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Ark Of Sant'Apollonio
The Ark of Sant'Apollonio is a funerary monument in marble by Gasparo Cairano. Dated between 1508 and 1510, it is located in the third chapel on the right of the southern nave of the New Cathedral, Brescia. History On 5 January 1503, the discovery of the relics of Sant'Apollonio of Brescia, Sant'Apollonio, the fourth bishop of Brescia, in the Basilica of San Pietro de Dom was officially announced. The discovery had likely been made in September 1502 with the finding of documentation of works in his named chapel. The same day, the General Council of the city decided unanimously to provide a worthy emplacement for the remains of the saint, in agreement with diocesan authorities and the cathedral. In June, another resolution of the General Council was made, bidding the College of Notaries to finance the new ark. However, the funds were not immediately committed, most likely because the notaries had had trouble to raise the funds. Another order from the Council dates to 1506, ordering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gasparo Cairano
Gasparo Cairano, also known as Gasparo da Cairano, de Cayrano, da Milano, Coirano,This variant is not present in historical sources and was introduced in 1963 by Adriano Peroni (see Peroni, pp. 619–887), and accepted as canonical by later researchers (see Zani 2010, p.102, note 85) and other variations (born Milan or Pieve del Cairo or Cairate,See note in Boselli, p. 289, regarding a Brescian document of March 1531, where a mention is made of Gasparo's firstborn as ''Simone q. Gasparis de Chayrate de Mediolano'' before 1489Since the first document attesting the existence of the artist is the payment for a work in 1489, the date of birth may be traced back at least two decades before. – Brescia, died before 1517),Declared dead in this year by his widow Bianca (see Zani 2010, p. 102, note 85) was an Italian sculptor of the Renaissance. The artist emerged in 1489 as part of the cultural world of Milan, beginning a successful career that turned him into a leading exponent of Renai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Brognoli
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter * Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter * Paolo Grilli (1857–1952), Italian sculptor and painter * Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter * Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter * Paolo Gerolamo Piola (1666–1724), Italian painter * Paolo Porpora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Sculptures
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Cosma E Damiano, Brescia
Santi Cosma e Damiano is a church in central Brescia, a region of Lombardy, Italy. History Of the 12th-century Romanesque construction, only the bell-tower remains; the present facade and interiors mainly date to a reconstruction in the 18th century. The main altar (18th century) in polychrome marble has statues by Antonio Callegari and altarpiece by Giambettino Cignaroli Giambettino Cignaroli (Verona, July 4, 1706 – Verona, December 1, 1770) was an Italian painter of the Rococo and early Neoclassic period. Biography He was a pupil of Santo Prunato and Antonio Balestra and active mostly in the area of th ... and a 16th-century '' Ark of San Tiziano''. Adjacent to the church is a 15th-century cloister. In 1923, at the instigation of a local poet Angelo Canossi, the names of the Italians who died in the war were inscribed in the columns. References {{DEFAULTSORT:Cosma e Damiano Brescia Churches in the province of Brescia Buildings and structures in Brescia R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ark Of San Tiziano
The Ark of San Tiziano is a marble tomb attributed to the Sanmicheli studio. Finished in 1505, it is located in the Church of the Saints Cosma and Damiano in Brescia, in the chapel dedicated to these saints. History San Tiziano, bishop of Brescia between 526–540, was initially buried in the old church of the Saints Cosma and Damiano, which stood until the end of the thirteenth century in front of the Brolleto. In 1298, at the behest of Berardo Maggi and as part of the expansion of the public palazzo, the church and the attached nunnery were demolished to create an urban space west of the Broletto, which currently constitutes the northern end of the Piazza del Duomo. The church and the nunnery were built at the western edge of the inhabited centre of the city, but within the city walls built by Alberico da Gambara between 1237-1239. At this time, the bishop's relics were either lost or forgotten, and thus not transferred to the new building. In 1490, during the episcopate of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Sanmicheli
Michele Sanmicheli (also spelled ''Sanmmicheli'', ''Sanmichele'' or ''Sammichele'') (1484–1559), was a Venetian architect and urban planner of Mannerist-style, among the greatest of his era. A tireless worker, he was in charge of designing buildings and religious buildings of great value. Hired by the ''Serenissima'' as a military architect, he designed also numerous fortifications in the extensive Venetian Empire, thus ensuring a great reputation. In fact, not only in Italy, where you can find his works in Venice, Verona, Bergamo and Brescia, he worked also in Dalmatia, Zadar (Zara), Šibenik, Crete and Corfu. He was probably the only practicing Venetian architect of the sixteenth century to have had the opportunity to study Greek architecture, a possible source of inspiration for the use of Doric columns without bases. Biography Sanmicheli was born in San Michele, a quarter of Verona, which at the time was part of the Venetian '' Terra ferma''. He learnt the elements of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mausoleum Of Martinengo
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from Greek μαυσωλείον) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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