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Andy Williams Sings Rodgers And Hammerstein
''Andy Williams Sings Rodgers and Hammerstein'' is the second studio album by American pop singer Andy Williams and was orchestrated and conducted by Alvy West.(1958) ''Andy Williams Sings Rodgers and Hammerstein'' by Andy Williams lbum jacket New York: Cadence Records CLP 3005. It was released in February 1958 by Cadence Records and focuses upon songs composed by Richard Rodgers with lyrics by Oscar Hammerstein II. When the album was reissued by Cadence in 1963, the Review Panel in the somewhat newly renamed ''Billboard'' magazine updated the rating it was given upon its initial release to reflect the fact that "Williams, a seller of stature," had become "increasingly hot, thanks to regular TV exposure and hits on his current label." Whereas the 1958 review yielded only a four-star rating, the 1963 reissue garnered the magazine's coveted Spotlight Pick, which was given to albums with the greatest sales potential. The album was released on compact disc for the first time by Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The King And I
''The King and I'' is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel '' Anna and the King of Siam'' (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals. In 1950, theatrical attorney Fanny Holtzmann was looking for a part for her client, veteran leading lady Gertrude Lawrence. Holtzmann realized that Landon's book would provide an ideal vehicle an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hello, Young Lovers (song)
"Hello, Young Lovers" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I.'' It is sung by Anna, played by Gertrude Lawrence in the original Broadway production; by Valerie Hobson in the original London West End production; and by Deborah Kerr in the film version (although voiced-over by Marni Nixon). The heroine Anna sings this song when she tells the wives of the King of Siam about her late husband, and sympathises with the plight of Tuptim, the Burmese slave girl and newest wife of the king. Cover versions Among popular versions are those by: *Frank Sinatra - recorded March 2, 1951 with Axel Stordahl and His Orchestra., as well as on 1965's '' September of My Years''. *Perry Como - recorded March 20, 1951 with Mitchell Ayres and His Orchestra. This charted briefly in the USA reaching No. 27 in the Billboard charts. *Bing Crosby - recorded April 9, 1951 with Victor Young and His Orchestra. *Guy Lombardo (with vocal by Kenny Martin) (1951). *Andy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Surrey With The Fringe On Top
"The Surrey with the Fringe on Top" is a show tune from the 1943 Rodgers and Hammerstein musical ''Oklahoma!''. The piece was recorded in 1952 by jazz pianist Ahmad Jamal, which influenced trumpeter Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ... to include it in his repertoire in the 1950s, which probably motivated other jazz musicians to play it. References External linksLyrics 1943 songs 1940s jazz standards Songs with music by Richard Rodgers Songs with lyrics by Oscar Hammerstein II Songs from Oklahoma! {{Show-tune-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Kiss In A Shadow
"We Kiss in a Shadow" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I''. In this song, Tuptim and Lun Tha declare their love for each other, even though they fear that the King of Siam will learn of it. In the original Broadway production it was performed by Doretta Morrow and Larry Douglas. In the 1956 film version it was sung by Reuben Fuentes, dubbing for Carlos Rivas, and Leona Gordon dubbing for Rita Moreno. Recorded versions *June Christy *Holly Cole *Perry Como recorded on March 20, 1951 *Vic Damone recorded on May 2, 1958 *Sammy Davis Jr. *Doris Day *Martin Denny, ''Hypnotique'', 1958 *Red Garland Trio *Earl Grant *Debbie Harwood, ''Soothe Me'', 2004 *Ahmad Jamal, 1961, 1962 *André Kostelanetz *Kate McGarry *Dave McKenna *Doretta Morrow and Larry Douglas on the original cast album, recorded on April 16, 1951 *Cliff Richard, 1961 *Sonny Rollins *The San Francisco Gay Men's Chorus, 1981 *Neil Sedaka (''Oh! Carol: The Complete Recordings'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Whistle A Happy Tune
"I Whistle a Happy Tune" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I.'' It is sung by the Governess Anna Leonowens (originally played on Broadway by Gertrude Lawrence) to her son Louis after the curtain rises on Act One of the musical, to persuade him not to be afraid as they arrive in Siam to serve the King. In the 1956 film version, it was sung by Deborah Kerr (dubbed by Marni Nixon) and Rex Thompson. In the 1999 animated film version, it was sung by Christiane Noll, Adam Wylie, Charles Clark, Jeff Gunn, David Joyce and Larry Kenton. Notable recordings *Julie Andrews - included in the album ''Rodgers & Hammerstein's The King And I'' (1992). *Max Bygraves - included in the album ''100 Golden Greats'' (1976). *Barbara Cook - ''The King and I'' (1960). *Bing Crosby - recorded the song on April 9. 1951 with Victor Young and His Orchestra. *Elaine Paige - included in the album ''The King and I: 2000 London Cast Recording'' (2000) *Jane Powell - f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Younger Than Springtime
