|
Armoured Train 14-69
''Armoured Train 14–69'' (russian: Бронепоезд 14–69, translit=Bronepoezd 14–69) is a 1927 Soviet play by Vsevolod Ivanov. Based on his 1922 novel of the same name, it was the first play that he wrote and remains his most important. In creating his adaptation, Ivanov transformed the passive protagonist of his novel into an active exponent of proletarian ideals; the play charts his journey from political indifference to Bolshevik heroism. Set in Eastern Siberia during the Civil War, it dramatises the capture of ammunition from a counter-revolutionary armoured train by a group of partisans led by a peasant farmer, Nikolai Vershinin. It is a four-act play in eight scenes that features almost 50 characters; crowd scenes form a prominent part of its episodic dramatic structure. Near the end of the play a Chinese revolutionary, Hsing Ping-wu, lies down on the railway tracks to force the armoured train to stop.Rayfield (2000, 246). Characters * Nikolai Vershinin, a pea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Khmelev
Nikolai Pavlovich Khmelyov russian: Николай Павлович Хмелёв, — 1 November 1945) was a Soviet and Russian stage and film actor, theater director and pedagogue, associated with the Moscow Art Theatre and later the Yermolova Theatre. Biography Nikolai Khmelyov was born in Sormovo, Nizhny Novgorod, to a working-class family. "A man who was highly ambitious, always dissatisfied with himself and difficult to contact with," he joined the MAT's Second Studio in 1919, soon to become "one of the most intriguing figures of the 'second generation' of MAT actors," according to the theatre historian Inna Solovyova. He excelled in the parts of Tsar Fyodor in ''Tsar Fyodor Ioannovich'' by Aleksey Tolstoy (1935), Karenin in ''Anna Karenina'' (1937), Tuzenbach in '' Three Sisters'' by Anton Chekhov (1940), but before that as Alexey Turbin in '' The Days of the Turbins'' by Mikhail Bulgakov, which brought him critical recognition and fame in 1926. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character (arts)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenic Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Simov
Viktor Andreyevich Simov (Russian: Виктор Андреевич Симов, 14 April 1858, Moscow - 21 August 1935, Moscow) was a Russian painter and scenographer. Biography He graduated from the Moscow School of Painting, Sculpture and Architecture in 1882. From 1885 to 1886, he worked as a decorator for Savva Mamontov, at his Private Opera. He also created some paintings and lithographs. In 1896, he held a joint exhibition, with Isaac Levitan and , in Odessa. In 1898, he decided to devote his career to working with the newly founded Moscow Art Theatre, where he would create designs for fifty-one performances and earn the admiration of the iconic actor, Konstantin Stanislavski.''Большая советская энциклопедия'' (Great Soviet Encyclopedia). B. A. Vvedensky (Ed.) 2nd ed., Vol.39. Сигишоара — Соки. 1956. Simov not only created a new aesthetic for set design, he was also involved with ideological interpretations of the material, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Batalov
Nikolai Petrovich Batalov (russian: Николай Петрович Баталов; 6 December 1899 in Moscow – 10 November 1937 in Moscow) was a Soviet and Russian stage and film actor. He performed in a number of notable films between 1924 and 1931. He was awarded the title Merited Artist of the Russian Federation in 1933. He married People's Artist of the USSR Olga Androvskaya in 1921. He was actor Aleksei Batalov's uncle. Life and career Batalov joined the Second Studio of the Moscow Art Theater in 1916 and became a member of the theater’s main troupe in 1924. Batalov’s film debut was the supporting role of Red Army private Gusev in Yakov Protazanov’s science fiction film ''Aelita'' (1924). Batalov gained international recognition as the heroic worker Pavel Vlasov in Vsevolod Pudovkin’s ''Mother'' (1926). In Abram Room’s controversial social drama ''Bed and Sofa'' (1927) played a more humorous character. The film was a fictionalized account of the relationship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Knipper
Olga Leonardovna Knipper-Chekhova (russian: Ольга Леонардовна Книппер-Чехова, link=no; – 22 March 1959) was a Russian and Soviet stage actress. She was married to Anton Chekhov. Knipper was among the 39 original members of the Moscow Art Theatre when it was formed by Konstantin Stanislavski in 1898. She played Arkadina in ''The Seagull'' (1898), played Elena in the Moscow premiere of ''Uncle Vanya'' (1899), and was the first to play Masha in '' Three Sisters'' (1901) and Madame Ranevskaya in ''The Cherry Orchard'' (1904). She married Anton Chekhov, the author of these plays, in 1901. She played Ranevskaya again in 1943, when the theatre marked the 300th performance of ''The Cherry Orchard''. Early life Knipper was born on in Glazov to Austrian-born Leonhardt August Knipper and Russian Anna Ivanovna von Saltza of Baltic German descent. Though both of her parents were of German origin, her father claimed Russia as their family heritage. Aroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasili Kachalov
