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Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist, and also Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney but the success of his play ''Les Finacés'', in 1808, caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium, leaving military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, with Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. Managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a political, literary and moral newspaper from 15 September 1815 to 5 May 1816 and collaborated with ''La Foudre'' by Alphonse de Beauchamp. His plays were presented on some of the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaurains
Beaurains () is a commune in the Pas-de-Calais department in the Hauts-de-France region in northern France. Geography A suburban town located 3 miles (5 km) south of Arras at the junction of the N17 with the D5 road. History The first church here was built in 674. In the 12th century, the parish council created an important leprosarium that treated Jean Bodel, a French poet. On 21 December 1922, a large treasure was discovered dating from the Roman era. Known as the Beaurains Treasure, much was squandered and the little that remains is now at Arras. However, a silver candelabra, gold coins and some jewellery from the treasure are also in the British Museum. The commune was all but destroyed during the First World War. Population Sights * The church of St. Martin, rebuilt after 1918, along with the rest of the village * Vestiges of an old castle * Two First World War cemeteries * The Commonwealth War Graves Commission Visitor Center (CWGC Experience) inaugurated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-Pierre-Charles Favart
Antoine-Pierre-Charles Favart (6 October 1780 – 28 March 1867) was a 19th-century French playwright, painter, engraver and diplomat. Biography Favart was born in Paris in 1784. He was the grandson of Charles-Simon Favart and Marie Justine Benoite Duronceray, a celebrated actress of her time. Favart's father, Charles Nicolas Joseph Favart, was also a dramatist and an actor. Favart's works were published, his own plays were presented at Théâtre du Vaudeville. He also participated as costume designer to other boulevard plays such as ''Le sultan du Havre'' by Armand d'Artois and Henri Dupin (1810). Favart also edited his grandfather's ''Memoires''. He entered the French diplomatic service, where he gained some distinction. He became a consul of France in Russia, secretary of the Duke of Caraman and the Duke de Polignac, in charge of diplomatic missions, he established ties with the playwright and poet Aleksey Konstantinovich Tolstoy of whom he made an oil portrait in 1846 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Féerie
''Féerie'', sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Nicolas Balisson De Rougemont
Michel-Nicolas Balisson, baron de Rougemont (27 February 1781 - 16 July 1840), was a French journalist, novelist and dramatist. Biography His family comes from Sourdeval, in Normandy. He invented the ''mot de Cambronne''.Jacques Logie, Waterloo: l'évitable défaite, Duculot, 1984, p. 144 Theatre Rougemont has authored numerous plays, alone or in collaboration. the most importants are : *''Chantons et facéties'' ; *''L’lngénue de Brive-la-Gaillarde'' ; *''Mademoiselle Musard'' ; * 1803 : ''L’Amour à l’anglaise'' ; * 1806 : ''Le Mari supposé'' ; * 1808 : ''Monsieur et Madame Denis'' ; * 1810 : ''Sophie, ou la Nouvelle Cendrillon'' ; * 1811 : ''La Femme innocente, malheureuse et persécutée'' ; * 1811 : ''La Rosière de Verneuil'' ; * 1812 : ''La Matrimonio-manie'' ; * 1821 : ''Le Rôdeur français'' ; * 1820 : ''Le Mariage du ci-devant jeune homme'' ; * 1821 : ''Les Ermites'' comédie-vaudeville in 1 act by Edmond Crosnier, Aimé Desprez and Michel-Nicola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also *Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Désaugiers
Marc-Antoine Désaugiers (1742 – 10 September 1793) was a French composer of numerous operas as well as a cantata on the storming of the Bastille and several pieces of sacred music. He was born in Fréjus. He studied music there but was largely an autodidact. Désaugiers settled in Paris in 1774 where he first came to prominence with his French translation of Giovanni Battista Mancini's ''Pensieri e riflessioni pratiche sopra il canto figurato''. His translation, published in 1776 under the title ''L'Art du chant figuré'', was much admired by Gluck who became his close friend. Désaugiers died in Paris. His son, Marc-Antoine Madeleine Désaugiers Marc-Antoine Madeleine Désaugiers (17 November 1772 – 9 August 1827) was a French composer, dramatist, and songwriter. Désaugiers is easily confused in historical writings with his father, Marc-Antoine Désaugiers (b. Fréjus, 1742 – d. Pari ... was also a composer. References 1742 births 1793 deaths People from Fréjus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ledoux
Paul Ledoux (8 August 1914 – 6 October 1988) was a Belgian astrophysicist best known for his work on stellar stability and variability. With Theodore Walraven, he co-authored a seminal work on stellar oscillations. In 1964 Ledoux was awarded the Francqui Prize for Exact Sciences, and was awarded the Eddington Medal of the Royal Astronomical Society in 1972 for investigations into problems of stellar stability and variable stars. He was awarded the Janssen Medal of the French Academy of Sciences in 1976. Ledoux criterion In stellar astrophysics, Ledoux's name is now associated with the criterion under which material in a star becomes unstable to convection in the presence of a gradient of chemical composition. In homogeneous material, the Schwarzschild criterion Discovered by Karl Schwarzschild,Karl Schwarzschild, Gesammelte Werke: Collected Works, Page 14, the Schwarzschild criterion is a criterion in astrophysics where a stellar medium is stable against convecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fulgence De Bury
Fulgence de Bury, real name: Joseph Désiré Fulgence de Bury (1 March 1785 – 23 June 1845) was a 19th-century French playwright. A civil servant in the administration, he became known under the pen name Fulgence. His theatre plays were presented on the most important Parisian stages including the Théâtre du Palais-Royal, the Opéra-Comique, the Théâtre de l'Odéon, the Théâtre du Gymnase, and the Théâtre des Variétés. Works *1815: ''Turenne, ou Un trait de modestie'', historical comédie en vaudeville in 1 act, with Achille d'Artois *1816: ''La Bataille de Denain'', opéra comique in 3 acts, with Armand d'Artois and Emmanuel Théaulon *1819: ''Un moment d'imprudence'', comedy in 3 acts *1819: ''Le Moulin de Bayard'', historical vaudeville in 1 act, with Marc-Michel and Charles Nombret Saint-Laurent *1820: ''L'Autre Henri, ou l'An 1880'', comedy in 3 acts, in prose, with Théaulon and Pierre Capelle *1820: ''L'Invisible, ou la Curiosité d'une veuve'', comà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Brazier
Nicolas Brazier (17 February 1783, Paris - 18 February 1838) was a French chansonnier and vaudevillist. Life Son of a boarding school master and author of school manuals, Brazier's education was however strongly neglected due to the French Revolution. At first a jeweller's apprentice, then employed in the "Droits réunis" (the French indirect taxes administration of the time), he showed a talent for verse and was encouraged and guided by Armand Gouffé. Following his first success at the Théâtre des Délassements-Comiques, in 1803, he left his job to devote himself to chansons and to the theatre, following courses at school to fill in the gaps in his education. His witty, spirited and lively chansons often proved popular, though the vulgarity of his style has led to them being forgotten. The Société du Caveau keeps their memory alive. Brazier collaborated on over 200 witty vaudeville pieces, above all on the couplets. His collaborators included Dumersan, Désaugiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
