André Previn And Friends Play Show Boat
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André Previn And Friends Play Show Boat
''André Previn and Friends Play Show Boat'' is a 1995 album by André Previn of songs from the 1927 musical ''Show Boat''. Reception The album was reviewed by Scott Yanow at Allmusic who wrote that aside from "Make Believe", which was "unusually sweet" Previn's "interpretations of the other pieces are melodic, respectful and swinging". Ray Brown and Grady Tate were praised by Yanow as being "typically excellent in support". Track listing #"Make Believe" (Hammerstein, Kern) – 3:59 #"Can't Help Lovin' Dat Man" (Hammerstein, Kern) – 5:02 #"Ol' Man River" (Hammerstein, Kern) – 4:28 #"Bill" (Hammerstein, Kern, PG Wodehouse) – 3:05 #"Lickety Split" (André Previn) – 5:54 #"White Wood" (Previn) – 6:57 #"Dr. DJ" (Evelyn Hawkins)" (Previn) – 3:03 #"Life upon the Wicked Stage" (Hammerstein, Kern) – 5:36 #"Why Do I Love You?" (Hammerstein, Kern) – 3:18 #"I Might Fall Back on You" (Hammerstein, Kern) – 3:03 #"Nobody Else But Me" (Hammerstein, Kern) – 4:34 Personnel ...
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André Previn
André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved success, and the latter two were part of his life until the end. In movies, he arranged and composed music. In jazz, he was a celebrated trio pianist, a piano-accompanist to singers of standards, and pianist-interpreter of songs from the " Great American Songbook". In classical music, he also performed as a pianist but gained television fame as a conductor, and during his last thirty years created his legacy as a composer of art music. Before the age of twenty, Previn began arranging and composing for Metro-Goldwyn-Mayer. He would go on to be involved in the music of more than fifty films and would win four Academy Awards. He won ten Grammy Awards, for recordings in all three areas of his career, and then one more, for lifetime ach ...
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Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated ''Schoolhouse Rock!'' series. He received two Grammy nominations. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 196 ...
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1995 Albums
1995 was designated as: * United Nations Year for Tolerance * World Year of Peoples' Commemoration of the Victims of the Second World War This was the first year that the Internet was entirely privatized, with the United States government no longer providing public funding, marking the beginning of the Information Age. America Online and Prodigy (online service), Prodigy offered access to the World Wide Web system for the first time this year, releasing browsers that made it easily accessible to the general public. Events January * January 1 ** The World Trade Organization (WTO) is established to replace the General Agreement on Tariffs and Trade (GATT). ** Austria, Finland and Sweden join the European Union. * January 9 – Valeri Polyakov completes 366 days in space while aboard then ''Mir'' space station, breaking a duration record. * January 10–January 15, 15 – The World Youth Day 1995 festival is held in Manila, Manila, Philippines, culminating in 5 million people ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ...
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Mundell Lowe
James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician. He produced film and TV scores in the 1970s, such as the '' Billy Jack'' soundtrack and music for ''Starsky and Hutch'', and worked with André Previn's Trio in the 1990s. Early life, family and education The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Smith County, Mississippi (near Laurel). He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. Career When he was thirteen years old, he began running away from home to play in bands. Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the ''Grand Ole Opry'' radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II. At basic training, he became friend ...
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Nobody Else But Me
"Nobody Else but Me", sometimes called "Nobody Else but You", is a song composed by Jerome Kern with lyrics by Oscar Hammerstein II for the 1946 Broadway revival of the musical ''Show Boat'' when it was introduced by Jan Clayton as the character Magnolia. This was the last song written by Kern, who died November 11, 1945. The Show Boat revival opened January 5, 1946. Vocal recordings * 1946 Jan Clayton in the ''Show Boat'' cast album. * 1957 Barbara Lea – for her album ''Barbara Lea With the Johnny Windhurst Quartet''. * 1959 Mitzi Gaynor – for her album ''Mitzi'' * 1959 Peggy King – for her album ''Lazy Afternoon'' * 1961 Ruth Price – for her album ''Ruth Price with Shelly Manne & His Men at the Manne-Hole''. * 1963 Sarah Vaughan – for her album ''The Explosive Side of Sarah Vaughan''. * 1964 Tony Bennett – included in his album ''When Lights Are Low (Tony Bennett album), When Lights Are Low''. * 1965 Dinah Shore – for her album ''Lower Basin Street Revisited''. * ...
