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Asian-American Theatre
Asian American theatre is theatre written, directed or acted by Asian Americans. From initial efforts by four theatre companies in the 1960s, Asian-American theatre has grown to around forty groups today. Early productions often had Asian themes or settings; "yellowface" was a common medium for displaying the perceived exoticism of the East in American performance. With the growing establishment of second-generation Asian-Americans in the 21st century, it is becoming more common today to see Asian-Americans in roles that defy historical stereotypes in the United States. Background Asian-American theatre emerged in the 1960s and the 1970s with the foundation of four theatre companies: East West Players in Los Angeles, Asian American Theatre Workshop (later renamed Asian American Theater Company) in San Francisco, Theatrical Ensemble of Asians (later renamed Northwest Asian American Theatre) in Seattle, and Pan Asian Repertory Theatre in New York City. The Northwest Asian Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southeast Asia
Southeast Asia, also spelled South East Asia and South-East Asia, and also known as Southeastern Asia, South-eastern Asia or SEA, is the geographical United Nations geoscheme for Asia#South-eastern Asia, south-eastern region of Asia, consisting of the regions that are situated south of mainland China, east of the Indian subcontinent, and north-west of mainland Australia. Southeast Asia is bordered to the north by East Asia, to the west by South Asia and the Bay of Bengal, to the east by Oceania and the Pacific Ocean, and to the south by Australia (continent), Australia and the Indian Ocean. Apart from the British Indian Ocean Territory and two out of atolls of Maldives, 26 atolls of Maldives in South Asia, Maritime Southeast Asia is the only other subregion of Asia that lies partly within the Southern Hemisphere. Mainland Southeast Asia is completely in the Northern Hemisphere. East Timor and the southern portion of Indonesia are the only parts that are south of the Equator. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The King And I
''The King and I'' is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel '' Anna and the King of Siam'' (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals. In 1950, theatrical attorney Fanny Holtzmann was looking for a part for her client, veteran leading lady Gertrude Lawrence. Holtzmann realized that Landon's book would provide an ideal vehicle an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Paul, Minnesota
Saint Paul (abbreviated St. Paul) is the List of capitals in the United States, capital of the U.S. state of Minnesota and the county seat of Ramsey County, Minnesota, Ramsey County. Situated on high bluffs overlooking a bend in the Mississippi River, Saint Paul is a regional business hub and the center of Minnesota's government. The Minnesota State Capitol and the state government offices all sit on a hill close to the city's downtown district. One of the oldest cities in Minnesota, Saint Paul has several historic neighborhoods and landmarks, such as the Summit Avenue (St. Paul), Summit Avenue Neighborhood, the James J. Hill House, and the Cathedral of Saint Paul (Minnesota), Cathedral of Saint Paul. Like the adjacent and larger city of Minneapolis, Saint Paul is known for its cold, snowy winters and humid summers. As of the 2021 census estimates, the city's population was 307,193, making it the List of United States cities by population, 67th-largest city in the United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mu Performing Arts
Theater Mu, (Formerly Mu Performing Arts), located in Saint Paul, Minnesota, is an Asian American arts organization in the Midwest, the second largest in the country. According to Mu's website, the company name "Mu" is "the Korean pronunciation of the Chinese character Mu for the shaman-artist-warrior who connects the heavens and the earth through the tree of life." Theater Mu was founded in 1992 by playwright, director, and taiko artist Rick Shiomi, along with Dong-il Lee, Diane Espaldon, and Martha Johnson. Six years later, the organization changed its name to Mu Performing Arts after starting a taiko drumming program known as Mu Daiko. Shiomi served as Artistic Director for 21 years, stepping down in 2013. Randy Reyes took over as Artistic Director, and stepped down in 2018. Organizational changes occurred in 2017 as Mu Daiko transitioned to become a separate non-profit arts organization, TaikoArts Midwest, and Mu reverted to its original name of Theater Mu. Reyes stepped d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lodestone Theatre Ensemble
