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Angry (1925 Song)
"Angry" is a popular song, with lyrics by Dudley Mecum and music by Henry Brunies, Merritt Brunies, and Jules Cassard, written in 1925. Ted Lewis and His Band first recorded the instrumental version on June 22, 1925, and then on June 26, 1925, The Whispering Pianist (Art Gillham) recorded the first vocal version. The song is considered a barbershop quartet standard and was used as the signature song of popular big band bandleader leader Harry Lawrence "Tiny" Hill. Hill made three recordings of the song, the first being on Vocalion Records #4957 on June 1, 1939. Hill's later recordings were both released on Mercury Records in 1946 #1053 (recorded 1945) and #6001. Other notable versions *Rosemary Clooney - for her album '' Rosie Solves the Swingin' Riddle!'' (1961). *Perry Como - included in his album ''We Get Letters'' (1957). *Earl Hines and his orchestra recorded the song on 13 September 1934 for Decca Records (catalog No. 183A), in an arrangement by bassist Quinn Wilson. *Ka ...
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Merritt Brunies
Merritt Brunies (December 25, 1895 - February 5, 1973), was an American jazz trombonist and cornetist. Brunies was born into a well-known musical family in New Orleans, Louisiana; among its members were George Brunies and Albert Brunies. Merritt led his own band, The Original New Orleans Jazz Band, from 1916 to 1918; this ensemble did not record, but it existed before both Jimmy Durante's New Orleans Jazz Band and the Original Dixieland Jazz Band (the latter formed shortly afterward in 1916). Following this, he formed another group which played at Friar's Inn in Chicago directly after the stint by the New Orleans Rhythm Kings. He played regularly in New Orleans in the 1930s, and moved to Mississippi in 1946, where he played with his brothers in a Dixieland jazz band until his retirement. He died in Biloxi, Mississippi. References *Merritt Bruniesat Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more t ...
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Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ...
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Quinn Wilson
Quinn Brown Wilson (December 26, 1908 – June 14, 1978) was an American jazz bassist and tubist. Wilson played violin as a child, and studied composition and arrangement in his youth. He had his first professional experience in the mid-1920s, playing with Tiny Parham, Walter Barnes, Jelly Roll Morton (1927), Erskine Tate (1928-1931), and Richard M. Jones (1929). In the 1930s he arranged and played bass with Earl Hines from 1931 to 1939, in addition to playing bass on record with Jimmie Noone. In the 1940s he began playing electric bass and started recording with R&B and blues musicians, including Lefty Bates and John Lee Hooker, with whom he played on several albums. He continued to play jazz as well, working with Bill Reinhardt in the 1960s and Joe Kelly in the 1970s. Discography As sideman With John Lee Hooker * '' I'm John Lee Hooker'' (Vee-Jay, 1959) * '' The Folk Lore of John Lee Hooker'' (Vee-Jay, 1961) * ''Rhythm 'n' Blues'' (Disques Vogue, 1969) With others * Earl ...
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Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when play ...
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We Get Letters
''We Get Letters'' is a 1957 album by Perry Como, his second RCA Victor 12" long-play album. The LP's concept is an album of requests from Como's television show, but forgoing the usual big-band sound of Mitchell Ayres' Orchestra and the Ray Charles Singers for a small group known as "Como's little Combo", with soft, breezy jazz arrangements by Joe Lipman. The album was recorded between June 1956 and February 1957. As with his first LP '' So Smooth'', Como avoided the type of novelty songs he often recorded for single releases in favor of pop standards dating back to the 1920s and 30s. Track listing Side one #"Swingin' Down the Lane" (Music by Isham Jones and lyrics by Gus Kahn, 1923) - 2:13 #" It's Easy To Remember" (Music by Richard Rodgers and lyrics by Lorenz Hart, 1935) - 3:15 #" South of The Border" (Words and Music by Jimmy Kennedy and Michael Carr, 1939) - 2:17 #"That's What I Like" (Words and Music by Mae Boren Axton and Glenn Reeves) - 2:38 #"Honey, Honey (Bless ...
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Perry Como
Pierino Ronald "Perry" Como (; May 18, 1912 – May 12, 2001) was an Italian-American singer, actor and television personality. During a career spanning more than half a century, he recorded exclusively for RCA Victor for 44 years, after signing with the label in 1943. He recorded primarily vocal pop and was renowned for recordings in the intimate, easy-listening genre pioneered by multi-media star Bing Crosby. "Mr. C.", as he was nicknamed, sold millions of records and pioneered a weekly musical variety television show. His weekly television shows and seasonal specials were broadcast throughout the world. In the official RCA Records Billboard (magazine), ''Billboard'' magazine memorial, his life was summed up in these few words: "50 years of music and a life well lived. An example to all." Como received five Emmy Award, Emmys from 1955 to 1959, and a Christopher Award in 1956. He also shared a Peabody Award with good friend Jackie Gleason in 1956. He received a Kennedy Cente ...
