An Inch Of Gold For An Inch Of Time
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An Inch Of Gold For An Inch Of Time
''An Inch of Gold for an Inch of Time'' is the 2005 release by American mathcore band The Number Twelve Looks Like You. It was their first release through Eyeball Records. Content This EP contains two re-recorded songs from their 2003 album '' Put On Your Rosy Red Glasses'', which are "Don't Get Blood on My Prada Shoes" and "Jesus and Tori". It also contains two early versions of songs that would be included on their second full-length album ''Nuclear. Sad. Nuclear.'', which are "Like a Cat" and "Clarissa Explains Cuntainment". The final track on the EP is a cover of The Knack's hit signature song " My Sharona". Track listing #"Clarissa Explains Cuntainment" – 2:26 #"Don't Get Blood on My Prada Shoes" – 1:25 #"Like a Cat" – 3:24 #"Jesus and Tori" – 3:25 #" My Sharona" ( The Knack cover) – 3:17 Personnel ;The Number Twelve Looks Like You *Jesse Korman – vocals *Justin Pedrick – vocals *Alexis Pareja – guitar *Jamie Mcilroy – guitar *Michael Smagula – ...
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The Number Twelve Looks Like You
The Number Twelve Looks Like You is an American mathcore band, formed in Bergen County, New Jersey, United States, in 2002. The band went on a six-year hiatus in 2010. In May 2016, they performed a secret show and then announced their reunion. History Formation and Brutal Records years (2002–2004) In early 2002, Jesse Korman, Chree Conger and Justin Pedrick met through mutual acquaintances and recruited Jamie McIlroy and Alexis Pareja which formed the bass-free outfit And Ever. The band was reportedly formed by "accident" where Pedrick was originally the only vocalist and Korman played drums. Korman then apparently realized he was a "terrible drummer", and as a result, took up being a second vocalist for the band wherein Conger then played drums in his place. After releasing a five-song demo and playing a handful of songs together, the band's style began to change slightly. They then soon changed their name to The Number Twelve Looks Like You, a name taken from the '' Twili ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Mathcore
Mathcore is a subgenre of hardcore punk and metalcore influenced by post-hardcore, extreme metal and math rock that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view. In the 1990s, the hardcore punk scene started to embrace extreme metal openly. It also started to become highly ideological, with most of the popular bands being part of subcultures. This led to bands such as Converge, Botch, Coalesce and The Dillinger Escape Plan to establish the genre. Characteristics Music Mathcore emphasizes complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes, while at the same time the drummers play with overall loudness. In the words of The Dillinger Escape P ...
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My Sharona
"My Sharona" () is the debut single by the Knack. The song was written by Berton Averre and Doug Fieger, and it was released in 1979 from their debut album, '' Get the Knack''. It reached number one on the ''Billboard'' Hot 100 singles chart, where it remained for six weeks, and was number one on ''Billboard''s 1979 Top Pop Singles year-end chart. It was certified gold by the Recording Industry Association of America, representing 500,000 copies sold, and was Capitol Records' fastest gold status debut single since the Beatles' "I Want to Hold Your Hand" in 1964. It has since gone on to sell more than 10 million copies as of 2010. Inspiration When Doug Fieger was 25 years old, he met 17-year-old Sharona Alperin, who inspired a two-month-long run of songwriting, as well as eventually becoming his girlfriend for the next four years. Fieger recounted that "It was like getting hit in the head with a baseball bat; I fell in love with her instantly. And when that happened, it sparked ...
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The Knack
The Knack was an American rock band based in Los Angeles that rose to fame with its first single, "My Sharona", an international number-one hit in 1979. History Founding (1977–1978) Singer Doug Fieger was a native of Oak Park, Michigan, a northern suburb of Detroit, Michigan, and grew up in the 9 Mile/Greenfield area. The brother of attorney Geoffrey Fieger (later known for representing Jack Kevorkian in a series of assisted suicide cases) Fieger had previously played in an eclectic rock band called Sky as well as the Sunset Bombers. Although Sky had received a modest amount of acclaim, including being produced by Rolling Stones producer Jimmy Miller, the band broke up without having any chart success. As a result, Fieger made the decision to move to Los Angeles and start another band. Shortly after arriving in L.A., Fieger met Berton Averre (lead guitar, backing vocals and keyboards), and the two started a songwriting partnership. Fieger had also known Bruce Gary (drums) fo ...
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