"Younger Than Springtime" is a show tune from the 1949 Rodgers and Hammerstein musical '' South Pacific''. It has been widely recorded as a jazz standard. The song is performed in the first act by Lieutenant Cable when he makes love to his adored Liat, to whom he was only recently introduced by her mother Bloody Mary. The song shows that love just happens and does not follow the rules of racial separation prevalent in the United States at that time. In the original Broadway show, the song was performed by William Tabbert while in the 1958 film, it was sung by John Kerr miming to a vocal by Bill Lee. Lyrical Analysis Hammerstein used repetition as a key aspect of the song repeating the words "am I" and "are you" when describing Cable and Liat: "softer than starlight", "gayer than laughter" and "younger than springtime". Musical Analysis The song is written in F Major. Other notable recordings *1949 William Tabbert in the Original Broadway Cast album. *1949 Dick Haymes - inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Will Say We're In Love
"People Will Say We're In Love" is a show tune from the Rodgers and Hammerstein musical, ''Oklahoma!'' (1943). In the original Broadway production, the song was introduced by Alfred Drake and Joan Roberts. Plot context The other characters think, correctly, that Laurey ( Joan Roberts) and Curly (Alfred Drake) are in love. In this song they warn each other not to behave indiscreetly, lest people misinterpret their intentions. Neither wants to admit to the other his or her true feelings. Towards the end of the musical the characters reprise the number after becoming engaged, saying "Let people say we're in love." Covers This song has been covered by many people, including instrumental versions. Three versions made the Top 40 charts: Bing Crosby & Trudy Erwin (#2), Frank Sinatra (#3), and The Ink Spots (#11). The list of covers includes: * 101 Strings Orchestra *The Cannonball Adderley Quintet *Thomas Allen & Valerie Masterson * Eric Alexander *Chet Baker & Gerry Mulligan * C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Have Dreamed (song)
"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I''. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song. Background In the show, the characters of Lun Tha and Tuptim sing of how they have dreamt of their true love blossoming in freedom, as they prepare to escape from the King's palace. This is in contrast to the subdued mood of the song "We Kiss in a Shadow", when they fear that the King will learn of their love. "I Have Dreamed" was added to the score of ''The King and I'' during its out-of-town tryout run. The song was recorded for the soundtrack of the 1956 film version of ''The King and I'', but, ultimately, no footage was shot to feature it. Only the melody is heard in the film, as incidental music prior to the "We Kiss in a Shadow" sequence. However, "I Have Dreamed" was retained on the soundtrack album where it was sung b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bali Ha'i
"Bali Ha'i", also spelled "Bali Hai", is a show tune from the 1949 Rodgers and Hammerstein musical '' South Pacific''. The name refers to a mystical island, visible on the horizon but not reachable, and was originally inspired by the sight of Ambae island from neighboring Espiritu Santo in Vanuatu, where author James Michener was stationed in World War II. In ''South Pacific'' In the musical, Bali Ha'i is a volcanic island within sight of the island on which most of the action takes place. The troops think of Bali Ha'i as an exotic paradise, but it is off-limits—except to officers. The matriarch of Bali Ha'i, Bloody Mary, conducts much business with the troops, and she meets Lt. Joseph Cable soon after he arrives. She sings to him her mysterious song "Bali Ha'i", with its haunting orchestral accompaniment, because she wants to entice him to visit her island. She doesn't tell him that she wants him to meet, and fall in love with, her young daughter, Liat. Resemblance to score for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Nearly Was Mine
''South Pacific'' is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances. The plot is based on James A. Michener's Pulitzer Prize–winning 1947 book ''Tales of the South Pacific'' and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, send a strong progressive message on racism. The plot centers on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. Marine lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getting To Know You (song)
"Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical ''The King and I''. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam. This song is one of the cases during the Rodgers and Hammerstein partnership when Rodgers re-used a melody he had written for an earlier show and then discarded. In this case the melody was a tune he wrote for '' South Pacific'', called "Suddenly Hungry and Sad", which he originally intended for the character of Nellie to sing but replaced it with the song "(I'm in Love with) a Wonderful Guy". Mary Martin, the star of South Pacific, who had proposed that Rodgers should cast Yul Brynner as the King, reminded Rodgers of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