Vasily Ivanovich Kachalov (russian: Василий Иванович Качалов; – 30 September 1948), was one of Russia's most renowned actors. He worked closely and often with Konstantin Stanislavski. He led the so-called Kachalov Group within the Moscow Art Theatre. It was Kachalov who played Hamlet in the Symbolist production of 1911. His father was Ivan Shverubovich, a Belarusian Orthodox priest from Vilnius. His schoolmates at Vilnius Gymnasium included Felix Dzerzhinsky and Konstantinas Galkauskas. In 1896, he left the law department of Saint Petersburg University in order to pursue an acting career. After four years of touring the Russian provinces and a brief stint at the Suvorin Theatre, Kachalov made his debut at the Moscow Art Theatre as Tsar Berendey in ''The Snow Maiden'' (spring 1900). The snow maiden was played by Stanislavski's wife, Maria Lilina, who fell in love with Kachalov; she described their affair as "a touch of private happiness".Maria Ignatie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rehearsal
A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term ''rehearsal'' typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called ''practising'', but when they practice it with an orchestra, this is called a ''rehearsal''. The music rehearsal takes place in a music rehearsal space. A rehearsal may involve as few as two people, as with a small play for two actors, an art song by a singer and pianist or a folk duo of a singer and guitarist. On the other end of the spectrum, a rehearsal can be held for a very large orchestra with over 100 performers and a choir. A rehearsal can involve only perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Litovtseva
Nina Nikolayevna Levestamm (russian: Нина Николаевна Левестамм, 12 January 1878 – 8 April 1956) was a Russian and Soviet stage actress, associated with Moscow Art Theatre, known under her stage name Litovtseva (russian: Литовцева). Actor Vasily Kachalov was her husband. Biography After the graduation from the Philharmonic Institute, where she studied under Vladimir Nemirovich-Danchenko, Litovtseva joined the Mikhail Borodai Troupe and for several years worked in the Russian province, mostly in Kazan, Saratov and Astrakhan. In 1900 she married Vasily Kachalov in Kislovodsk, and a year later was invited to join the MAT troupe, soon after he did.Нина Николаевна Литовцева Biography at the Moscow Art Theatre site (Russian) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilya Sudakov
Ilya, Iliya, Ilia, Ilja, or Ilija (russian: Илья́, Il'ja, , or russian: Илия́, Ilija, ; uk, Ілля́, Illia, ; be, Ілья́, Iĺja ) is the East Slavic form of the male Hebrew name Eliyahu (Eliahu), meaning "My God is Yahu/ Jah." It comes from the Byzantine Greek pronunciation of the vocative (Ilía) of the Greek Elias (Ηλίας, Ilías). It is pronounced with stress on the second syllable. The diminutive form is Iliusha or Iliushen'ka. The Russian patronymic for a son of Ilya is " Ilyich", and a daughter is "Ilyinichna". People with the name Real people *Ilya (Archbishop of Novgorod) Ilya of Novgorod, also known as Ioann (John) of Novgorod (russian: Иоанн Новгородский, his name upon entering the Great Schema and the name by which he is known in Russian Orthodox hagiography), was Archbishop of Novgorod from 1165 ..., 12th-century Russian Orthodox cleric and saint *Ilya I. Alekseyev, Ilya Ivanovitch Alekseyev (1772–1830), commander of the Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and opene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
October Revolution
The October Revolution,. officially known as the Great October Socialist Revolution. in the Soviet Union, also known as the Bolshevik Revolution, was a revolution in Russia led by the Bolshevik Party of Vladimir Lenin that was a key moment in the larger Russian Revolution of 1917–1923. It was the second revolutionary change of government in Russia in 1917. It took place through an armed insurrection in Petrograd (now Saint Petersburg) on . It was the precipitating event of the Russian Civil War. The October Revolution followed and capitalized on the February Revolution earlier that year, which had overthrown the Tsarist autocracy, resulting in a liberal provisional government. The provisional government had taken power after being proclaimed by Grand Duke Michael, Tsar Nicholas II's younger brother, who declined to take power after the Tsar stepped down. During this time, urban workers began to organize into councils (soviets) wherein revolutionaries criticized the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
