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Andrea Di Niccolò
Andrea di Niccolò, also Andrea di Niccolò di Giacomo, (1440–1514) was an Italian painter of the Sienese School. Life Andrea di Niccolò was an artist from Siena. Archival documents reveal in 1469 he married Angelica di Francesco di Michele, and in 1470 he collaborated with Giovanni di Paolo on some works for Santa Maria della Scala (Siena), and in that same year worked on creating a tabernacle for Oratorio della Campania in San Bernardino. In the year 1477 he frescoed additional works in this Oratorio with scenes of the life of Saint Lucy. Andrea di Niccolò worked primarily around Siena and its surrounding towns. The art scholar Bernard Berenson noted Andrea was a pupil of Vecchietta, and demonstrated influences of Matteo di Giovanni and Pietro Perugino. Works The museum Pinacoteca Nazionale (Siena) has his painting '' Madonna and Child with Four Saints'', and has the signature and date (circa 1500). His brush has also been attributed to a few typical Sienese ''Madonna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Di Niccolo 1495 -1550 Галерея Уайлденстайн и Ко
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia ( Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of Mary
The Assumption of Mary is one of the four Marian dogmas of the Catholic Church. Pope Pius XII defined it in 1950 in his apostolic constitution ''Munificentissimus Deus'' as follows: We proclaim and define it to be a dogma revealed by God that the immaculate Mother of God, Mary ever virgin, when the course of her earthly life was finished, was taken up body and soul into the glory of heaven. The declaration was built upon the 1854 dogma of the Immaculate Conception of Mary, which declared that Mary was conceived free from original sin, and both have their foundation in the concept of Mary as the Mother of God. It leaves open the question of whether Mary died or whether she was raised to eternal life without bodily death. The equivalent belief (but not held as dogma) in the Eastern Orthodox Church is the Dormition of the Mother of God or the "Falling Asleep of the Mother of God". The word 'assumption' derives from the Latin word ''assūmptiō'' meaning "taking up". T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1514 Deaths
Year 1514 ( MDXIV) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. Events January–June * January 10 – A great fire breaks out, in the Rialto of Venice. * March 12 – A huge exotic embassy sent by King Manuel I of Portugal to Pope Leo X arrives in Rome, including Hanno, an Indian elephant. * March – Louis XII of France makes peace with Maximilian I, Holy Roman Emperor. * May 2 – The Poor Conrad peasant revolt against Ulrich, Duke of Württemberg begins in Beutelsbach. * May 15 – The earliest printed edition of Saxo Grammaticus' 12th century Scandinavian history ''Gesta Danorum'', edited by Christiern Pedersen from an original found near Lund, is published as ''Danorum Regum heroumque Historiae'', by Jodocus Badius in Paris. * June 13 – ''Henry Grace à Dieu'', at over 1,000 tons the largest warship in the world at this time, built at the new Woolwich Dockyard in England, is dedicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1440 Births
144 may refer to: * 144 (number), the natural number following 143 and preceding 145 * AD 144, a year of the Julian calendar, in the second century AD * 144 BC, a year of the pre-Julian Roman calendar * ''144'' (film), a 2015 Indian comedy * ''144'' (video game), working title of ''The Path'', a psychological horror art game * 144 (New Jersey bus), a bus route in New Jersey, USA * Volvo 144, the main 4-door sedan model of the Volvo 140 Series * Worcestershire bus route 144 Worcestershire bus route 144 is a bus service connecting the Worcestershire areas of Catshill, Bromsgrove. Droitwich and Worcester, operated by First Worcestershire. The service dates back to 1914 and was one of the longest-running double-deck ... See also * List of highways numbered 144 * {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casole D'Elsa
Casole d'Elsa kaːzoleis a ''comune'' (municipality) in the Province of Siena in the Italian region Tuscany, located about southwest of Florence and about west of Siena. Main sights The church of ''San Niccolò'', of Romanesque origin, has a nave and four aisles divided by columns and semicolumns, with two semicircular apses with mullioned windows. The central portal is from the early 14th century, while the portico is modern. It has 17th-century frescoes by Rustichino and, at the high altar, one 14th century ''Madonna'' of the Sienese School. The ''collegiata di Santa Maria Assunta'' was consecrated in 1161; of the original Romanesque edifice, the façade remains with the bell tower. The upper part is decorated with blinds arches divided by slender semicolumns. The transept is from the 14th century. The interior houses the tombs of Beltramo Aringhieri, by Marco Romano (early 14th century), and of bishop Tommaso Andrei, by Gano di Fazio (1303). Annexed to the church is a Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
