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Arianna In Nasso (Porpora)
''Arianna in Nasso'' is a 1733 opera by Nicola Porpora to a libretto by Paolo Rolli, chief conductor of the Opera of the Nobility. Background The choice of the subject of Ariadne was a challenge to Handel, whose '' Arianna in Creta'' was completed by 5 October 1733. Handel's ''Arianna in Creta'' was based on Pietro Pariati's much-set ''Arianna e Teseo'', in the later of two versions by Leonardo Leo (1729). This was a libretto which Porpora himself had also used for his own ''Arianna e Teseo'' (1721). Handel's choice of libretto obliged Porpora to turn to Rolli's libretto which was modeled not on Pariati but on Stampa's libretto to Giovanni Porta Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera '' Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck i ...'s ''dramma pastorale'', ''Arianna''. Colin Timms, Bruce Wood ''Music in the London The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Antonio Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly upon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iain Fenlon
Iain Alexander Fenlon (born 26 October 1949 in Prestbury, Cheshire) is a British musicologist who specializes in music from 1450–1650; particularly Renaissance and early Baroque music from Italy. Fenlon was born to Albert Fenlon and Joan Fenlon (née Rainey). Academic career He has contributed articles to several music publications and is the author of the books ''Music and Culture in Late Renaissance Italy'' (Oxford University Press, 2000), ''The Ceremonial City: History, Memory and Myth in Renaissance Venice'' (Yale University Press, 2007). and ''Piazza San Marco'' (Harvard University Press, 2009). His writings often explore the relationship between the evolution and development of music and changes within society. He is currently a fellow and Emeritus Professor of Historical Musicology at King's College of the University of Cambridge, England and serves as the editor of the journal ''Early Music History''. Fenlon is also Honorary Keeper of the Music at the Fitzwilliam Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Nicola Porpora
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1733 Operas
Events January–March * January 13 – Borommarachathirat V becomes King of Siam (now Thailand) upon the death of King Sanphet IX. * January 27 – George Frideric Handel's classic opera, ''Orlando'' is performed for the first time, making its debut at the King's Theatre in London. * February 12 – British colonist James Oglethorpe founds Savannah, Georgia. * March 21 – The Molasses Act is passed by British House of Commons, which reinforces the negative opinions of the British by American colonists. The Act then goes to the House of Lords, which consents to it on May 4 and it receives royal assent on May 17. * March 25 – English replaces Latin and Law French as the official language of English and Scottish courts following the enforcement of the Proceedings in Courts of Justice Act 1730. April–June * April 6 – **After British Prime Minister Robert Walpole's proposed excise tax bill results in rioting over the imposit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Timms
Colin Ronald Timms is a musicologist and retired academic. He was Peyton and Barber Professor of Music at the University of Birmingham from 1992 until 2012, when he retired. After graduating from the University of Cambridge with a Bachelor of Arts degree, he completed Master of Music and Doctor of Philosophy degrees at King's College London, the latter in 1977 for his thesis on the chamber duets of Agostino Steffani. He was a lecturer at Queen's University Belfast from 1970 to 1972, and the University of Birmingham from 1973. In 2004, the British Academy awarded him the Derek Allen Prize for Musicology. ''British Academy''. Retrieved 17 December 2018. Selected publications * ''Polymath of the Baroque: Agostino Steffani and His Music'' ( |
Giovanni Porta
Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera ''Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck in Prague''Stuyvesant, N.Y.: Pendragon Press. p. 166/ref> Porta is believed to have been born in Venice. One of the masters of early 18th-century opera and one of the leading Venetian musicians, Porta made his way from Rome, to Vicenza, to Verona, then London where his opera '' Numitore'' was performed in 1720 by the Royal Academy of Music (1719), and eventually back to Venice and Verona, and finally Munich, where he spent the last 18 years of his life. Selected recordings * Aria ''Madre diletta'' (from Ifigenia in Aulide) on Drama Queens Joyce DiDonato Alan Curtis (conductor) Virgin Classics 2012 * Aria ''Mormorando quelle fronde'' (from La costanza combattuta in amore) on Venezia recital Max Cencic Virgin Classics 2013 * Sinfonia f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Fortune
Nigel Cameron Fortune (5 December 1924 – 10 April 2009) was an English musicologist and political activist. Along with Thurston Dart, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation. He played an instrumental part in improving professional musicological standards in England through research initiatives, conferences and scholarly publications. This greatly increased his country's international reputation in the field of music scholarship. Fortune's speciality in musicological research was in 17th-century Italian music and on the lives and works of George Friederich Handel and Henry Purcell. He contributed articles to several encyclopaedias and was notably one of the senior editors of ''The New Grove Dictionary of Music and Musicians''. He also contributed writings or served as an editor to numerous music publications and books. For many years he was the co-editor of the journal ''Music & Letters''. Life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Carter (musicologist)
Tim Carter (born 1954) is an Australian musicologist with a special focus on late Renaissance music and Italian Baroque music. An active member of the field of musicology, Carter is a department chair at the University of North Carolina at Chapel Hill, where he holds the position of David G. Frey Distinguished Professor. He has worked on the editorial boards or staffs of a number of prominent musical publications and has published extensively in the field. Career Carter attended the universities of Durham and Birmingham. He has taught at various universities and served as department chair at Royal Holloway, University of London. In 2001, he took a position as Distinguished Professor and Chair in the music department of the University of North Carolina, Chapel Hill. Carter has been actively involved in a number of music associations, including the Royal Musical Association, the American Musicological Society and the Society for Seventeenth-Century Music (SSCM). He stood as pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Leo
Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples. He became a student at the Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, ''L'infedelta abbattuta'', performed by his fellow-students in 1712. In 1714 he produced, at the court theatre, an opera, ''Pisistrato'', which was much admired. He held various posts at the royal chapel, and continued to write for the stage, besides teaching at the conservator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