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Rosie Solves The Swingin' Riddle!
''Rosie Solves the Swingin' Riddle!'' is a 1961 studio album by Rosemary Clooney, arranged by Nelson Riddle and released by RCA Victor. The first of two albums that Clooney and Riddle recorded together, the two were having an affair at the time of the recording, which broke up their respective marriages. Their second album, ''Love'' was released in 1963. Track listing # "Get Me to the Church on Time" (Alan Jay Lerner, Frederick Loewe) – 2:14 # "Angry" (Henry Brunies, Merritt Brunies, Jules Cassard, Dudley Mecum) – 2:25 # "I Get Along Without You Very Well" (Hoagy Carmichael, Jane Brown Thompson) – 2:44 # "How Am I to Know?" ( Jack King, Dorothy Parker) – 2:51 # "You Took Advantage of Me" (Lorenz Hart, Richard Rodgers) – 2:59 # " April in Paris" (Vernon Duke, Yip Harburg) – 2:40 # " I Ain't Got Nobody (And Nobody Cares for Me)" (Roger Graham, Dave Peyton, Spencer Williams) – 2:54 # "Some of These Days" (Shelton Brooks) – 2:16 # " By Myself" (Howard Dietz, Arthur S ...
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Rosemary Clooney
Rosemary Clooney (May 23, 1928 – June 29, 2002) was an American singer and actress. She came to prominence in the early 1950s with the song "Come On-a My House", which was followed by other pop numbers such as " Botch-a-Me", " Mambo Italiano", "Tenderly", "Half as Much", "Hey There", "This Ole House", and " Sway". She also had success as a jazz vocalist. Clooney's career languished in the 1960s, partly because of problems related to depression and drug addiction, but revived in 1977, when her '' White Christmas'' co-star Bing Crosby asked her to appear with him at a show marking his 50th anniversary in show business. She continued recording until her death in 2002. Early life Rosemary Clooney was born in Maysville, Kentucky, the daughter of Marie Frances (née Guilfoyle) and Andrew Joseph Clooney. She was one of five children. Her father was of Irish and German descent, and her mother was of English and Irish ancestry. She was raised Catholic. When Clooney was 15, her mother a ...
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Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ...
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Dudley Mecum (songwriter)
Dudley Mecum (1896–1978) was an American pianist, vocalist and songwriter. He was based in Chicago and had a musical group, '' Dudley Mecum's Wolverines.'' In the 1920s he also performed with a number of other ensembles such as Merritt Brunies and his ''Friar's Inn Orchestra.'' Mecum wrote the lyrics for the song "Angry" which was composed by Merritt Brunies, Henry Brunies, and Jules Cassard in 1925. By 1929 Mecum had become a full-time songwriter. His other published pieces included "How's Your Folks and My Folks", recorded by the pianist and vocalist Art Gillham while testing new electric microphone technology, "I've Got the Blues for Tennessee", co-written by Mecum with Cal DeVoll and Wallace Bradley. Mecum also performed as vocalist on the popular recording of the tune " 42nd Street" by the Don Bestor Don Bestor (September 23, 1889 - January 13, 1970) was an American bandleader, probably best known for directing the orchestra in the early years of ''The Jack Benny Program'' ...
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Tiny Hill
Tiny may refer to: Kane Places * Tiny, Ontario, a township in Canada * Tiny, Virginia, an unincorporated community in the US * Tiny Glacier, Wyoming, US Computing * Tiny BASIC, a dialect of the computer programming language BASIC * Tiny Encryption Algorithm, in cryptography, a block cipher notable for its simplicity of description and implementation * Tiny Computers, a defunct UK computer manufacturer * TinyMCE, a web-based editor * TinyMUD, a MUD server ** MU*, a family of MUD servers often called the Tiny family Automobiles * Tara Tiny, an Indian electric car * Tiny (car), a British cyclecar manufactured between 1912 and 1915 People Nickname * Nate Archibald (born 1948), American National Basketball Association player * Tiny Bonham (1913–1949), American Major League Baseball pitcher * Tiny Bradshaw (1905–1958), American jazz and rhythm and blues bandleader, singer, composer, and musician * Tiny Broadwick (1893–1978), American pioneering parachutist * Tiny Cahoon (1900â ...
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Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ...
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