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Art Collection Of Fondazione Cassa Di Risparmio Di Perugia
The Art Collection of the Fondazione Cassa di Risparmio di Perugia is a private collection of artworks, mainly from the region of Perugia, acquired by former financial institution Cassa di Risparmio di Perugia. In 1992, after the passage of the , the collection was transferred from the bank to the Fondazione Cassa di Risparmio di Perugia, also known as the Fondazione Perugia. The collection is divided among two locations in the city of Perugia: the ''Palazzo Graziani'' and the ''Palazzo Baldeschi''. The ''Palazzo Graziani'' (1554–1569) was designed by Jacopo Barozzi, Jacopo Barozzi da Vignola. The building is also notable for its sumptuous main salon, the ''Sala della Presidenza'', which was decorated at the end of the 19th century with large canvases and frescoes painted by Annibale Brugnoli, recalling both events of the Risorgimento and the history of Perugia. The ''Palazzo Baldeschi al Corso'' (16th century, named after the noble family descended from Baldus de Ubaldis) was obt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the University, universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners Perugia, University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Domenico Cerrini
Giovanni Domenico Cerrini (1609–1681), also called ''Gian Domenico Cerrini'' or ''il Cavalier Perugino'', was a painter of the Baroque period, born in Perugia and active mainly in Rome and influenced in large part by painters of the Bolognese School. Biography Cerrini initially apprenticed under Giovanni Antonio Scaramuccia, then in 1638 moved into the Roman studio of Guido Reni. He was anyway strongly influenced also by Lanfranco, Guercino, Domenichino and Andrea Sacchi. He was patronized by the family of Cardinal Bernardino Spada. Cardinal Giulio Rospigliosi gave him the commission to decorate the cupola of Santa Maria della Vittoria (1654–1655). Paintings of his can be found in many of the churches of Rome, where he died, including Santa Maria in Traspontina, San Carlino alle Quattro Fontane, Santa Maria in Vallicella, San Carlo ai Catinari, Santissimo Sudario dei Piemontesi, Sant'Isidoro, as well as in Galleria Colonna, Palazzo Spada, and the Palazzo Corsini ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Umbria
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Vannucci
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Ramenghi
Bartolomeo Ramenghi (1484–1542), also called ''Bagnacavallo'', ''il Bagnacavallo'' or ''il Baruffaldi'', was an Italian painter of the Renaissance, active in Emilia-Romagna. He received the nickname, Bagnacavallo, from the village Bagnacavallo where he was born. He studied first under Francesco Francia and Lorenzo Costa. He then proceeded to Rome, where he became a pupil of Raphael. While studying under him he worked along with many others at the decoration of the gallery in the Vatican, though it is not known which portions are his work. He became a prominent local artist on his return to Bologna. His works were later highly esteemed by Guido Reni and the Carracci. Among his works made in Bologna were a ''Dispute of St Augustine'' and a ''Madonna and Child''. He died in Bologna. One of his pupils was Cesare Aretusi and another was his own son Giovanni Battista Ramenghi Giovanni Battista Ramenghi (1521, Bologna - 1601, Bologna) was an Italian painter. He is sometimes known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Pellegrini
Vincenzo Pellegrini (1575–1612) was an Italian painter of the late-Renaissance and Baroque periods, born at Perugia. He was a follower of Federico Barocci Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and inf ... by Galleria Nazionale dell'Umbria, (1903) page 65. References 1575 births 1612 deaths[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gualdo Tadino
Gualdo Tadino (Latin: ''Tadinum'') is an ancient town of Italy, in the province of Perugia in northeastern Umbria, on the lower flanks of Monte Penna, a mountain of the Apennines. It is NE of Perugia. History Gualdo has a long history and was originally an Umbrian village known as Tarsina. Conquered by the Romans in 266 BC and re-christened Tadinum, it was a station on the Via Flaminia. In 217 BC it was destroyed by Hannibal's troops. A similar defeat was inflicted on it in 47 BC by Julius Caesar and in 410 AD by Alaric's Visigoths. In 552, the Byzantine general Narses briefly restored Italy to the empire by defeating the Ostrogoth king Baduila in what is now known as the Battle of Taginae, the exact site of which is not known, but thought by most scholars to be a few kilometers from the town, in the plain to the west at a place called Taino. This suspicion may have received confirmation in 2004. The ancient city survived that war, only to be destroyed in a later war at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avanzino Nucci
