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Ariwara No Narihira
was a Japanese courtier and ''waka'' poet of the early Heian period. He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the ''Ogura Hyakunin Isshu'' collection. He is also known as Zai Go-Chūjō, Zai Go, Zai Chūjō or Mukashi-Otoko. There are 87 poems attributed to Narihira in court anthologies, though some attributions are dubious. Narihira's poems are exceptionally ambiguous; the compilers of the 10th-century ''Kokin Wakashū'' thus treated them to relatively long headnotes. Narihira's many renowned love affairs have exerted a profound influence on later Japanese culture. Legends have held that he had affairs with the high priestess of the Ise Grand Shrine and the poet Ono no Komachi, and that he fathered Emperor Yōzei. His love affairs inspired ''The Tales of Ise'', and he has ever since been a model of the handsome, amorous nobleman. Biography Birth and ancestry Ariwara no Narihira was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariwara No Yukihira
was a Japanese Heian period courtier and bureaucrat, who held a number of positions over the course of his life. At one time or another, he was governor of the provinces of Harima, Bizen, Shinano, and Bitchū. He also served as , , and inspector ('' azechi'') of Mutsu and Dewa provinces. Yukihira was also a poet, many of his works being published alongside those of his brother, Narihira. He also established a school, called Shogaku-in, for the purpose of educating members of the Ariwara family. His most famous poem, no. 16 in the ''Ogura Hyakunin Isshu is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck compos ...'' is as follows: Reference list Bibliography 818 births 893 deaths Kuge Ariwara clan Japanese male poets 9th-century Japanese poets Hyakunin Isshu poets [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heijō-kyō
was the Capital of Japan during most of the Nara period, from 710 to 740 and again from 745 to 784. The imperial palace is a listed UNESCO World Heritage together with other places in the city of Nara (cf. Historic Monuments of Ancient Nara). Empress Genmei ordered the Imperial capital moved from Fujiwara-kyō to Heijō-kyō in 708, and the move to Heijō-kyō was complete in 710. Heijō-kyō was modeled after Chang'an, the capital of Tang-dynasty China, although Heijō-kyō lacked walls. In the city, merchants and traders from China, Korea and India introduced various foreign cultures to Heijō-kyō through the Silk Road. As a result, Heijō-kyō flourished as Japan's first international and political capital, with a peak population of between 50,000 and 100,000. The overall form of the city was an irregular rectangle, and the area of city is more than 25 km2. Architecture In the area of Heijō-kyō, there are ancient Buddhist temples, and some temples are also l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagaoka-kyō
was the capital of Japan from 784 to 794. Its location was reported as Otokuni District, Yamashiro Province, and Nagaokakyō, Kyoto, which took its name from the capital. Parts of the capital were in what is now the city of Nagaokakyō, while other parts were in the present-day Mukō and Nishikyō-ku, the latter of which belongs to the city of Kyoto. In 784, the Emperor Kanmu moved the capital from Nara (then called Heijō-kyō). According to the Shoku Nihongi, his reason for moving was that the new location had better water transportation routes. Other explanations have been given, including the wish to escape the power of the Buddhist clergy and courtiers, and the backing of the immigrants from whom his mother was descended. In 785, the administrator in charge of the new capital, Fujiwara no Tanetsugu, was assassinated. The emperor's brother, Prince Sawara, was implicated, exiled to Awaji Province, and died on the way there. In 794, Emperor Kammu moved the capital to H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Of Japan
The Emperor of Japan is the monarch and the head of the Imperial House of Japan, Imperial Family of Japan. Under the Constitution of Japan, he is defined as the symbol of the Japanese state and the unity of the Japanese people, and his position is derived from "the will of the people with whom resides sovereign power". Imperial Household Law governs the line of Succession to the Japanese throne, imperial succession. The emperor is sovereign immunity, immune from prosecution by the Supreme Court of Japan. He is also the head of the Shinto religion. In Japanese language, Japanese, the emperor is called , literally "Emperor of heaven or "Heavenly Sovereign". The Japanese Shinto religion holds him to be the direct descendant of the sun goddess Amaterasu. The emperor is also the head of all national Orders, decorations, and medals of Japan, Japanese orders, decorations, medals, and awards. In English, the use of the term for the emperor was once common but is now considered obsolete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Ise
