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An Anthology Of Chance Operations
''An Anthology of Chance Operations'' (An Anthology) was an artist's book publication from the early 1960s of experimental neodada art and music composition that used John Cage–inspired indeterminacy. It was edited by La Monte Young and DIY co-published in 1963 by Young and Jackson Mac Low in New York City. Its full title is: ''An Anthology of chance operations concept art anti-art indeterminacy improvisation meaningless work natural disasters plans of action stories diagrams Music poetry essays dance constructions mathematics compositions''. Legacy The project became the manifestation of the original impetus for establishing Fluxus. In autumn 1960 the editor of the magazine ''Beatitude'' magazine approached Young and Mac Low after a reading and asked them if they would guest-edit an issue of the East Coast edition of his magazine, ''Beatitude East''. Given free rein to include whoever and whatever he wanted, Young collected a large body of new and experimental music, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Anthology Of Chance Operations
''An Anthology of Chance Operations'' (An Anthology) was an artist's book publication from the early 1960s of experimental neodada art and music composition that used John Cage–inspired indeterminacy. It was edited by La Monte Young and DIY co-published in 1963 by Young and Jackson Mac Low in New York City. Its full title is: ''An Anthology of chance operations concept art anti-art indeterminacy improvisation meaningless work natural disasters plans of action stories diagrams Music poetry essays dance constructions mathematics compositions''. Legacy The project became the manifestation of the original impetus for establishing Fluxus. In autumn 1960 the editor of the magazine ''Beatitude'' magazine approached Young and Mac Low after a reading and asked them if they would guest-edit an issue of the East Coast edition of his magazine, ''Beatitude East''. Given free rein to include whoever and whatever he wanted, Young collected a large body of new and experimental music, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter De Maria
Walter Joseph De MariaRoberta Smith (July 26, 2013)Walter De Maria, Artist on Grand Scale, Dies at 77 ''New York Times''. (October 1, 1935July 25, 2013) was an American artist, sculptor, illustrator and composer, who lived and worked in New York City. Walter de Maria's artistic practice is connected with minimal art, conceptual art, and land art of the 1960s. LACMA director Michael Govan said, "I think he's one of the greatest artists of our time." Govan, who worked with De Maria for a number of years, found De Maria's work "singular, sublime and direct". Life and career De Maria was born in 1935 in Albany, California. His parents were the proprietors of a local restaurant in Albany and were socially very active, while their son was mostly concentrated on music. Walter De Maria's first academic interest was music—first piano, then percussion. He also took to sports and cars, of which he made drawings. By 1946 he had joined a musicians' union. De Maria studied history and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Waring
James Waring (November 1, 1922 - December 2, 1975) was a dancer, choreographer, costume designer, theatre director, playwright, poet, and visual artist, based in New York City from 1949 until his death in 1975. He was a prolific choreographer and teacher. He has been called "one of the most influential figures in the New York avant-garde in the late fifties and early sixties", Vaughan, David. "James Waring: A Rememberence". ''Performing Arts Journal'' v.5 n.2 (1981abstract/ref> "one of dance's great eccentrics", "a focal point for dance experimentation before the existence of the Judson Dance Theater", and "the quintessential Greenwich Village choreographer in the late 1950s and 1960s".Chin (2010) Waring's collage style of building dance works influenced the development of the avant-garde Happenings which were staged in the late 1950s. According to Leslie Satin, although Waring was a seminal influence on modern and post-modern dance in New York City, his position in both the mains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Roth
Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist best known for his artist's books, editioned prints, sculptures, and works made of found materials, including rotting food stuffs. He was also known as Dieter Rot and Diter Rot. Biography Early life He was born Karl-Dietrich Roth in Hannover, the first of three sons. His mother Vera was German; his father Karl-Ulrich was a Swiss businessman. After the beginning of World War II, Roth was to spend each summer in Switzerland at the behest of the Swiss charity Pro Juventute, a group trying to protect Swiss-German children from the worst ravages of the war. By 1943 the exile had become permanent, and Roth was sent to live with a family in Zürich. This house, the home of the family of Fritz Wyss, was shared with Jewish and communist artists and actors. It was here that Roth would be encouraged to start painting and to write poetry. He wasn't to be re-united with his family, which was by now utterly destitute, until 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Riley
Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition '' In C'' and the 1969 LP ''A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Raised in California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with the San Francisco Tape Music Center. A three-record deal with CBS in the late 1960s, resulting in an LP recording of ''In C'' (1968) and ''A Rainbow in Curved Air'' (1969), brought his work to wider audiences. In 1970, he began intensive studies under Hin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications. Biography Born in Seoul in 1932 in what was then Japanese Korea, the youngest of five children, Paik had two older brothers and two older sisters. His :ko:백낙승 (1886년), father (who in 2002 was revealed to be a Chinilpa, or a Korean who collaborated with the Japanese during the latter's occupation of Korea) owned a major textile manufacturing firm. As he was growing up, he was trained as a classical pianist. By virtue of his affluent background, Paik received an elite education in modern (largely Western) music through his tutors. In 1950, during the Korean War, Paik and his family fled from their home in Korea, first fleeing to Hong Kong, but later moving to Japan. Paik graduated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Forti
