day Of The Dead
The Day of the Dead ( es, Día de Muertos or ''Día de los Muertos'') is a holiday traditionally celebrated on November 1 and 2, though other days, such as October 31 or November 6, may be included depending on the locality. It is widely observed in Mexico, where it largely developed, and is also observed in other places, especially by people of Mexican heritage. Although related to the simultaneous Christian remembrances for Hallowtide, it has a much less solemn tone and is portrayed as a holiday of joyful celebration rather than mourning. The multi-day holiday involves family and friends gathering to pay respects and to remember friends and family members who have died. These celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed. Traditions connected with the holiday include honoring the deceased using calaveras and marigold flowers known as ''cempazúchitl'', building home altars called '' ofrendas'' with the favorite fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holiday Horror Films
Holiday-themed horror films or holiday horror are a subgenre of horror films set during holidays. Holiday horror films can be presented in short or long formats, and typically utilize common themes, images, and motifs from the holidays during which they are set, often as methods by which the villain may murder their victims.Baker, To"10 Ridiculous Holiday Horror Films" What Culture'', 11 December 2014. Film scholars Chris Vander Kaay and Kathleen Fernandez-Vander Kaay explain the subgenre as such: "The expression 'adding insult to injury' is an excellent encapsulation of the motivation behind the horror movie obsession with holidays (aside from the obvious desire to brand a killer with a theme and costume that can be revisited many times within a lucrative film franchise). The holiday is a place for happiness and family... The horror movie loves nothing more than irony (except perhaps a good death scene), and there is very little more ironic than the fear and isolation of a horror m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