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PG Wodehouse
Sir Pelham Grenville Wodehouse ( ; 15 October 1881 – 14 February 1975) was an English writer and one of the most widely read humorists of the 20th century. His creations include the feather-brained Bertie Wooster and his sagacious valet, Jeeves; the immaculate and loquacious Psmith; Lord Emsworth and the Blandings Castle set; the Oldest Member (character), Oldest Member, with stories about golf; and Mr. Mulliner, with tall tales on subjects ranging from bibulous bishops to megalomaniac movie moguls. Born in Guildford, the third son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly School story, school stories, but he later switched to comic fiction. Most of Wodehouse's fiction is set in his native United Kingdom, although he spent much of his life ...
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Bill (song)
"Bill" is a song heard in Act II of Kern and Hammerstein's classic 1927 musical, ''Show Boat''. The song was written by Kern and P. G. Wodehouse for their 1917 musical '' Oh, Lady! Lady!!'' for Vivienne Segal to perform, but it was withdrawn because it was considered too melancholy for that show. When Kern and Hammerstein were at work on a serious and somewhat tragic production of ''Show Boat'', however, they decided that the song would be perfect for a nightclub scene in that show. Hammerstein revised Wodehouse's original lyrics somewhat (although he would always give full credit to Wodehouse for the song and take none for himself), and the song was given to real-life nightclub singer Helen Morgan to sing as she portrayed the mulatto Julie in that version of ''Show Boat''. The song is rendered only once in the show and is highly emotional, with the singer supposedly on the verge of tears. It is sung in an audition scene portrayed in Act II. At the Trocadero, a local Chicago night ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical '' Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol' Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on ...
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Can't Help Lovin' Dat Man
"Can't Help Lovin' Dat Man" with music by Jerome Kern, and lyrics by Oscar Hammerstein II, is one of the most famous songs from their classic 1927 musical play ''Show Boat'', adapted from Edna Ferber's 1926 novel. Its musical composition entered the public domain on January 1, 2023. Context The song, written in a blues tempo, is sung in the show by several characters, but is most closely associated with the character Julie, the biracial leading lady of the showboat ''Cotton Blossom''. It is Julie who is first heard singing the song – to Magnolia, the daughter of Cap'n Andy Hawks and his wife Parthenia (Parthy), owners of the showboat. In the musical's plot, the number is supposed to be a song familiar to African-Americans for years, and this provides one of the most dramatic moments in the show. When Queenie, the black cook, comments that it is strange that light-skinned Julie knows the song because only black people sing it, Julie becomes visibly uncomfortable. Later, we lea ...
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Make Believe (Jerome Kern Song)
"Make Believe" is a show tune from the 1927 Broadway musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. Background In the show, it is first sung as a duet by the characters Gaylord Ravenal, a handsome riverboat gambler, and the teenage Magnolia Hawks, an aspiring performer and daughter of the show boat captain, soon after their meeting in Act I. It reveals that they are smitten with each other almost immediately upon meeting and sets the tone for the contrasts between the ideal “make believe” world of the young lovers and the harsh realities of life that they will encounter throughout the story. In Act II, Ravenal sings it to his little daughter Kim, just before he deserts her and Magnolia because of his compulsive gambling. He tells Kim to sing it whenever she is lonely and to pretend he has never been away. The song was introduced by Norma Terris and Howard Marsh. It was not performed in the 1929 part-talkie film of ''Show Boat''. The fi ...
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Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Early life Ray Brown was born on October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons as a child. After noticing how many pianists attended his high school, he thought of taking up the trombone, but his father was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass instead. A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. Brown's high school music teacher believed that he was a diligent student, as he took the bass home with him on weekends. Brown, however, was already using the school bass in gigs; when this was discovered, the bass had to be returned and Brown's father bought him one. B ...
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