Avanzino Nucci (c. 1552–1629) was an Italian painter of the late-Renaissance period. Biography He was born in Gubbio and died in Rome. He trained with Niccolò Circignani (il Pomarancio). Bernardino Gagliardi was one of his pupils. His paintings can be found in the Roman churches of San Rocco all'Augusteo, San Silvestro al Quirinale, and San Paolo fuora le Mura. Some more paintings dated 1596 are in the portico of the former Carthusian Monastery and now museum of San Martino in Naples. They depict the ''Foundation of the Carthusian order by St Bruno of Cologne'', the ''Approval of the order by the Pope Urban II'' and the ''Meeting of the Saint with the Norman king Roger I of Sicily''. He is said to have painted in the church of the Annunziata (1627) and in the church of San Benedetto (1620) in Gualdo Tadino Gualdo Tadino (Latin: ''Tadinum'') is an ancient town of Italy, in the province of Perugia in northeastern Umbria, on the lower flanks of Monte Penna, a mountain of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veduta
A ''veduta'' (Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's ''View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessio De Marchis
Alessio de Marchis or ''il Marchis'' (Naples, 1684–1752, Perugia) was an Italian painter of the early 18th century, active mainly in Rome and Urbino, mainly as a landscape painter. Alessio was born in Naples, and was known to be active in 1710. He painted in the Palazzo Ruspoli and the Palazzo Albani in Rome. He was said to have been excellent at depictions of fires, and in attempting to paint one from nature, set up a damaging conflagration. For this, he apparently was sentenced to years as a galley slave, until he was pardoned under Pope Clement XI, for whom Alessio painted many canvases of perspective, landscape, and marinescapes. He was said to have been influenced by Salvatore Rosa and Claude Lorraine. His son was also a landscape artist. Sources *Two attributed works at Pinacoteca Fortunato Duranti Paintingsat Fondazione Cassa di Risparmio di Perugia Banca dell'Umbria 1462 S.p.A. or previously known as Cassa di Risparmio di Perugia was an Italian savings bank. The bank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Di Liberatore
Niccolò is an Italian male given name, derived from the Greek Nikolaos meaning "Victor of people" or "People's champion". There are several male variations of the name: Nicolò, Niccolò, Nicolas, and Nicola. The female equivalent is Nicole. The female diminutive Nicoletta is used although seldom. Rarely, the letter "C" can be followed by a "H" (ex. Nicholas). As the letter "K" is not part of the Italian alphabet, versions where "C" is replaced by "K" are even rarer. People with the name include: In literature: * Niccolò Ammaniti, Italian writer * Niccolò Machiavelli, political philosopher, musician, poet, and romantic comedic playwright * Niccolò Massa, Italian anatomist who wrote an early anatomy text ''Anatomiae Libri Introductorius'' in 1536 In music: * Niccolò Castiglioni, Italian composer and pianist * Niccolò da Perugia, Italian composer of the trecento * Niccolò Jommelli, Italian composer * Niccolò Paganini, Italian violinist, violist, guitarist and composer * Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Da Gualdo
Matteo da Gualdo or Matteo di Pietro di Ser Bernardo (Gualdo Tadino, circa 1435-1440 - 1507) was an Italian painter, active in Gualdo Tadino, Nocera Umbra, and Assisi. Biography He likely trained under the painter from Foligno, Bartolomeo di Tommaso, and Girolamo di Giovanni di Camerino. He was influenced by Piero della Francesca, Andrea Mantegna, and Niccolò di Liberatore. In 1462, he painted the polyptych of ''Santa Margherita''; and in 1471, a triptych: both now in the Rocca Flea Museo Civico. He painted an ''Encounter of a young St John the Baptist with St Anne'' now found at the Pinacoteca of Nocera Umbra. His son Girolamo and grandson also became painters. biography. Gallery [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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