|
As Time Goes By (Bryan Ferry Album)
''As Time Goes By'' is the tenth studio album by English singer Bryan Ferry, first released in Japan on 14 October 1999 and then in the UK on 25 October by Virgin Records. Consisting of cover versions of popular songs and jazz standards, the album was co-produced by Ferry with Rhett Davies, who had worked with Ferry since his days with Roxy Music. It peaked at number 16 on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI), denoting shipments in excess of 100,000 copies. Critical reception Stephen Thomas Erlewine of AllMusic wrote of the album: "On the surface, it may seem like a departure for Ferry, but in the end, it's entirely of a piece with his body of work. True, it may not be a major album in the scheme of things, but it's easy to be seduced by its casual elegance." Keith Phipps of '' The A.V. Club'' commented that "the results are both predictable and thrilling, musically tasteful but as emotionally raw as good manners will allow." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bryan Ferry
Bryan Ferry Order of the British Empire, CBE (born 26 September 1945) is an English singer and songwriter. His voice has been described as an "elegant, seductive croon". He also established a distinctive image and sartorial style: according to ''The Independent'', Ferry and his contemporary David Bowie influenced a generation with both their music and their appearances. Peter York described Ferry as "an art object" who "should hang in the Tate". Born to a working-class family, Ferry studied fine art and taught at a secondary school before pursuing a career in music. In 1970 he began to assemble the rock band Roxy Music with a group of friends and acquaintances in London, and took the role of lead singer and main songwriter. The band achieved immediate international success with the release of their eponymous debut album in 1972, containing a rich multitude of sounds, which reflected Ferry's interest in exploring different genres of music. Their second album, ''For Your Pleasure'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodgers And Hart
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.Rodgers and Hart Biography Guide to Musical Theatre, accessed April 5, 2009 History Richard Rodgers and Lorenz Hart were introduced in 1919; Rodgers was still in high school while Hart had already graduated from . Their first collaboration together was at Columbia, and resulted in the 1920 |
Where Or When
"Where or When" is a show tune from the 1937 Rodgers and Hart musical ''Babes in Arms''. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of ''Babes in Arms'' two years later. Babes in Arms "Where or When" is the first number to appear in the original Broadway production of ''Babes in Arms''. The musical opens in Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. MGM bought t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm In The Mood For Love
"I'm in the Mood for Love" is a popular music, popular song published in 1935 in music, 1935. The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields. The song was introduced by Frances Langford in the movie ''Every Night at Eight'' released 1935 in film, that year. It became Langford's signature song. Bob Hope, who frequently worked with Langford entertaining troops in World War II, later wrote that her performance of the song was often a show-stopper. History Other popular recordings in 1935 were by Jack Little (songwriter), Little Jack Little, Louis Armstrong and Leo Reisman, Leo Reisman and his Orchestra with vocals by Frank Luther. The song was in the 1936 ''Our Gang'' (''Little Rascals'') short film ''The Pinch Singer'' where it was performed by Darla Hood and Carl "Alfalfa" Switzer (on separate occasions). Switzer also performed the song in the 1936 film Palm Springs (1936 film), ''Palm Springs''. In a 1954 episode of ''The Spike Jones Show'', Billy Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Living (song)
"Easy Living" (1937) is a jazz standard written by Ralph Rainger and lyrics by Leo Robin for the film '' Easy Living'' where it was the main theme of the score but not sung. A popular recording in 1937 was by Teddy Wilson with Billie Holiday, Benny Goodman, and Lester Young. A multitude of other artists have also recorded the song. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... References {{DEFAULTSORT:Easy Living (song) 1937 songs 1930s jazz standards Songs with lyrics by Leo Robin Songs with music by Ralph Rainger Billie Holiday songs The Coasters songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_TopPop_1973_2_(crop).png "Click for more on -> Bryan Ferry")
