Arts De Seconde Rhétorique
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Arts De Seconde Rhétorique
The term ''la seconde rhétorique'' (French for "second rhetoric") came into use in the fifteenth century as a description of secular, vernacular verse in France. The term embodied these three characteristics in opposition to (i) ''la première rhétorique'', that is, prose; (ii) to writing in medieval Latin; and (iii) to the writings of the clergy (''clercs''). The earliest vernacular treatise on poetry in France was the prologue written by Guillaume de Machaut for publication of his complete works (1370s), but the earliest that is one of the traditional ''Arts de seconde rhétorique'' is ''L'art de dictier'' by Eustache Deschamps (1392). Several examples of ''Arts de la seconde rhétorique'' followed: *''Des rimes'' by Jacques Legrand (1405) *''Les règles de la seconde rhétorique'' (1411–32) *''Le doctrinal de la seconde rhétorique'' by Baudet Harenc (1432) *''Traité de l'art de rhétorique'' (1450?) *''L'art de rhétorique'' by Jean Molinet Jean Molinet (1435 – 2 ...
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Prose
Prose is a form of written or spoken language that follows the natural flow of speech, uses a language's ordinary grammatical structures, or follows the conventions of formal academic writing. It differs from most traditional poetry, where the form consists of verse (writing in lines) based on rhythmic metre or rhyme. The word "prose" first appears in English in the 14th century. It is derived from the Old French ''prose'', which in turn originates in the Latin expression ''prosa oratio'' (literally, straightforward or direct speech). Works of philosophy, history, economics, etc., journalism, and most fiction (an exception is the verse novel), are examples of works written in prose. Developments in twentieth century literature, including free verse, concrete poetry, and prose poetry, have led to the idea of poetry and prose as two ends on a spectrum rather than firmly distinct from each other. The British poet T. S. Eliot noted, whereas "the distinction between verse and pro ...
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