Appius And Virginia (1709 Play)
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Appius And Virginia (1709 Play)
''Appius and Virginia'' is a 1709 tragedy by the British writer John Dennis. It was a distinct reworking by Dennis of an older play of the same title by John Webster. It was not a particular success on its debut. It became best known for Dennis' use of an innovative new technique to imitate the sound of thunder. When Dennis' play was taken off and a revival of ''Macbeth'' put off, he was angered when he attended a performance and discovered they were using his thunder machine, reportedly exclaiming "they will not let my play run, and yet they steal my thunder". This gave rise to the expression " stealing thunder". The original Drury Lane cast included Barton Booth as Appius, Theophilus Keene as Claudius, Thomas Betterton as Virginius, Robert Wilks as Icilius, Benjamin Husband as Valerius, Thomas Smith as Numitorious, Jane Rogers as Virginia, Frances Maria Knight Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from Fran ...
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John Dennis (dramatist)
John Dennis (16 September 1658 – 6 January 1734) was an English critic and dramatist. Life He was born in the parish of St Andrew Holborn, London, in 1658. He was educated at Harrow School and Caius College, Cambridge, where he took his B.A. degree in 1679. In the next year he was fined and dismissed from his college for having wounded a fellow student with a sword. He was, however, received at Trinity Hall, where he took his M.A. degree in 1683. After travelling in France and Italy, he settled in London, where he became acquainted with Dryden, and close to Wycherley, Congreve and the leading literary figures of his day; and being made temporarily independent by inheriting a small fortune, he devoted himself to literature. The Duke of Marlborough procured him a place as one of the queen's waiters in the customs with a salary of £20 a year. This he afterwards disposed of for a small sum, retaining, at the suggestion of Lord Halifax, a yearly charge upon it for a long term ...
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Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes's co ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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Plays By John Dennis
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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1709 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ...
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Frances Maria Knight
Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'free one.' The male version of the name in English is Francis. The original Franciscus, meaning "Frenchman", comes from the Franks who were named for the francisca, the axe they used in battle. https://nameberry.com/babyname/frances Notable people and characters with the name include: People * Frances, Countess of Périgord (died 1481) * Frances (musician) (born 1993), British singer and songwriter * Frances Estill Beauchamp (1860-1923), American temperance activist, social reformer, lecturer * Frances Burke, Countess of Clanricarde (1567–1633), English noblewoman and Irish countess * Frances E. Burns (1866-1937), American social leader and business executive * Frances Carr, Countess of Somerset (1590–1632), central figure in a famous scandal and murder * Frances Lewis Brackett Damon (1857–1939), American poet, writer * Frances Davidson, Viscountess ...
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Jane Rogers (17th-century Actress)
Jane Rogers (died 1718) was an English stage actress. To distinguish her from her daughter she is sometimes referred to as Jane Rogers the Elder. She first appeared at Theatre Royal, Drury Lane in 1692 in Thomas Shadwell's '' The Volunteers''. Following the split of the United Company in 1695, she remained at Drury Lane with Christopher Rich's company rather than join the breakaways under Thomas Betterton. She benefited from the departed of Anne Bracegirdle with whom she had been competing for roles and became one of the leading members of the company. Sometimes in the 1690s she gave birth to Jane Rogers reportedly following a liaison with fellow actor Robert Wilks. Her daughter later became an actress as part of the Lincoln's Inn Fields company, where she married Christopher Bullock and was consequently known by his surname. The elder Rogers continued at Drury Lane until 1706, when she switched to the new Queen's Theatre in the Haymarket. She then returned to Drury Lane where ...
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Thomas Smith (actor)
Thomas Smith (died 1766) was a British stage actor of the eighteenth century. He first joined the Drury Lane company in the late seventeenth century. He spent time at the Queen's Theatre in Haymarket and in 1715 joined John Rich's company at Lincoln's Inn Fields. He remained with the company, although acting elsewhere such as Dublin's Smock Alley Theatre, until 1728. There another Smith, named Charles, at the company in his latter years and their roles are sometimes confused. After leaving Lincoln's Inn, Thomas Smith moved to the Haymarket Theatre and then to Goodman's Fields where he acted in Henry Giffard's company until 1733. His daughter, was also an actress, making her debut at Lincoln's Inn Fields in 1716.Highfill, Burnim & Langhans p.162 Selected roles * Cyaxeres in '' Cyrus the Great'' by John Banks (1695) * Peter in '' Imposture Defeated'' by George Powell (1697) * Brisson in ''The Unhappy Penitent'' by Catherine Trotter (1701) * Phorbas in ''The Virgin Prophetess' ...
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Benjamin Husband
Benjamin Husband was a British stage actor of the eighteenth century. His surname is sometimes written as Husbands. Reportedly born in Pembrokeshire in 1672, he was a member of the Lincolns Inn Fields and Drury Lane companies during the 1700s. He was later in Dublin as part of the Smock Alley Theatre organisation. When he had a benefit there in 1746, he was described as the oldest living actor.Highfill, Burnim & Langhans p.63 Selected roles * Tyranges in ''The Double Distress'' by Mary Pix (1701) * Zama in ''Tamerlane'' by Nicholas Rowe (1702) * Alphonso in ''All for the Better'' by Francis Manning (1702) * Richemore in ''The Twin Rivals'' by George Farquhar (1702) * Lorenzo in '' The Patriot'' by Charles Gildon (1702) * Don Philip in ''She Would and She Would Not'' by Colley Cibber (1702) * Albovade in ''The Faithful Bride of Granada'' by William Taverner (1704) * Viceroy in ''The Revolution of Sweden'' by Catharine Cockburn (1706) * Bellmour in ''Adventures in Madrid'' by Ma ...
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Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the story ...
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Theophilus Keene
Theophilus Keene (1680-1718) was an Anglo-Irish stage actor and theatre manager. Keene was from a Presbyterian background. He originally began acting at the Smock Alley Theatre in Dublin. Having arrived in London from Ireland in 1704, he appeared as part of the company at the Drury Lane Theatre until 1714. Along with Christopher Bullock he took over the management of the Lincoln's Inn Fields Theatre in 1717, at the time one of two patent theatres in London. The co-managers worked together for one season after replacing the "broke" John Rich before Keene's death after a fall from a horse while riding in the county. Following his death in 1718 a biography of him ''Memoirs of the Life of Mr. Theophilus Keene'' was produced by Richard Savage.Wanko p.231 Selected roles * Balance in ''The Recruiting Officer'' by George Farquhar (1706) * Rodogune in ''The Royal Convert'' by Nicholas Rowe (1707) * Memnon in ''The Persian Princess'' by Lewis Theobald (1708) * Priscian in ''The Rival Foo ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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