is a Japanese ''uta monogatari'', or collection of ''waka'' poems and associated narratives, dating from the Heian period. The current version collects 125 sections, with each combining poems and prose, giving a total of 209 poems in most versions. Concerning the exact date of composition and authorship there is only unresolved speculation. The identity of the nameless, idealised central character is unclear, though it is suggested to be Ariwara no Narihira (825–880). Thirty of the poems from ''The Tales of Ise'' appear in the ''Kokin Wakashū'' (905), with similar headnotes, all attributed to Narihira. The combination of these poems, and the similarity of some events in the tales to Narihira's life, have led to the additional suggestion that Narihira actually composed the work; however, the inclusion of material and events dating after 880 suggests otherwise. Title The late-eleventh centuryKeene 1999 : 518–519. work known as '' The Tale of Sagoromo'' refers to ''Ise'' by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ono No Komachi
was a Japanese waka poet, one of the ''Rokkasen'' — the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and ''Komachi'' is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals. Life Almost nothing of Komachi's life is known for certain, save for the names of various men with whom she engaged in romantic affairs and whose poetry exchanges with her are preserved in the ''Kokin Wakashū''. She was probably born between 820 and 830, and she was most active in composing poetry around the middle of the ninth century. Extensive study has gone into trying to ascertain her place of birth, her family and so on, but without conclusive results. The Edo-period scholar Arai Hakuseki advanced the theory that there was more than one woman named Komachi and that the legends about her referred to different people. This theory was later expanded to conjecture that there were four "Komachis"., citing I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Grand Shrine
The , located in Ise, Mie Prefecture of Japan, is a Shinto shrine dedicated to the sun goddess Amaterasu. Officially known simply as , Ise Jingū is a shrine complex composed of many Shinto shrines centered on two main shrines, and . The Inner Shrine, Naikū (also officially known as "Kōtai Jingū"), is located in the town of Uji-tachi, south of central Ise, and is dedicated to the worship of Amaterasu, where she is believed to dwell. The shrine buildings are made of solid cypress wood and use no nails but instead joined wood. The Outer Shrine, ''Gekū'' (also officially known as "Toyouke Daijingū"), is located about six kilometers from Naikū and dedicated to Toyouke-Ōmikami, the god of agriculture, rice harvest and industry. Besides Naikū and Gekū, there are an additional 123 Shinto shrines in Ise City and the surrounding areas, 91 of them connected to Naikū and 32 to Gekū. Purportedly the home of the Sacred Mirror, the shrine is one of Shinto's holiest and most imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogura Hyakunin Isshu
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-Six Poetic Geniuses
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is ''Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru no Taifu # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Poetic Geniuses
The are six Japanese poets of the mid-ninth century who were named by Ki no Tsurayuki in the ''kana'' and ''mana'' prefaces to the poetry anthology ''Kokin wakashū'' (c. 905–14) as notable poets of the generation before its compilers. History of the term In their original appearance in the prefaces of the ''Kokin wakashū'', the six ''rokkasen'' are not actually referred to with this term. There are numerous phrases that show the conceptualization of these six as a cohesive group, but the term "Rokkasen" first appeared in an early Kamakura-period commentary on ''Kokin wakashū'', titled ''Sanryūshō'' 三流抄. Members The members of the ''rokkasen'', and their total poems in ''Kokin wakashū,'' are as follows: *Ōtomo no Kuronushi, 3 poems *Ono no Komachi, 18 poems *Ariwara no Narihira, 30 poems *Kisen Hōshi, 1 poem * Sōjō Henjō, 17 poems *Fun'ya no Yasuhide, 1 poem Tsurayuki's Criticism In his prefaces to the anthology ''Kokin wakashū'', Ki no Tsurayuki first pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