Lodestone Theatre Ensemble was a non-profit Asian American theatre organization in Los Angeles, founded in 1999. It was a membership-driven organization. The ensemble disbanded in 2009. History In 1995, following the 1992 Los Angeles riots, veteran actor Soon-Tek Oh created the Society of Heritage Performers (SHP), a Korean American theatre ensemble. SHP evolved into Lodestone Theatre Ensemble in 1999, organized by original founders: actors Alexandra Bokyun Chun, Tim Lounibos and Chil Kong, and writer Philip W. Chung. Their new focus was embracing a broader Asian Pacific American identity. Chung and Kong remain as present co- artistic directors. In 2009, Kong appeared on the GSN game show, Catch 21, starring Alfonso Ribeiro and Mikki Padilla, finishing in second place. Programs Lodestone Theatre Ensemble has presented over 75 mainstage productions, special events, and readings/workshops of both new and established works. New works are presented in the "Yellow Box" rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma-Yi Theater Company
Ma-Yi Theater Company is a professional, not-for-profit, Obie Award and Drama Desk Award-winning theater company based in New York City that was founded in 1989. Ma-Yi Theater is headed by executive director Jorge Ortoll and artistic director Ralph Peña. Some of its recent notable productions include: * Lonnie Carter's '' The Romance of Magno Rubio'' * Ralph Pena's ''Flipzoids'' *Qui Nguyen's ''Soul Samurai'' and ''Agent G''. *Michi Barall's ''Rescue Me: A postmodern classic with snacks'' * Michael Lew's ''Microcrisis'', ''Bike America'' and ''Teenage Dick.'' *Carla Ching's ''Sugar House'' *Jason Kim, Helen Park, and Max Vernon's ''KPOP,'' produced with Ars Nova and Woodshed Collective. *Lloyd Suh's ''Children of Vonderly'', ''American Hwangap,'' co-produced with The Play Company, ''Jesus in India,'' and ''The Chinese Lady.'' *Hansol Jung's '' Among the Dead'' In 2006, Ma-Yi Theater Company's production of Warren Leight's ''No Foreigners Beyond This Point'' received a Drama De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tisa Chang
Tisa Chang (born April 5, 1941) is a Chinese-American actress and theatre director born in Chongqing. Her father, Ping-Hsun Chang, was a diplomat, and her family moved from China to New York City when she was a child. Chang was interested in theatre and began studying acting in high school, at the High School of Performing Arts, then at Barnard College. Soon after finishing college, she started her career as an actor performing in Broadway plays and musicals, including ''Lovely Ladies, Kind Gentlemen'' and ''The Basic Training of Pavlo Hummel''. She also appeared in a few films, including '' Ambush Bay'' and ''Greetings''. Chang began directing theatre in 1973, when she began working at La MaMa Experimental Theatre Club. With money earned from her Broadway acting, she established the Pan Asian Repertory Theatre in 1977. Her intention in creating the group was to popularize Asian-American theater and to create opportunities for Asian Americans to find nonstereotypical roles. Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off-Off-Broadway
Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit. History The off-off-Broadway movement began in 1958 as a "complete rejection of commercial theatre". Michael Smith gives credit for the term's coinage to Jerry Tallmer in 1960. Among the first venues for what would soon be called "off-off-Broadway" theatre were coffeehouses in Greenwich Village, particularly the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Exclusion Act
The Chinese Exclusion Act was a United States federal law signed by President Chester A. Arthur on May 6, 1882, prohibiting all immigration of Chinese laborers for 10 years. The law excluded merchants, teachers, students, travelers, and diplomats. Building on the earlier Page Act of 1875, which banned Chinese women from migrating to the United States, the Chinese Exclusion Act was the only law ever implemented to prevent all members of a specific ethnic or national group from immigrating to the United States. Passage of the law was preceded by growing anti-Chinese sentiment and anti-Chinese violence, as well as various policies targeting Chinese migrants. The act followed the Angell Treaty of 1880, a set of revisions to the U.S.–China Burlingame Treaty of 1868 that allowed the U.S. to suspend Chinese immigration. The act was initially intended to last for 10 years, but was renewed and strengthened in 1892 with the Geary Act and made permanent in 1902. These laws attempted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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