Simone Forti (born March 25, 1935), is an American Italian Postmodern artist, dancer, choreographer, and writer. Since the 1950s, Forti has exhibited, performed, and taught workshops all over the world. Her innovations in Postmodern dance, including her seminal 1961 body of work, ''Dance Constructions'', along with her contribution to the early Fluxus movement, have influenced many notable dancers and artists.Yvonne Rainer (2014). "On Simone Forti". In Sabine Breitwieser. ''Simone Forti: Thinking with the Body.'' University of Chicago Press. pp. 70–71. .Steve Paxton (2014). "The Emergence of Simone Forti". In Sabine Breitwieser. ''Simone Forti: Thinking with the Body.'' University of Chicago Press. pp. 59–61. .''The Judson Dance Project'' 1980-1982. Founding members of the Experimental Modern Dance Group active in New York City's Judson Church in the 1960s discuss their work. Includes archival footage of performances. Series of 7 videocassettes, VHS (New York, The Kitchen, 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Morris (artist)
Robert Morris (February 9, 1931 – November 28, 2018) was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism along with Donald Judd, but also made important contributions to the development of performance art, land art, the Process Art movement, and installation art.Dictionary of Modern and Contemporary Art. Oxford University Press. 2009. p. 481 Morris lived and worked in New York. In 2013 as part of the October Files, MIT Press published a volume on Morris, examining his work and influence, edited by Julia Bryan-Wilson. Early life and education Born in Kansas City, Missouri to Robert O. Morris and Lora "Pearl" Schrock Morris. Between 1948 and 1950, Morris studied engineering at the University of Kansas.Josine Ianco-Starrels (April 27, 1986)Robert Morris Works Focus On Environment''Los Angeles Times''. He then studied art at both the University of Kansas and at Kansas City Art Institute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Maxfield
Richard Vance Maxfield (February 2, 1927 – June 27, 1969) was a composer of instrumental, electro-acoustic, and electronic music. Born in Seattle, Maxfield studied at Stanford University, University of California, Berkeley (with Roger Sessions) and privately with Ernst Krenek in Los Angeles. A Hertz Prize travel scholarship allowed Maxfield to travel to Europe, where he met Pierre Boulez, Karlheinz Stockhausen and Luigi Nono. in 1953 he studied at Tanglewood with Aaron Copland. In 1954-55 he studied at Princeton University with Sessions and his pupil Milton Babbitt. A Fulbright Scholarship allowed Maxfield to live in Europe between 1955 and 1957, where he studied with Luigi Dallapiccola and Bruno Maderna, lived for a brief period with Hans Werner Henze and met John Cage and David Tudor. In 1958, he attended Cage's courses at the New School for Social Research (now The New School). In 1959 he taught classes there himself, becoming the first American to teach purely electronic mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Johnson
Raymond Edward "Ray" Johnson (October 16, 1927 – January 13, 1995) was an American artist. Known primarily as a collagist and correspondence artist, he was a seminal figure in the history of Neo-Dada and early Pop art and was described as "Ray Johnson, 67, Pop Artist Known for His Work in Collage" by Carol Vogel, ''The New York Times'', January 19, 1995 "New York's most famous unknown artist". Johnson also staged and participated in early events as the founder of a far-ranging |
Terry Jennings
Terry Jennings (19 July 1940 – 11 December 1981) was an American minimalist composer and performer. Early life in California Terry Jennings was born in Eagle Rock, Los Angeles, California, in 1940. Coming from a background in jazz, he played piano, clarinet, and saxophones. He played jazz with La Monte Young in Los Angeles in the mid-1950s, and later began to compose in the manner of Young's early sustained-tone style. He also studied with Robert Erickson at the San Francisco Conservatory of Music and Leonard Stein at the California Institute of the Arts. New York City Jennings was active as both composer and performer in New York starting in 1960, where he worked with the James Waring Dance Company and with La Monte Young's Theatre of Eternal Music. His early works are quiet, simple, and restrained. Two of his compositions from 1960, ''Piano Piece'' and String Quartet were published in ''An Anthology of Chance Operations'', edited by Young. This publication led to the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshi Ichiyanagi
was a Japanese avant-garde composer and pianist. One of the leading composers in Japan during the postwar era, Ichiyanagi worked in a range of genres, composing Western-style operas and orchestral and chamber works, as well as compositions using traditional Japanese instruments. Ichiyanagi is known for incorporating avant-garde techniques into his works, such as chance music, extended technique, and nontraditional scoring. Ichiyanagi was married to artist Yoko Ono from 1956 to 1962. Early life and education Ichiyanagi was born in Kobe on 4 February 1933. He studied composition with Tomojirō Ikenouchi, , and John Cage. From 1954 to 1960, he resided in New York City, where he studied at the Juilliard School and the New School for Social Research. Ichiyanagi was married to Yoko Ono from 1956 to 1962. Ichiyanagi's decision to return to Japan, while Ono remained in New York, rendered the marriage untenable. Career Returning to Japan in 1960, Ichiyanagi collaborated with the anti- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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